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The "true" story follows its two, pullitzer prize winning authors as they leave their dark, viewless, Manhattan condo and set out for Aiken, S.C., where they've bought(for quite a bit less than the original million+ asking price) a sixty room mansion built in 1897 by WC Whitney, as the gilded age began to flicker to a close. Through neglect, the house is an absolute mess. The crew hired to bring it back to its glory is pretty much a mess as well. From the holdover-joint-toking hippie that makes off with the only, working-order copper piping to sell for scrap, to the tile man who wants to be paid for time he'd requested to hang out (doing nothing)while the tile arrived, to the maid who spends all day dusting 3 rooms, only to be discovered sleeping whenever the bosses are away. You can't leave this crew a for a second, as they discover towards the end, in a scene that will leave wine lovers heart broken. The problem is, as with "A year in Provence", the owners seem to have a bottomless pocketbook, and always seem to have a check to write to cover whatever goes wrong. And EVERYTHING goes wrong. This eventually takes away from the believability, especially when combined with the patience of Job that the two men seem to display, endlessly, towards what are essentially ne'er do wells and lowlifes posing as contractors. Ah, well. You do learn a bit about the Whitneys, the house in its better days, Aiken in its better days, and the more recent days. All in all a worthwhile read.
Having moved to the South from the West Coast, I understood totally what Mr. White-Smith encountered! From Irish Travelers to the local restaurant that produces vegetables that have had every last trace of nutritional content boiled out of them, collard greens, fat back and fat light (it is vital that you know the difference: one is used to light fires and one is put in with your collards!),pepper sauce, sweet tea (cavities be damned!) to Moon Pies, Krispy Kremes, speech from people that you swear aren't speaking English, painters that can't paint, roofers that drink way too much, Nandina, Magnolias and Smilack at Christmas (I hope that I spelling the last one correctly!) and on and on and on. If you live in the South (especially if you are a transplant) and most especially if you live in or have redone an old house, this is the book for you!
As I said, I have re-read this book several times and I still find myself laughing hysterically. It is a great book that I am terribly sorry is out of print. Until it comes back into its second printing, the audio version will suffice. I wish they would do a "Part II" version...
A MUST read!
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With the publication of STONE QUARRY, the sixth book in Rozan's Lydia Chin/Bill Smith series, St. Martins Press has proved me right - but then, I knew that about the time that CONCOURSE, won the Shamus Award back in 1995. Rozan has not only developed a continually fascinating series, with fully developed characters, well-described settings (mostly in and around New York City), but she has successfully created a series with two distinct voices. In books one, three and five, Lydia Chin takes the narrative. She is a young, optimistic Chinese-American private eye who tries to balance the needs of her family and her own need to declare her independence and intelligence. The older, far more cynical private eye Bill Smith takes the lead in the other books. STONE QUARRY is, technically a "Bill Smith" book, while Lydia still participates. While Smith seems to fit the mold of he standard white guy p.i., he is anything but typical and is as interesting as his more "exotic" partner.
In this dark mystery, Bill is in upstate New York where he's had a house for years - a place he retreats to. He's in town primarily to assist Eve Colgate, a somewhat reclusive resident who wants him to check out a theft, without reporting that theft to the police. He is as well known as anyone in the area, but still seen as an outsider; even when he helps someone, he's somewhat resented. There is corruption, there's the arrogance of wealth and small-town attitudes for Bill to deal with. He calls Lydia, who is clearly out of her element in this rural setting, but still insistent on helping her friend and some-time partner.
STONE QUARRY continues an excellent series. It tells you more about Smith and Chin, two of the most intelligently drawn private eyes in modern day. Rozan, who won the Anthony for best novel for A COLDER PLACE, writes as effectively about this dark place as she does the bright lights of Chinatown and the upper west side and Brooklyn. The conflicts between Lydia's fairly upbeat attitudes and Bill's world-weariness only serve to highlight the way the two characters care for each other and keep each other balanced, keep each other from going off the deep end in either direction. This is truly one of the best mystery series available today - never a disappointment, cleanly, sharply written with warmth and wit and compassion, but the author never forgets to tell the story.
The book shows how the rights in the bill of rights have been taken from the people by the politicans, bureaucrats, and judges.
Even if you do not consider yourself a political animal, this book would make good reading, and may awaken your desire to remain free according to the Constitution
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If the liberal author condemns Thomas as a "race traitor," then he is indirectly endorsing the view of white supremacists who believe in white "race traitors." If "race" is not a biological fact, how can there be any "race traitors"?
In defense of Thomas and other Anglo mulattoes and mixed-whites who proudly reject the black stigma, may I ask why Latinos (also a mixed race, partially black group), Indians, Asians, etc. have never been condemned for the same "sins" of looking down on blacks and identifying more with whites? Mexican elites, for example, were willing to condemn blacks as inferior as long as Mexicans as a group could have the honored label of "white." Why don't they receive the condemnation and sneering that Anglos of mixed-race receive even when they just live their lives and make no statements on "race"? Why? Why don't liberals rejoice at THEIR misfortunes and proclaim that the uppity in-betweens had it coming to them?
Smith should condemn himself as a "racist" for promoting the "one drop" myth and forced hypodescent. As a liberal, he misleads people of good will into endorsing anti-mulatto racism as a defense of blacks. That is the source of the "race traitor" accusation against William Hannibal Thomas. He is being used as a scapegoat.
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With history generally written in a self-serving, sanitized fashion, it's refreshing to see a different take on US involvement in the Philippines -- one more in keeping with the general Philippine view of the situation as well, I estimate.