There may not be a detailed character development, but that was fine for me. I'll fall asleep half the time when someone is giving me every detail about a person or a scene. I like to use my imagination and picture a charater for myself. What this book has is content of character, not filler describing characters. I know exactly what Tobias, Emma, Frog, Bonzon, Sol, Skillet, and all of the others look like. Thay will probably be completely different for you, but to me that is what makes this book worth reading. I thoroughly enjoyed it and I think you would too.
encountered, this is also, untimately, the most frustrating of the first five volumes. Jack Aubrey, having given up his commodore's pendant at the end of the Mauritius campaign, is back to being a post captain, this time commanding the slow, aging _Leopard_ on a voyage to relieve the embattled Gov. William Bligh in Australia. For reasons of state security, he must also transport a batch of convicted felons, among whom is an American women strongly suspected of spying for the United States, and he must deal with an intellectual young man who has stowed away aboard to be close to Mrs. Wogan. Virtually the whole story takes place aboard the one ship, so the author has the opportunity to investigate his characters in great depth -- always one of his strongest points. The only real naval action, a prolonged stern chase in horrible weather, in which _Leopard_ must flee from the much stronger _Waakzaamheid,_ a Dutch 72-gun ship, is absolutely riveting, as is its sudden and tragic resolution. Then there are the icebergs. But when the book ends, _Leopard_ is still a thusand miles or more from New South Wales and Bligh is nowhere in sight. "Ah," I thought, "it's a two-parter." But it isn't, because I peeked at the next volume. I don't believe O'Brian has enitirely played fair with the reader this time, and it annoys me not to know what happened in the rest of Aubrey's commission.
Since the entire novel takes place, more or less, on board the Leopard we see more of the interaction among the characters, especially Aubrey-Maturin, an odd American stowaway, and a pretty female prisoner with ties to both Diana and the American stowaway. There is a tremendous naval battle involving a much larger Dutch ship, and a desperate detour towards the Antarctic as Aubrey fights to save his ship among calamity and possible mutiny as the Leopard races to rescue the infamous Captain Bligh. For fans of the series, there is a great deal here to like, and I thought the book was as good as anything I have read thus far by O'Brian.
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O'Brian's intelligent and intimate prose is as strong as ever. His delightful dry humor and observations of human nature are perfectly insightful. Another excellent story.
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To those familiar with Patrick O'Brian's previous stories, "The Wine Dark Sea" will not disappoint! Just don't start here if you're not...
There are few prose stylists writing today who can compare with Patrick O'Brian for the smooth, evocative and fluid stories which come from his pen. This book, a particularly fine example of O'Brian's craft, is part of his Aubrey/Maturin series of sea-faring novels. Sailor Jack Aubrey, while a typically crusty man of the blue briny, is also a well-read and witty contrast and companion to Doctor Stephen Maturin, an erudite physician with a huge love of the sea. Together, the two have had many adventures, but in The Wine-Dark Sea, they face some of their greatest challenges ever with remarkable spirit and aplomb. The story here is great entertainment with lots of page-turning action, but the lush writing is simply seductive and so easy to become lost and quite "at sea" within. While these are often consider "men's books," I strongly suspect that many women would be attracted to the strong plots, grand characterization, and fine writing; there is never the least hint of the crude or the coarse in these highly literate, but so readable novels. I have often suggested the works of Patrick O'Brian to writing students as a model for crisp, fresh, lively prose and most highly recommend this series to anyone who loves a great read.
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the prints are amazing, vibrant and detailed. the portraiture is stunning and all mario. i know that his previous books were always a bit of a disappointment since they tended to hilight a completely different style then the one by which he was so successfully making his living. as a believer and a fan, this book is the proof that mario may be fashion's greatest living photographer.
here it is and well worth the wait. the perfect south beach cofee table book.