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What is even more sad is that the woman who ended up in Goddard's institution for the feeble-minded for her entire and long life, was actually a beautiful and given the environment she was placed in, accomplished person. And she was placed there because the step-father of her family did not want children in the household who were not his.
This book was written by Smith to shred the evidence that the eugenists used to black-ball this family. He wrote a short rehistory of the family, and did research which showed that the eugenists went so far as to retouch pictures to make the family look worse. He also did a fine job of showing the completely unscientific methodology used to prove the eugenic theory of inherited poverty, feeble-mindedness, and criminality. Smith finally clears the name of this family by proving Goddard as what he was--a prejudiced charlatan with no thought except for his own fame.
With the near completion of the family genome, and the specter of eugenicism raising its ugly head again, it should be considered by the publishers to reprint this book as a reminder of how social attitudes affect science. I think it is also needed to once again continue to clear this family's history (even though the names are made up) because so much was written to denigrate them.
Karen Sadler, Science Education, University of Pittsburgh
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In this book his unique writing style has me wondering why such thoughts went through his mind. His wordy and elaborate writing style presented his strange subject matter in a style that could be accepted in his time. While it is sometimes difficult to follow the story it allowed James to express what would have been a controversial topic.
At times in this story you become anxious and excited, while at other times you are left picking and choosing what you think is going on, and when you least expect something to happen you become surprised, and become more interested in the book.
The ending surprised me. What I thought was going to be a happy ending turned into a perverse finale and a total tragedy. From beginning to end, Henry James wrote a book that is different from all other books.
The story itself is fairly simplistic on the surface. In the hands of a lesser writer, it would have been a simple "things that go bump in the night" ghost story of no consequence. However, the ambiguity of the narration brings the story a great deal of depth. Are we to trust the governess's story, or is the entire plot merely a figment of her imagination or a neurotic response to her sexuality? The brilliance here is in the wide range of interpretation. The entire novel can be taken either way (or both ways at once) equally well, which is fascinating.
Many reviewers have (unfavorably) commented on the writing style of Henry James, noting its complexity and verbosity. While his prose can be difficult to master (I had to read several sentences multiple times to decipher them), the complex language does not merely use extra words for the sake of making the story longer. Instead, every bit of detail in the sentences modifies and elaborates on the text, helping greatly to create the haziness that permeates "The Turn of the Screw." I thoroughly enjoyed the style of writing here, and this is coming from somebody who criticized the language in "Wuthering Heights" and "Tess of the D'Urbervilles." The complexity enhances the novel, rather than weakening it.
All in all, I was astonished by the great quality of "The Turn of the Screw." One last note - I highly recommend the Norton Critical Edition, featuring authorial commentary, reviews, and criticism. An excellent choice.
Although this book is short, its impact is nevertheless profound. The story's setting is surrealistic, leaving many factors open to speculation and debate. The end is at the same time chilling and mysterious. The enigmatic nature of the story adds to the mystery and terror and this book is sure not to disappoint any reader looking for a haunting and unforgettable story.
"The answer is simple and relates to the fact that Morgenthau was writing a piece of wartime propaganda with the expressly stated purpose of mobilising support for President Wilson's war effort. He consciously down played the close relationships he enjoyed with the Young Turk leadership throughout his sojourn in Constantinople and sacrificed truth for the greater good of helping to generate anti-Turkish sentiment which would transform itself into pro-war sentiment."
Unfortunately the American public opinion during that time was based on such sources as the services of Dragaman (translators) between the officials of the Ottoman Empire and the American Ambassador. And these dragaman were not Ottoman Turks but Ottoman Armenians and Ottoman Greeks both were in conflict with the Ottoman Empire. Ambassador Morgenthau used two of them, two Armenians, namely Hagop S. Andonian (personal secretary) and Arshag K. Schmavonian (legal assistant). The printed copy however went through severe war time propaganda editing by the US Secretary of State, Robert Lensing and Pulitzer award winning author, Burton J. Hendrick.
One of the most dramatic incidents and the diversion of the facts were about the life insurance benefits of the deceased Armenian insurers of an American Insurance company. The book claims that Talaat, the Ottoman Interior Minister, made a request to him that the Ambassador should help to facilitate payment the insurance benefits to the Ottoman Treasury, as there were no heirs to the insurers! However, Dr. Lowry proved that after reading the actual dated letters, the request of the Ottoman Minister was to stop the American Insurance Company from transferring their capital funds from Ottoman Empire to France, and thereby preserving sufficient capitalization for any benefits claims. Such diversion of the facts is extremely dangerous.
It is therefore an important document about the wartime journalism and subsequent unfortunate diversions of the facts to base Armenian claims of 1915. We could only be grateful to Dr. Lowry that he shed light into the story with his review of the original letters stored in FDR Library and in the National Achieves.
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The author advances his topic through general themes and the various ways in which Thoreau used walking: as the perfect transcendental physical and mental exercise; as the investigation of nature and the wider landscape; as a way to rid the mind and body of civilization in order to think straight; as a way to exhibit nonconformity and individuality; as a way to inspire writing or garnish income by surveying. I find it particularly curious that only two pages are devoted to surveying, which was one of Thoreau's primary means of support and which got him travelling around his town, learning the nooks and crannies of Concord properties, providing the walking experience while allowing him to unearth natural discoveries along the way. Surely that part of his life deserves more than a mere two pages of coverage, especially when he had to walk to do the job.
Perhaps the casual Thoreauvian will pluck this book off a shelf because the title sounds as though it might be a guidebook for applying Thoreau's philosophies to our lives today. Well, that gentle reader will be disappointed. By changing one word in the title, the author could have given us a better expectation of the content. If the subtitle instead read: "Thoreau and HIS search for self," then we would know that it's all about the famous naturalist's physical and introspective journeys, and not a model for our own. Smith sticks only to literary analysis. If he had gone that one step further -- both literally and figuratively -- and shown how Thoreau's experience can apply to our own search for self today, a person would have a real reason to pick up this book.
For it is painfully obvious that Smith has most likely never seen the places Thoreau visited. While Thoreau could claim, "I have traveled much in Concord," the reader gets the impression that Smith can't say the same. He sticks to literary analysis and never puts himself into the picture. In a passage on page 106, Thoreau is quoted as having earlier traversed "a rocky hillside where the sweet-fern grows for a mile." The casual reader might be interested in knowing that sweet-fern still grows on the northern rocky shore of Walden Pond; and when you squeeze a leaf between your fingertips, a lovely spicy scent stays with you for the rest of your walk. But Smith probably doesn't know that. Instead he spends four pages of the final chapter mentioning articles and books written by those who actually HAVE attempted to walk in Thoreau's footsteps. Thus this book appears to be written by someone who has READ quite a bit but has not DONE. And yet Thoreau is quoted on page 182: "The forcible writer stands bodily behind his words with his experience. He does not make books out of books, but he has been *there* in person." Evidently Smith read and copied those words but did not heed their admonishment.
The text itself saunters along. It isn't broken by subheadings for emphasis or for easy reference, and no index is included, so its academic usefulness is limited. This book is not designed in a way to be accessible to scholars, and it's not written with contemporary lifestyle application in mind. So the question on the reader's mind is: Why should we care? Or, Why am I reading this? Hmmm. Why, indeed.
I should mention that I found Smith's list of sources moderately useful. Some interesting titles about walking or about Thoreau appear in the bibliography, and they are worthy of further investigation. So my investment in purchasing this volume was not a total loss.
Here's the coup de grace: A lovely ethereal photo of the North Bridge graces the cover, providing yet another temptation for the casual reader to believe that held within are the secrets of how we can use Henry David Thoreau's writings in order to live our lives today. For of course the savvy Thoreauvian knows that while the North Bridge is indeed an historical symbol of Concord, Massachusetts, no bridge existed in that spot from 1793 to 1875. Thoreau (1817-1862) would not have and could not have walked its expanse. Ah, the irony.