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Reading this book is a great way to help kids exercise emotions. The feeling of loss that I had at the end of the book was very painful, but even so, I felt it was something real. So many times, kids' books can be sugary sweet with perfect endings and we don't give kids a chance to learn about more difficult feelings. This book will give kids that chance without scaring or traumatizing them. Instead, the story gives a warm and alive feeling of having lived the experience. After reading the book, I felt like I had grown up a little bit more.
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The book is formatted in chapters of essays and yarns written either by either Hill or Smith. Some of the essays are how-to articles; most are anecdotes. The Steve Smith yarns will leave you laughing, while Gene Hill, as was his style, will leave you deep in thought or simply crying.
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The atlas (actually a series of maps in a seperate docket showing the contemporary battlefields and approaches used by the US and British forces)is worth the cost of the book alone. Coming as it does from Latour's hand, Jackson's principal military engineer, it is, put simply, priceless to the serious student. Not only does it help visualise the struggle but much can be deduced by a simple comparison of Latour's battlefield and environs maps with, say, John Peddie's equally contemporary print for the British forces. Also the maps illustrate a host of detail not covered in the general histories (i.e. the correct anchorages and approach points for the British fleet - these I checked with the original ship logs that survive in England).
Mr Smith gives a very interesting introduction. His detail of Latour's life before, during and after the Battle is informative and really helps underpin the memoir by putting it in its proper place (i.e. he highlights the 'blurring' around Latour's actual location on the 8th January itself - was he with Jackson or Morgan? If so did he actually see the battle?) As good as the introduction is, however, I must point out that it is imperfect. The Commander of the British forces was EDWARD and not EDWIN Pakenham and I wish he had said more about Latours relationship with the Jean Lafitte and why Latour latter became an agent for Spain.
The appendix table is extensive and full of that incidental detail that brings history to life. It gives an added dimension to the memoir. Most students will be familar with the key documents repeated here but hidden in the despatches, letters and orders are nuggets of pure gold (i.e. the exchange of letters between opposing commanders - many not always in the official archives). Some of the items appear direct transpositions from already published sources particularly on the British side (i.e. from the London Gazette). This is unfortunate as Lambert's despatch of the battle was censored and an important paragraph excluded which, is turn, is likewise excluded from the tables.
Turning to the narrative itself it is surprisingly short. Of some 400 pages Latours memoir accounts for only 160 pages plus some notes. Of these not all are of real use to the student (i.e. Latour's preface and the war's origins I found superficial and vague). However, Latour more than makes up for this in his specialist areas such as his description of New Orleans and its defences and his descriptions of the Battles of Lake Borgne and New Orleans (not to be read without the appropriate maps) are vivid and substantial. Latour obviously conducted a lot of far ranging research (i.e. with bearly concealed contempt he provides tantalizing details of the fishing village and inhabitants and a number of Pensacola inhabitants who helped the British in their approach. He lists names and places and these too are borne out by the surving records (i.e. Guillemard p.71 received a large some of money from General Keane for his services).
All in all I found Latour's memoir to be an excellent and rewarding read. However, to get the maximum benefit from this book it is suggested that it is read in conjunction with a more modern work on the subject perhaps Frank Oswley's 'Struggle for the Gulf Borderlands' or Robin Reilly's 'The British at the Gates'.
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I think that Harding is talking about one of the most intriguing philosophical problems of today, which is consciousness. He wants us to become aware of our awareness, and to show how this experience fundamentally changes the way we see everything else.
To my mind, his connection to Zen Buddhism is strenuous. He mentions many passages from Zen Buddhism (and also from some Christian mystics) to make his point. Zen Buddhism is about rational thought being an obstruction of truth, but thinking about awareness is a very rational enterprise. I am not convinced that when the Zen masters talked about the disappearance of the self they meant the same as headlessness. Anyway the connection with Zen adds little to the main idea of the book, which I think can very well stand on its own.
All in all, I think this book touches on something that is really very important, even fundamental. My only criticism is that the book contains much that I thought peripheral and even unnecessarily opaque.
Puzzle over that little question while you read this underground spiritual classic. Douglas Harding is dead serious (though far from solemn): he wants to show you that you have no head.
You see, he noticed one day while wandering in the Himalayas -- where this sort of thing is apt to happen -- that _he_ didn't have a head. And, in reflecting on the experience afterwards, he worked out a way to bring other people to the same awareness with no need for either abstruse scholarly appartus or esoteric meditation techniques.
All you have to do is turn around the arrow of attention, and try to look back to see who -- or Who -- is looking _out_ from wherever it is you're looking out from. Go ahead. Try it right now.
See?
Well, if you did, you don't technically need the book any more. But Harding is still a lot of fun to read: he has a light touch, a subtle sense of humor, and the ability to compress the keenest of insights into the simplest of prose, so you'll enjoy him even if you've already gotten his point.
And if you _haven't_ gotten it yet, he'll help you to do so. It's really the same point Alan Watts wanted to put across in _The Book: On The Taboo Against Knowing Who You Are_ (which, for my money, is his best work on the subject). Watts wants you to see that the world is your body; Harding wants you to see that the world is your mind; and they're both right.
This is just a charming book all around, and it will grow on you over the years without ever getting old. Buy a copy and keep it; when it wears out, buy another. Pass it out to your friends. Force it on your enemies (and thereby turn them into your friends). I've gone through at least a couple copies of it myself.
Of course, if you're one of those people who thinks spirituality isn't _supposed_ to be fun, and that anything this simple is somehow unworthy of God, you should probably stay away from it for a while. Read Raymond Smullyan's _The Tao Is Silent_ first and (chuckle) lighten up.
Is the world you experience "inside" your mind or "outside" it? Read Harding, and then _you_ tell _me_.