Cherokee is so unlike English, in terms of grammar and syntax, that learning the language is difficult; however, the difficulty is minimized by starting slowly and building vocabulary first. The optional accompanying cassettes should be a big help.
One caveat: this book teaches the dialect common in Oklahoma. Eastern Cherokee is slightly different, but if you learn the western dialect, folks in North Carolina will be able to understand you.
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The Billboard Guide to Progressive Music Bradley Smith ((Billboard Books, Watson-Guptill Publications, New York) Progressive music is both misunderstood, and often critically overlooked or maligned. Smith's book covers the gambit of progressive music, including the typical prog-rock/art-rock crowd (Floyd, Yes, Crimson, H Cow, etc), as well as krautrock, modern progressive bands, stuff that veers towards new age, and even industrial-pioneer Throbbing Gristle and no-wave early Lydia Lunch group Teenage Jesus and the Jerks. The 20 page overview that covers the history of the genre is insightful and well written, but unfortunately the main portion of the book, "Key Recordings" is rather lame. Bradley's limits this section to 330 recordings (a few video, the rest cd) by 147 different artists, and some of his choices (inclusions as well as exclusions) are laughable. He throws in too many wimpy new age records for one thing. The inclusion of T! hrobbing Gristle, a band not normally associated with prog, is commendable, especially since Smith lets on at the beginning that he is one of those expensive hi-fi nuts, and the Gristle are about as lo-fi as one can get. Why are there several albums by Gristle spin-off Chris and Cosey, and not Psychic TV's "Force Thee Hand Ov Chance" or any number of Coil albums that are equally progressive? (I suppose the nudie photos of Cosey on her "Time To Tell" CD decided that one.) Instead of six Throbbing Gristle albums, why not anything by the far more dada-esque Nurse With Wound? Or Current 93? (Both of which are included in the web-based Gibraltar Encyclopedia of Progressive Rock) On the krautrock side the omissions are equally as glaring: no mention of Faust, Neu, Can, Holger Czukay, Embryo, Mythos (I could go on and on) in favor of a dozen records by Tangerine Dream and five from Deuter, including many later albums when both these artists were well past th! eir prime. Nothing on Hawkwind! The reviews themselves, a! bout half a page per album, are not much better. Bradley feels compelled to tell you how long each song is and goes into the sound quality from the point of view of a stereo-phile, this one has slight audible hiss, that one has none. He also describes the cover art of almost every release, which might make (a little more) sense if these were on vinyl, and not on CD where the cover art is shrunk down to insignificance. Also it is unadvisable to comment on the cover art when one's photo on the back cover of the book shows a dazed, pauchy man with a smug smirk and bad complexion wearing what looks like a polyester coat.
The beauty of the book is that, while subjective, it covers a very broad range of music: from the natural soundscapes of Annea Lockwood and Constance Demby to the Jazz Fusion of Mahavishnu Orchestra and Brand X, the classical formalism of Liz Story and Mike Oldfield to the prog-metal of Fire Merchants and Happy Family, The Billboard Guide To Progressive Music covers all the bases and provides the fan of uncompromising music with a true asset. As progressive music is diverse and is rarely categorized as one genre, a book such as this helps to identify the music that fits the potential listener's needs. Personally, I have bought over fifty of my own albums based upon Smith's recommendations. The only shame is that he does not have a website which he could frequently revise.
All in all, a fabulous book.
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Also, more about the book itself, and not the content--the binding fell apart for every person that had this class with me, and the ink on the pages will smear with a rub of the finger, or eraser.
The only commendable trait in the text would be the computer-generated graphics/plots. Especially those that were 3D. That is why I decided to bestow the one star...actually, I couldn't give it zero.
If you HAVE to purchase this text for a class, be prepared to write a letter to your professor at the end of the course, telling him/her how awful this text was. If you are looking to purchase it for your leisure reading.....DON'T! There are many better texts out there.
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