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Through extensive research and detective work, author Leslie Smith Dow has successfully peeled back the layers of myth to reveal a very different, but equally extraordinary Anna. Through her research she debunks some of the details of Anna's early life revealing a very unromantic childhood of poverty and squalor. This book took me right into the heart of this extraordinary woman as she struggled to survive as a young widow with two small children. Her life as a Governess at the Saimese Court was fascinating, but equally impressive was the life she led after leaving Siam. I was very interested to read of her many accomplishments in Canada after moving to Halifax Nova Scotia with her daughter and son-in-law. She worked very hard to make her mark on both Halifax and Montreal leaving a lasting legacy of work that remains to this day.
Leslie Smith Dow has done a remarkable job of giving us a true portrait of Anna Leonowens and I highly recommend this book.
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It is one thing to read about the injustices of slavery from a historical or even an observer's point of view. It is quite something else to learn of the daily life of a slave in the indentured person's own voice. Such is the case with "The Bondwoman's Narrative" penned by a female slave in the 1850s.
According to the editor this manuscript has existed for 140 years, and is quite probably the "earliest known novel by a female African-American slave and the earliest known novel by a black woman anywhere." Also according to Mr. Gates a slave escaped from a North Carolina plantation in 1857 and was able to reach New Jersey. It is his contention that she is the author of this book.
Whether one wishes to question the authenticity of his identification or not is quite immaterial considering the compelling material within "The Bondwoman's Narrative." The relationship between ladies' maids and their mistresses is revealed in sharp detail, as are the offensive overtures by a relentless master. The slave and narrator is presented not as a human being but as chattel, valued only for what she might bring on the block.
- Gail Cooke
The book is beautifully written; authentic in tone, language and setting. Gate's decision to leave the author's original editing marks as part of the published novel provided a peep into Crafts' writing process and choices while at the same time drawing me even closer to the author. I suggest that you read the novel prior to reading the Introduction. I stopped a few pages into the Introduction for fear that I wold learn something through Gate's analysis that I would have picked up from the narrative on my own. Having saved the Introduction and Textual Annotations for last, I return to the book in anticipation of the story about the story of Hannah Crafts.
I highly recommend this novel. It should be welcomed into the American literary cannon. Its content and style are deserving of the honor. An excellent teaching and learning tool (an alternative to "Uncle Tom's Cabin" for sure!), that resonates with the spirit of love. There is something beyond strength throughout the pages of Hannah Crafts' story and Gates deserves kudos for making it available to the world. I can imagine Crafts at her writing desk above smiling down with gratitude.
According to the editor this manuscript has existed for 140 years, and is quite probably the "earliest known novel by a female African-American slave and the earliest known novel by a black woman anywhere." Also according to Mr. Gates a slave escaped from a North Carolina plantation in 1857 and was able to reach New Jersey. It is his contention that she is the author of this book.
Whether one wishes to question the authenticity of his identification or not is quite immaterial considering the compelling material within "The Bondwoman's Narrative." The relationship between ladies' maids and their mistresses is revealed in sharp detail, as are the offensive overtures by a relentless master. The slave and narrator is presented not as a human being but as chattel, valued only for what she might bring on the block.
Ms. Craft has ably evoked pictures of the old South as well as the horrific conditions imposed by bondage. It is a miracle that these people could even hope for freedom. It is a wonder that this manuscript was brought to light at last.
- Gail Cooke
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My one criticism is the lack of historical thread of the airline after its ejection from China. The book breaks down to a series of interesting anecdotes, but the background on how CAT evolved, how it acquired jets, how Smith himself transitioned to sophisticated jet transports, is missing. I found many of the later anecdotes, though well written and compelling, oddly out of context, and wondered how they fitted into the big picture. This wasn't helped by Smith's technique of sometimes mentioning a character, and only introducing him in later pages, which has you thumbing back through the book seeing if perhaps you'd missed a passage.
But these are small criticisms indeed, and the book is a very enjoyable read of a turbulent and, frankly, romantic era of aviation.
Mike McCaffrey
Department of State/Foreign Service - Retired
Felix Smith isn't a historian. He's a pilot--a good one, since he survived 23 years with Civil Air Transport, organized to carry relief supplies around postwar China, only to become a paramilitary arm of Chiang Kai-shek's campaign against communism.
To our great good fortune, Smith also turns out to be a gifted reporter. Better than anyone else, he evokes the sights, smells, and sounds of China in 1945, along with an economy so weak that U.S. dollars were precious enough to be washed and ironed after use, and a government so depraved that it's a wonder it lasted until 1949.
China Pilot is a a wonderful book. It belongs on the shelf of every admirer of Chennault and his unorthodox air forces.
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to see what happens read the book! it's soooooooo good!
This was a great book! Iwould recamend it to anyone who loves romance just as much as i do.Kathreyn Smith is a true genius and i HOPE that she will write many more avan true romance stories not only for me but all the others who have loved ANNA AND THE DUKE..........................