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Precious Ramotswe is quickly becoming one of my favorite fictional characters. For the uninitiated, Mma Ramotswe is the first female private detective in Botswana. But, to say she's only a private detective is like saying that Father Tim (from the At Home in Mitford series) is just a village preacher.
I don't mind that most of the mysteries Mma Ramotswe solves are pretty transparent and not very dangerous. What I love about these stories is the way the author weaves a spell about simple people, living gracious lives, while being kind (for the most part) to one another.
At the end of a Mma Ramotswe book, I'm left with a feeling of peace.
This is sweet, gentle fiction...set in Africa, but it's universally appealing.
I wonder who's going to star in the movie? Whoopi Goldberg comes to mind...or Alfrie Woodard....or Angela Bassett...strong, independent women all....like Precious Ramotswe herself.
Enjoy!
So, while Precious is asked by an American woman to find out what happened to her son, who disappeared from a commune ten years previously, she must also negotiate the pitfalls of setting up house with Mr. Matekoni, the acquisition of an engagement ring, and the dastardly schemes of Mr. Matekoni's nasty housekeeper, and the unexpected addition of two foster children to her household. All of which she does with her keen sense of human nature and wisdom. Her secretary/typist is also given increased attention, allowed to take on the case of a cheating wife all by herself.
Built into the stories are ruminations of the tensions between modernity and traditional values. There are a number of passages that attempt to capture the essence of Africa, and how that noble vision is under constant assault by greed, corruption, and power. The adventures of Precious and her cohort are a warm antidote to the often depressing news that dominates coverage of Africa in the West. Smith writes in a delightfully fluid and simple prose with pacing that makes the book quite difficult to put down. The series thankfully continues with Morality for Beautiful Girls and The Kalahari Typing School For Men, with further volumes to follow, one hopes.
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The quality of the writing, overall, is remarkably good and the future they lay out is intriguing. You don't have to be a Bostonian to enjoy these stories.
Several of the contributors are prominent for other award-winning work--Sarah Smith, Alexander Jablokov, and Geoffrey Landis, among others. Their stories here are excellent.
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The really innovative work at PARC was done under the direction of Bob Taylor. When Taylor was forced out, he started DEC's Systems Research Center (SRC) (later acquired by Compaq, and then HP), and he brought much of the top talent along with him.
I read this book on Bob Taylor's recommendation when I first joined DEC SRC as a researcher. But I decided to read it again recently before attending a talk by George Pake, the founding director of PARC. Pake's history of PARC agreed with the book, but he drew very different conclusions about the overall benefit of PARC's inventions to Xerox. In particular, Pake gave far more credit to PARC for contributing to Xerox, but all the examples he gave related to how computer technology has come to be used in photocopiers, which entirely misses the point. As the book's subtitle suggests, most of PARC's astounding computer innovations were largely squandered by Xerox (and "borrowed" by Steve Jobs to create the Apple Macintosh).
The first time I read the book, I was fresh out of school and didn't have much experience in the business world, so the parts of the book dealing with business issues were mostly a mystery to me. This time, it made much more sense, and I actually found the business aspects of the story more intriguing than the technical ones. Even so, the story of the first bit-mapped display, laser printer, ethernet, personal computer, and WYSIWYG editing software -- innovations we take largely for granted today -- is quite interesting!
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This case is much like those in the two previous books as "traditionally built" Precious Ramotswe must insinuate herself into a country household and unmask the poisoner. As always, she uses her intelligence, keen sense of human nature and a desire to help people to arrive at an outcome that's best for all. Plotline four embroils Miss Makutsi in an investigation of the character of four beauty contest finalists. She proves herself the equal of Mma Ramotswe as a detective, and in that sense, she steals some of the thunder in this book. The final plotline revolves around a mystery held by Mr. J.L.B. Matekoni which is hinted at but never unveiled, presumably leaving it for the next book, which is rather frustrating and annoying.
Like the earlier books, this one critiques forces of progress and modernization as well as patriarchalism (although in a lighter way than the other books did), and aims to portray a positive picture of modern Africa, one all too rarely seen in the West. As always, the story is delivered in a delightfully fluid and simple well-paced prose.
The series continues with The Kalahari Typing School For Men.
I loved every minute of the third book in THE NO. 1 LADIES' DETECTIVE AGENCY series.
Precious Ramotswe is solving problems, including some of her own, moving to a new location and handling life as it comes to her.
There are three 'cases' in this book, but they're pretty much secondary to the true story of life in Mma Ramotswe's beloved hometown of Gaborone, Botswana.
Mma Ramotswe's secretary - now assistant - Mma Makutsi gets to work on a case in this book...and she handles other chores as well, all with apparent ease as expected from someone who scored 97% at the Botswana Secretarial College.
A word of advice: read the books in order of publication. You'll be glad you did.
Enjoy!
"We help people with the problems in their lives. We are not here to solve crimes," Mma. Ramotswe tells one client. Not your average detective, she and her staff of one (Mma. Makutsi, her secretary turned-assistant detective) help people from different backgrounds with varied problems. Mma. Ramotswe even has a personal problem to resolve when her fiancée (Mr. J.L.B. Matekoni, owner of Tlokweng Road Speedy Motors) starts acting in a strange manner without warning or reasoning.
I like the way the author brings out the close relationship between Mma. Ramotswe and Mr. Matekoni. The couple chooses to address each other formally but it is done in the context of respect, affection and love. The mannerisms and dialog between the other characters show the reader some of the cultural nuances in that part of the world.
The issue of morality -- how people treat each other, forgiveness, helping others -- comes up as the detectives work. On a job assignment, Mma. Makutsi goes in search of a beautiful girl with morals for a beauty pageant(hence the title). Mma. Ramotswe wrestles with the idea of whether some of her methods of detective work are moral.
Set to a vivid background of the dry but beautiful land of Botswana with its great Braham bulls and colorful people, Alexander McCall Smith describes scenes that remind me of the picturesque movies like OUT OF AFRICA and I DREAMED OF AFRICA.
MORALITY FOR BEAUTIFUL GIRLS is another fun book to read.
Fafa Demasio
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Boston in the future has been changed to the point of unrecognizability. The only port where aliens can trade with humans, fortunes beyond those of Bill Gates have been made, and the city rebuilt by simply gluing together all of the old buildings into one huge brick.
Beverly O'Mera is a "cubehunter" within this changed Boston- a private eye specializing in finding lost persons. She is called up by one of the most powerful women in Boston to find the woman's daughter who ran away. (Or did she?) O'Mera and her Phner partner, Akktri, get drawn into a widening conspiracy involving most of the powerful people of the new Boston.
The basic plot of the book is straight hard-bitten detective, well worn and with few surprises. Where the book really shines is the development of Akktri and the rest of the Phner. The Phner are one of the rarest things in SF: true aliens, not just humans in alien suits or one dimensional horror figures.
The Phner are beaver-like semi-aquatic aliens who appeared in Boston following losing their home planet in a war. They don't really live in the present and understand little human logic, but rather have a editic racial memory. To a Phner, nothing is truly real until it is dead or destroyed: only then can its "art" be fully appreciated and understood.
The book begins with both the author and O'Mera treating Akktri much as an intelligent dog. Akktri bounces around, following O'Mera, happy that she will give him "lobster-fish" when they find their quarry. As the story progresses, the impact of the bizarre (to human eyes) Phner understanding of reality begins to show more and more. Akktri is not a dog: not even human in the sense of having the same feelings or goals as a human would. As O'Mera begins to truly understand the Phner and what they can and want to do, she must question both her partnership and her friendship with the Phner.
The Future Boston developed by Smith has a lot of potential: there are numerous odd aliens and lots of bizarre history. Hopefully Smith will be able to realize Targives, popcorn aliens and the rest in future books as well as he has done the Phner in In the Cube
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Aside from issues of the family, McCall Smith also explores his fascination with the disappearance of the "Old Africa," and mulls over the issues that modern society's growth comes at the expense of tradition and custom. He considers the status of good old-fashioned hard work. Does passion for one's work still exist or has it been eaten by modernity? Mma Ramotswe's secretary has her own theory. She thinks that the more Mercedes Benz a country has, the worse off that country is. As in this case, McCall Smith often uses characters with a limited point of view to produce moments of humor, but he simultaneously makes poignant observations about conflicting culture. At times, he offers more serious and direct commentary. As a result, the book not only takes the shape of histoircal documentation, but it also serves to instruct, to give hope, and to provide some examples of how to deal with a rapidly passing history. Through his series of books, McCall Smith has found a means to combine the local with the vast. He has invented Mma Ramotswe in order to show that one person can make a difference because Africa is comprised of a collection of individual stories. He craftily weaves these stories together to produce his African history, and in doing so contemplates and applauds the progress of a culture.