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It's nice to hear about Streisand from someone who knew her personally. Everything I've always suspected was true - at least in her early career. Barbra was sweet and tough, ignorant and brilliant, self-absorbed and giving. She was very taken with her "look" and it's interesting to read about how she concentrated on her makeup and clothes so much.
The most fascinating part of the book is Dennen's recollections of some phone calls from the "adult" Barbra in 1992 and 1997. We see Barbra as we suspect she is: a little burdened with stardom; obsessed with the truth and trying to control how others tell it.
This book is great! At the end, I was most impressed that, despite the years that lapsed between Dennen and Streisand's love affair and friendship, Streisand still kept in touch. I suspect she is a loyal friend, despite her eccentricities.
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collection. Each of the 112 pages comprising this paperback
has at least one photograph, and many pages have two or three!
In my mind the pictures alone are worth a binding of their own. They
include many of his co-workers, and famous peers. After looking
at all of them for the first time, you really get a "feel" for
the environment in which he has been working (living) for the
last 30 - 40 years.
The entire collection of quotes (quotes and pictures are all you get, folks)
are catagorized by a plethora of topics, which enables quick referencing,
so you really should learn ALOT about his PERSONALITY.
I say "personality" because the quotes are in
conversational mode, candid, ranginging from silly quips and
understatements to very sincere and thoughtful comments; the way
I imagine he shares with intimates. This is not a stilted,
unemotional, professional collection of aphorisms, and I feel better informed
as a result.
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He outright tells Issac Hayes and Lou Rawls that they are not on his level as artists, not to mention that, according to this book, everyone from Muhammad Ali to Michael Jackson were living in darkness until he arrived on the scene and enriched their lives with his sacred wisdom and guidance- as if he was Jesus Christ. He even leads himself to believe that his deciding to do commercials in the 1990's lead to some sudden surge of black artists being offered commercial endorsements, citing B.B. King and Aretha Franklin- Oh Please Barry! Both Aretha's and B.B's respective careers have endured longer and achievements are far greater than yours. And by the way, they were singing jingles before you came on the scene.
The most sickening moment, however, has to be his comments in regards to the late, great, Marvin Gaye, whom he appears convinced he could have straightened out- And, of course, Marvin begged him to produce him!
Throughout the book, he makes numerous suggestions as to the many artists who have come to him asking him to produce them. Funny thing though, outside of his groups, Love Unlimited (Orchestra), he has never!
Not suprisingly, he also fails to mention that his big comeback hit, 1994's "Practice What You Preach", was actually written and produced by Gerald Levert. So Barry, that, my friend, was the key to the success of your album, "The Icon is Love". And boy, isn't it strange, after reading this memoir, you will have to ask yourself, "If everyone was worshipping Barry, who was listening to Luther? Just a thought.
Barry is much too full of himself- literally and philosophically. If you can stomach his overly inflated ego, you actually may enjoy this book!
Update: the Maestro died tonight, July 4, 2003. Get this book, however you can get it, if you truly want to understand the drive it takes to come from nothing and make something of yourself. Iris Gross Georg
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Note: Barry Feinstein's pictures graced the booklet that went with the CD "Bob Dylan, Live 1966". He could have easily made a much, much more exiting book if all the "standard" pictures from Kramer and Marshall were replaced by more of Feinstein's unseen amazing photographs.
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Barry Grills does his best. The book is half description of Springhill, Nova Scotia (Anne Murray's hometown), and half lengthy quotes from back issues of magazines and newspapers. As he says himself, ..."Anne Murray has always been an enigma."
If you've just discovered her talent, this is a good outline of her public life, up until the mid 90s. If you're already a fan, more than ever you'll want to go to Springhill, to see the Anne Murray Centre for yourself.
As for Anne Murray--she's still an enigma.
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I truly love Barry and Barbara also. I've always loved Barbara, ever since I was a little girl, I wanted her to be my sister. I've always thought that she's just as beautiful on the inside as on the outside. It truly shows...
Heh heh, and Barry could be my brother. I love Barry's writing. It's personal and friendly, the feeling I get from it is that he's a very nice man. I love his voice also, as well as his acting. He is multi-talented...
Barbara definitely is BELOVED (and Barry too)...
I'm a fan, always have been. And hey! People may find it hard to believe, but I don't even have a single one of Barbara's movies or albums!
I was very poor and never could afford to buy much of anything (except for food, well actually, I always have bought lots of books). Recently though, my financial situation has changed (I'm very happy to say) and I plan on rectifying my dismal lack of a collection, having recently also purchased an absolutely awesome stereo system (finally)...
And I plan on buying Barry's book too!
P.S. I just can't finish this without adding that Barry was the best Pilate that there ever was...