Celtic Myth And Arthurian Romance by Arthurian scholar Roger Loomis is a fascinating, persuasive, documented argument for the theory that the King Arthur of history was not an Englishman, but rather a Celtic warrior. Carefully annotated and researched chapters draw connections between the Camelot legend and Celtic lore, and bring to life a new side of the debate about who King Arthur truly was. An exciting and original analysis of one of history's most beloved eras and leaders, Celtic Myth And Arthurian Romance is a welcome and highly recommended addition to Arthurian studies reading lists and academic reference collections.

For anyone who's ever been fascinated by the tales of Arthur and his Knights of the Round Table, here's a book that puts it all in the fascinating context of Celtic mythology. The stock elements of Arthurian legend--the enchanted castles, the abducted princesses, the contests with mysterious knights--are revealed to have a coherent esoteric meaning.As Loomis writes, to understand the relationship between the familiar tales of Camelot and the wilder Irish myths "is to open suddenly the mountainsides into the glittering palaces of the Sidhe"--the home of the Celtic gods.

The brilliance of Roger Loomis--who wrote in the 1920s--is that while he draws the same kind of fascinating connections as Robert Graves, Loomis does so through careful argument and documentation. His work should inform any serious discussion of the origins of the Arthurian tales and the meaning of the Holy Grail.

As one of the poets featured in Will Work for Peace, one might expect me to be a bit biased, but nothing could be farther from the truth. Most poets work in a virtual vacuum, only tenuously connected to each other by the occasional workshop or shared membership in a 'poetry society'. When Brett Axel first approached me for a submission to an anthology he was considering, the names Marge Piercy, Lyn Lifshin, Moshe Bennaroch and so many others were abstractions to me as a fledgling poet. I knew these tremendous writers were 'out there' somewhere, beating down doors with their words and keeping a struggling artform alive. But to think that someday I would ever share a credit with these dynamic modern poets would be a pipe dream at best. It is through the sincere efforts of Brett Axel that many newer voices like mine have an extraordinary opportunity to appear with Pulitzer Prize winners and other poetic heavyweights. By way of an honest review, however, I will say this- not everything in this book will be to your particular liking. I myself came across some works that did not move me in the way the author may have intended. Some imagery can be raw and visceral, using shock value in place of craft at times. But to ignore those voices would be an even more shocking turn of events, so praise be to the editor for not sacrificing his vision to a senseless conformity. As Pete Seeger so aptly put it in his quote, trying to read all these poems at one time would be like trying 'to swallow Manhattan whole'. I say to you- buy this book, read this book, but understand that it's what you do after reading this book that will ultimately define who you could be. Poetry is alive and well, and lives in the blunt pages of Will Work for Peace.

Just amazing start to finish! I like the disregard for fame used in putting the book together. That great poems got in even if they were writtenby nobodys. Look at Roger Bonair-Agard's poem on page 74. Shortly after Will Work For Peace came out he won Slam Nationals, becoming Slam Champion of 1999, which will be getting him lots of offers. But Zeropanik Press didn't need to be told he was good by an award. They could tell by his writing! Good for them and good for all of us because Will Work For Peace is a literary milestone. It's a new standard for all future anthology editors to try to live up to. Thumbs up to Brett Axel and Thumbs up to Zeropanik Press for their guts and integrty.

Brett Axel visited my Church and I bought a copy of Will Work For Peace from him, not for poetry, but because I care about working for peace. I started reading through it thinking It'd just go on my shelf and that'd be the end of it, but the book grabbed me and kept me rivited. If I had known that poetry was this alive I'd have been into poetry. I've been reading some of the poems to my friends who also didn't think poetry was important and they are saying the same thing. Fantastic! There's no way to get through this book without having your old mindsets challenged. It's funny, powerful, sad, and uplifting. A book that deserves to be read by everyone. A book that really can make the world a better place!

If you need an illustrated history of the Sherman Tank, and have absolutely no other resources at hand, this book is possibly better than nothing. However, it is full of generalizations and some outright errors, and the whole thing seems to have been thrown together rather quickly. A far better choice would be any of Steven J. Zaloga's books published by Osprey and Concord or either Squadron-Signal publication ("Sherman in Action" or "Sherman Walkaround"). Best of all is Richard Hunnicutt's enormous work "Sherman: A History of the American Medium Tank" (though many would balk at the price, it is by far the best work available, with thousands of photos and multiview 1:48th scale drawings by D.P. Dyer of every Sherman subtype).

This book tells the story of the American made Sherman Tank. It begins with the early influences that lead up to the development and manufacture of the tank. Subsequent chapters cover the Sherman in action, variants of the tank such as self propelled artillery and a fairly complete history up to its post war use by Isreal. The photos and graphics are good. The author has done a good job of covering the subject without getting bogged down in the myriad of details of this vast subject. For most military enthusiasts this book should enough detail to provide a complete understanding of the tank.

I'd recommend this book for a reader looking for a solid, well balanced history of the Sherman Tank.