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But one piece of advice. Don't keep other Irish books such as Angela's Ashes in mind as they are each so brilliantley different. Experiance the writer's language of experiance and not your perception of an Irish childhood. Revel in the individuallity of this book and you will enjoy it all the more.
Buy it and enjoy it forever
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The number in the title not only describes the flowers that play a role in the book, but much more significantly the number of years a woman from England remained devoted to a man she could never marry. It was not only that the author's father was married that kept them apart, but also, and to a lesser extent, differences that unfortunately remain so prominent between Ireland and England. Intolerance was much stronger in the first half on the 20th Century, so the idea of an English Protestant and an Irish Catholic as husband and wife was dicey, especially for an Irishman whose family history was prominent in the more extreme groups of Ireland. To balance the difficulties, the English side of the family included a former member of The Black And Tans, who will remain notorious for much of Ireland no matter how many years may pass.
Anna was the wife in Ireland and Doris was the woman in England. Both of these women had a claim on the affections of this man Peter, and he clearly had feelings that ran very deep for both of them. For 30 years Doris was a part of the author's family, through visits and even watching the children when Anna and Peter vacationed. The ultimatum that finally separated Peter and Doris was to last 17 years until his death, and then it would continue with the son trying to piece together the mystery of this extremely unusual relationship that spanned the Irish Sea.
The feelings of both women and their actions are at times hard to fathom. Why would Doris wait for a man for 47 years, going so far as to convert to Catholicism so as to not be separated after they left their life on this world? This same woman who would come to lay flowers at Peter's grave without having seen him for the better part of 2 decades, and upon arriving in Dublin would walk 10 miles at the age of 75 to pay her respects. This same woman who had one child requested that Peter give her away at her wedding and at the same time invited Anna to attend. The questions and suspicions this request raised, the answers offered, presumptions confirmed or denied.
This is an interesting story to read, it is also devoid of the clichés that would reasonably be expected. The author seems to be in the greatest pain, not because of what may or may not have happened, but due to his feelings about his conduct as he tries to piece together 47 years of family mystery.
This is a remarkably personal story, and because it is, often is almost uncomfortable to read. I don't know whether the story could have been related in a different manner, and my perception may be different from others.
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*** "44 Dublin Made Me" will invariably be compared to Frank McCourt's "Angela's Ashes" on the sole count of being Irish. The Irish, however, are a diverse people, and life in Dublin is very different from life in Limmerick. McCourt's family faced scraping poverty, whereas Sheridan's family (by no means millionaires) have a steady home environment, food on the table, and the constant presence of both parents raising a large brood.
*** Peter Sheridan focuses on the decade of the 60s which begins with childhood innocence (getting a TV for the first time) and makes his way through adolescence and two defining events in the author's life -- a disturbing encounter on a train at age 13 and later the death of a family member.
*** Sheridan has a wonderful voice for storytelling. He stays true to his kid spirit and endears without being precious. And in fine Irish tradition, every laugh has a tragic edge and every sadness is survived by some beauty.