Forget the smoke-filled coffee shop, the microphone on the podium and the beatnicks huddled around their coffees. The real test of a reader's poetic prowess is A.A. Milne, the living room couch and a handful of kids waiting for your renderings of growling bears and timelessl human characters.

It takes an extraordinary book to capture children's attention on the strength of words alone.

It's not that there are no illustrations here, just that each poem has just one or two small, original ink drawings; delightful, but bowing appropriately to the genius of words that can hold children spellbound. For instance, Milne takes a subject like sidewalks and transforms it into the stuff of playacting in Lines and Squares - an irresistible cadence to chant on a walk (or a lumbering gait):

And the masses of bears
Who wait at the corners all ready to eat the sillies who tread on the lines of the street
And I say to them, "BEARS.....
Just look how I'm walking in ALL of the squares!"

As I read I can now recall the precise inflection and finger-shaking combination from Disobedience that it took to elicit giggles from my sisters and me, now working its comedy on my four-year-old son:

James James SAID to his mother, "Mother", he said, said he;
"You Must Never Go Down To The End Of Town If You Don't Go Down With ME!"

When We Were Very Young is a collection of poems for children, about childhood, and for those who wish to remember its special magic view on the world. This book is a beloved tradition in my family, starting with those cozy evenings on my Grandmother's couch as we all snuggled up to hear about the brownie that lives behind the curtain, Jonathan Jo (who had a mouth like an O), the three foxes and Christopher Robin, who couldn't stop his hoppity hop. Your family is sure to find its own traditions in reading these poems to each other, young and old alike.

My father died 10 years ago when I was nineteen. I know he used to read "when we were very young" to me when I was a child, but it wasn't until I began to read the poems as bedtime stories to my 2 year old, that I began to remember my dad's emphasis and inflections. As I read my favourites to my son, I can almost hear Dad reading them to me.

I am thrilled that my son asks for Christopher Robin as his bedtime stories and "Hoppity" and "Market Square" have become his favourites too. He is an avid reader and I am just beginning to introduce him to poetry, what better way than A A Milne - It makes me feel like a child again and connects a grandson and a grandfather who never met each other.

Like "A Child's Garden of Verses," the Robert Louis Stevenson classic, A.A. Milnes' "When We Were Very Young," collects and reminds us of childhood bliss. However, unlike Stevenson, Milne has the whimsy of Edward Lear's limericks and verse. Milne captures the joy and gentleness of youth.

For example, Milne has a poem with a refrain, "Jonathon Jo/has a mouth like an 'O'" It is fun to say, and it almost means something. Another poem talks about halfway up and down the stairs, getting a child to see the difference and sameness of the situation, great for critical thinking.

If you want pure silly humor, go buy Silverstein, but for great writing and solid bedtime reading to teach your child wit and poetry, buy this tiny book. There's a good chance you will like it as well.

This program exemplifies the potential quality audio has for complementing text. Soothing music introduces and links the stories and verses. Subtle sounds of nature immerse the listener in Pooh's world and provide a backdrop for Peter Dennis's enchanting performance. Dennis's ability to switch characters and moods allows him to accurately portray the range of characters in the stories. These talents shine prominently in the "When We Were Very Young" poems. All ages will enjoy this marvelous performance of Milne's words.

Pooh Corner, Not For Kids Only: ...Any adult or child who is captivated by Winnie-the-Pooh, Eeyore, Rabbit and all of A. A. Milne's creations - as he wrote them - will find magic in a new top-quality three volume set, The Classic Pooh Treasury" performed by British actor Peter Dennis.

Dennis has pleased critics and audiences around the world with his faithful treatment of Milne's stories and poems in live theater performances.

Peter Dennis brings to charming life each endearing character in these unabridged tales for the young and young at heart. LYNNE HEFFLEY, LOS ANGELES TIMES, AUGUST 11TH, 1996

These recordings of the Pooh stories are the BEST rendition I have ever heard. Peter Dennis' characterization of each character is perfect. The read-a-longs are great for the kids. I am a 50 year old "Classic" Pooh fan. I recommend these to everyone, whatever your age. They are pure joy .

The more you know about psychological theories and Winnie-the-Pooh, the more you will enjoy this book. Dr. Williams blasts away with tongue-in-cheek satire aimed at the psychologist's belief that everything that is said, thought, dreamed, and done has many layers of significance. Unfortunately, that approach means that your enjoyment will be modest if your knowledge is correspondingly limited in either area. If you know little about psychology and have not read Winnie-the-Pooh, you may not get most of the humor in the book.

In Freud-like fashion, Dr. Williams begins by descrbing the case for Winnie-the-Pooh being a super psychologist. The thrust of this argument is that Winnie employs every method ever recommended by any psychologist or psychoanalyst somewhere in his fictional adventures. In fact, he often combines them in a single fictional encounter.

The book then recounts seven cases and Winnie's role in them.

Case 1 -- Pooh Cures Christopher Robin of Arktophobia (fear of bears)

Case 2 -- Pooh Assists Piglet to Mature

Case 3 -- Pooh at His Most Eclectic with Tigger

Case 4 -- The Problem with Rabbit

Case 5 -- Parenting: Kanga and Roo

Case 6 -- Wol's Problems with Communication

Case 7 -- Eeyore: A Case of Classical Depression

The cases are written up like Freud's with the exception that they are illustrated with many drawings from the original Pooh stories.

As an example of the approach, the book Winnie-the-Pooh opens with a reference to his living under the name of Sanders. That is never mentioned again. Dr. Williams provides a lengthy argument in favor of this meaning that Winnie-the-Pooh is describing himself as the Sand man, the bringer of dreams. This is an indication of his role as psychotherapist.

In the famous story where Winnie eats too much honey and cannot get out of the hole in the tree, Dr. Williams reinterprets this as Winnie-the-Pooh making an example of himself to discourage others from overeating rather than using aversion therapy on them.

To put this prescience into context, Dr. Williams points out that the Pooh stories date in the 1920s. In the text, he finds "frequent anticipation of theories and practices which more plodding psychologists arrived at much later."

I don't know about you, but I didn't think much about Jung when I read Winnie-the-Pooh. Obviously, the references were too subtle for me.

Those who have experienced psychotherapy will probably find humor in the observations made about Winnie-the-Pooh that they may have heard applied to themselves. Could the observations be equally apt?

This book is best enjoyed by a roaring fire on a cold night with a warmed snifter of brandy, and savored slowly.

After you have finished the book, you might consider the many instances where novels do show ways to solve psychological problems through their fictional developments. Could it be that we can use fiction to be our own therapist? Or, is someone else the therapist? If someone gave you the book, perhaps they are the therapist. If so, is the author the propounder of the theory . . . or is the character?

See the possibilities for humor in pomposity everywhere!

The Pooh dictionary is delightful. It gives you quotes from the book, and the definition of the book, and is just adorable.

The Pooh Sketch Book is a wonderful look at the creative genius of Ernest H. Shepard. This collection of preliminary sketches for the classic Pooh illustrations is a must for any serious patron of illustration. Shepard's economy of line and his mastery of gesture and movement are even more evident in pencil form. The softness of the medium coupled with the charm of the subject is a perfect combination. Even though Shepard is a well known and well loved illustrator, this book gives you a new appreciation for the artist. The book is well produced and the illustrations are handled well. One does not often find a collection of studies for finished illustrations, and when one becomes available it offers the reader a rare chance to see the masters mind at work. I simply can not say enough about Ernest H. Shepard, and this amazing collection of drawings.

This lovely publication commemorates the 75th anniversary of the publication of "Winnie-the-Pooh." It's not a storybook -- it's a sort of "biography" of Winnie-the-Pooh, the Milne family, and Ernest Shepard. The book has lots of interesting trivia for Pooh-ophiles like me and lots of quotes from the Milne stories and verse, as well as beautiful prints of some of the well-known and lesser-known Shepard illustrations. I'm not sure why the book was designed as oversize. This is a lovely, well done book that's going to have a permanent place on my shelf next to my beloved Pooh books. I love it.

The book I just read is the best! When I read a Pooh book it was awesome! Really, first I though it would be a babyish book,but it's not. My favourite chracter is Pooh. He is always thinking of hunny, and funny po ems and songs. I also like the words that A.A.MILNE invented I though those words came from another planet. I hope to read all of A.A.milne's books soon. If you don't read it you don't know what you are missing. I have only read The House At Pooh Corner and, I am now reading Winnie-The-Pooh.

Attention: all cranky four year olds, five year olds, eight year olds and thirty-five year olds on long car trips.

Attention all parents burned out by reading The Pokey Little Puppy over and over again.

Attention cynics whose primary memory of Winnie-the-Pooh is the Dorothy Parker quote (from her "Constant Reader" column in the New Yorker) "Tontant Weader frowed-up".

This book is a treasure for all who hear it. There is gentleness and not a little wit in these stories. Contray to the book description above, the book is read by the late Charles Kuralt. His inflection adds much to the story. One senses that he is amused; but he is never condesending. Now I will always prefer Kuralt's version to my own bedtime efforts with my children. Charles Kuralt must have loved Winne-the-Pooh mightily. How lucky we are that he left this delightful gift behind.

This book is a really good and funny book. My fav is Piglet because he is so shy and just goes along with what ever Pooh does. I think I read this book because Pooh and all his friends are coming back in now, to prove I love pooh I have a Pooh and FriendsPencil case.

"Winnie the Pooh" and "House on Pooh Corner" were two of my favorite books growing up. When I came across this 75th boxed anniversary edition, I just had the get it. Keep in mind, this is just the same great stories in new packages. "Winnie the Pooh" has gold trimmed pages and "House on Pooh Corner" is trimmed with silver. I recommend this to anyone who hopes to pass on the love of the original Winnie the Pooh characters to any young ones in their lives. I know I definitely will.

I think this book suitable for everyone not only for child but adult also can read it. My friend and I love this book and try to collect the whole of Pooh's series. But I think .. The house at the Pooh corner also lovely while The Tao of Pooh was very difficult to understand for child. However, I love it!!

I recieved this book (and its companion, the color edition of "The House At Pooh Corner") as a gift. I cannot speak more highly of them both. Unlike the editor at Horn, who found that the colorization detracted from the illustrations, I find exactly the opposite -- that the color lends depth and detail to the drawings, which are completely untouched otherwise.

The paper is crisp, semi-glossy, and brilliant white; the cover and page edges are guilded; the typeface is sharp and crystal-clear; and the full-color endpapers are truly magnificent.

In all and every way this is a truly magnificent and sumptuous edition -- with perhaps the single exception of price. And even then, with such a marvelous work, that is to be expected!

'The Tao of Pooh', a fascinating synthesis of Eastern philosophy and Western children's literature, is done largely in conversational style between Benjamin Hoff, erstwhile writer, photographer and musician with a penchant for forests and bears. Thus, Pooh makes a natural philosophical companion. But, more than a companion, Pooh is, for Hoff, the very embodiment of the Tao.

'It's about how to stay happy and calm under all circumstances!' I yelled.
'Have you read it?' asked Pooh.

This is two-way book: to explain Taoism through Winnie-the-Pooh, and to explain Winnie-the-Pooh (not always an easy task itself) through Taoism. Taoism, more academically, is a religion indigenous to China, built upon teachings primarily of Lao-tzu, with significant influence from Buddha and K'ung Fu-tse. It is in the teachings of harmony and emptiness and being of Lao-tzu, however, that Taoism draws its meaning, believing that earth is a reflection of heaven, and that the world 'is not a setter of traps but a teacher of valuable lessons.'

As with many religions, this one took various guises: philosophic, monastic, structural, folk. But through them all, the imperceptible Tao, the essence of being, essentially undescribable, shapes the universe continually out of chaos, with a yin and yang alteration of perpetual transformation, in which nothing remains eternal save the Tao.

This makes Pooh a perfect example and exemplar. 'For the written character P'u, the typical Chinese dictionary will give a definition of 'natural, simple, plain, honest.' P'u is composed of two separate characters combined: the first, the 'radical' or root-meaning one, is that for tree or wood; the second, the 'phonetic' or sound-giving one, is the character for dense growth or thicket.'

Through semantic changes, perfectly in keeping with the Tao, we find that Pooh, or P'u, is actually a tree in the thicket, or a wood not cut, or finally, an Uncarved Block. And this, of course, is what pure being is.

Pooh, in his journey through the Tao, with the Tao, of the Tao (it is a hard one to nail down, isn't it?) encounters many. This includes Eeyore, the terminally morose, who represents Knowledge for the sake of Complaining about Something. It also includes Owl, the Western successor of the 'Confucianist Dedicated Scholar', who believes he has all truth as his possession, and studies Knowledge for the Sake of Knowledge (even if it isn't always the best knowledge). 'You can't help respecting anybody who can spell TUESDAY, even if he doesn't spell it right; but spelling isn't everything. There are days when spelling Tuesday simply doesn't count.'

Of course, all of the knowledge of the Owl, accompanied by the variable helpfulness of Rabbit who cannot stop activity in favour of just being something, couldn't figure out what had become of Christopher Robin, who left the Very Clear Note on his door:

GON OUT
BACKSON
BISY
BACKSON

Who or what is a Backson? Backsons are those people trying to outrun their shadows and their footprints, not realising that to stand still and rest in the shade defeats the power of both. And of course, the Bisy Backson is never at a standstill. And of course, one cannot experience the Tao, be the Tao, know the Tao (well, you get the Tao) if one is perpetually on the run.

The Bisy Backson is always

GONE OUT
BACK SOON
BUSY
BACK SOON

or, maybe GONE SOON. Anywhere. Anywhere he hasn't been. Anywhere but where he is. Of course, the idea of not going anywhere is abhorrent to him, and there is no concept of being able to do nothing.

Nothingness frees the mind. Nothing works like nothing. For there is nothing to distract you. Nothing to get in the way. Nothing to hinder you. Nothing means anything.

Now, read that last sentence again, carefully.

Nothing means anything.

Any thing is by definition itself, but when it is no thing, it can become potentially any thing.

'Oh, I see,' said Pooh.

Wisdom lies in the way of Pooh, who shirks the busy-ness of Rabbit, the intellectual hubris of Owl, and the doom-saying of Eeyore. Pooh simply is, and enjoys being who he is. Pooh is a Master, who knows the Way. Learn from him. Learn to be with him.

For those of you who, like me, are interested in philososphy but find most philosophical writings boring and overly complicated, this is the book for you. Hoff explains Taoism through the adventures of Whinnie the Pooh. If you've ever read any of A.A. Milne's novels, the style of this book should be familiar. As Hoff writes about Whinnie the Pooh and his Taoist attitude towards life, Pooh and Piglet comment on his writing and ask him questions. So how is Pooh an example of Taoism? Because he is simple-minded and unconditionally happy. Pooh lives a life of harmony because he never frets or hesitates. He simply goes with the flow, and that is what Taoism teaches. This book is a happy retreat to childhood combined with philisophical teachings that only an adult could understand. I highly recommend it.

This is a well written, easily read book that provides an introduction and explanation of the general tenets of Tao through 5 main characters and the circumstances they are confronted with. Metaphor and real-life analysis and observation of how we live and think, and how Taoism can be applied to our perspectives and daily lives, if we want it to. Selection from the writings of Tao Te Ching, and other Taoist thinkers to the books characters and stituations help explain the meanings for the neophyte.
The significant influence of Puritanism on our past and present U.S. history is also delved into. The Puritan influence has always been with us and I am convinced it always will be.
The American work week gets longer every year, according to studies, and we have less and less time for the good things in life: family, friends, introspection, personal growth, and even pursuing hobbies. We are constantly running from one place to another, both literally and figuratively, in search of--something. Fulfillment, happiness, or what have you. We try to buy it, acquire it, reach out to it. But it's right in front of our faces--we just have to allow ourselves to see it.