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That said... looking back, perhaps tainted by over-literary reading, I see something very 'dilettantish' about these stories, as though the author were merely playing with ideas, maybe only on weekends; and the same goes for the writing itself. My biggest criticism is that the book as a whole lacks development, rumination; I can still see entire blades of grass, unchewed, poking through the text. Sometimes this roughage lends interesting texture or charm, and can even be desirable (letting the reader (re)write/create). Often, however, it is a burden; after each story, the reader is left holding a loose and scattered group of ideas to be assembled later. In certain short stories (Joyce's, Kafka's...) which give hint of a hidden unity and demand numerous readings, this sense of an 'incomplete reading' is good/necessary/intentional; the reader starts the story over to decipher the code, uncover its meaning, or to reenter its spell. With this book, I never really got this feeling or urge to reread, or even think deeply about, any of the stories. Thus, the problem may reside in the depth of the stories; what you can glean from one reading is about all you are going to get. This lucidity and plainness is great for pure entertainment, but it seems these stories are trying to do something more cerebral at the same time; they give an illusion of depth, making its absence all the more aparent.
And that said... I give this book four stars not only for my first reading (which, I repeat, was very interesting and fun), but also because I still think that it is a very solid book, with solid writing and solid ideas. Some of the stories have stuck with me, and it is perhaps this sort of test of time which points towards a books true worth.
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Makes you want to embrace and explore the unknown. Language syntax a little outdated and offensive at times but all in all a fun book.
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Unfortunately, the visions did not meld well, leaving the story as a mishmash of ideas, with various sub-plots spawning off in various directions, and seemingly never wrapping up properly. In addition, I don't feel that sufficient detail is given to the elements of the story to make them believable. There are too many glossed over details to draw the reader in properly.
The main plot (at least it seems the main plot) itself represents an interesting idea - the mind pool - but it is lost in the noise.
Nevertheless, it is a somewhat interesting story, and a unique vision. It's just very hard to read.
What I find intiguing about this story is the description of three very different alien species and how they are thrown together with humans, the only "aggressive" species, to form a team. However, I felt that this particular plot point wasn't dealt with in an engrossing manner. The whole novel felt somewhat pieced together and was shorter than it should have been. The catalyst for the story, the Morgan Construct that poses a threat to the universe and the teams are sent to find, felt almost forgotten and I was unclear what role it served in the story except as a launching point.
I enjoyed the story, but there were so many aspects to this universe that I would have liked to learn about and I felt like none of them were really explored in any depth. There was a subplot that was apparently left out of the original version of this story, called The Nimrod Hunt, that I felt was a hinderance to the story rather than adding anything and the author added back in merely because he was fond of it. The ending was somewhat confused and just seemed to stop and I wasn't really satisfied. I think I will pick up another of his books that isn't a rewrite of an earlier story and see how I like it.
This is a difficult book to get into. Initial chapters are tedious and there are a lot of key characters who inter-develop as the the book continues which devolves quickly into a confusing mess. Sheffield's humour barely holds the story together as empathy with the main, distant and too many, characters seems close to impossible, and the reader is expected to take in a little too much, from different technologies to the behaviors of three wildly different species. The book, initially, also seems to live up to its back-cover synopsis, which in science fiction can be a bad thing, especially if the synopsis seems to be written to appeal to John W Campbell.
The novel is saved by a number of factors: Sheffield's humour, naturally, helps. Certain characters become fleshed out and sympathetic. Some time about half way through the novel the pace and understandability of what is going on becomes quicker and easier. And then there's an absolutely beautiful twist concerning the very subject of the novel - and I say beautiful not just to describe the twist itself but the subject matter and the novel at that point, which just turned my opinion of the book on its head.
This is a flawed novel. You should read it anyway.
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Wolf is now retired and developing form change technology himself. However, a distant relative, Sondra Wolf Dearborn, asks him to help her solve a crucial puzzle. All human children are given "humanity tests". If they can consciously and deliberately alter their form they avoid being sent to the organ banks. However, some defi