Sir Hickman Bacon was a man ahead of his time as is reflected in his magnificent collection of British landscape drawings and watercolors. It is now the largest collection of English watercolors still in private ownership.

As an accompaniment to a London exhibit The Golden Age Of Watercolours presents the best of this collection - works by artists who painted during the mid nineteenth century and the early part of the twentieth century.

We find J. M. W. Turner, premier watercolorist, who, it is said, painted with his doors locked so as not to risk anyone discovering the secrets of how he obtained the effects of depth and breadth in his paintings.

Thomas Girtin, a rambunctious artist who was imprisoned for defaulting on his apprenticeship, was also favored by Bacon. While incarcerated Girtin amused himself by covering the walls of his cell with landscapes. A guard was astonished to see this artwork, and played a part in Girtin's eventual release.

The inventiveness of John Sell Cotman was recognized by Bacon long before Cotman won popular approval, as was the work of Richard Parks Bonington.

Art historian Eric Shanes has penned an essay recounting the making of this collection which accompanies the glorious illustrations.

- Gail Cooke

Sir Hickman Bacon was a man ahead of his time as is reflected in his magnificent collection of British landscape drawings and watercolors. It is now the largest collection of English watercolors still in private ownership.

As an accompaniment to a London exhibit The Golden Age Of Watercolours presents the best of this collection - works by artists who painted during the mid nineteenth century and the early part of the twentieth century.

We find J. M. W. Turner, premier watercolorist, who, it is said, painted with his doors locked so as not to risk anyone discovering the secrets of how he obtained the effects of depth and breadth in his paintings.

Thomas Girtin, a rambunctious artist who was imprisoned for defaulting on his apprenticeship, was also favored by Bacon. While incarcerated Girtin amused himself by covering the walls of his cell with landscapes. A guard was astonished to see this artwork, and played a part in Girtin's eventual release.

The inventiveness of John Sell Cotman was recognized by Bacon long before Cotman won popular approval, as was the work of Richard Parks Bonington.

Art historian Eric Shanes has penned an essay recounting the making of this collection which accompanies the glorious illustrations.

- Gail Cooke

This book is created for fans of the Doomtown CCG the Deadlands Card Game. The Doomtown CCG is set in the town of Gomorra California, where 9 (Formerly 10) factions fight for control of the town and the surrounding mines. This book was written before the current storyline in the CCG ended, before almost the entire town was destroyed, so it is a bit out of date. So if you are a fan of the card game, and want to play the RPG, get the book and play in your favorate town. If you just play the RPG and want a heavily detailed town, where all the major players are around, pick up this book. Over all it is a interesting read, and can provide the meta-plot for a long term campaign.

A nice collection of artists, with some great examples of what they can do. But....
Paper stock is poor and some prints are a bit blurry.

This is a great artbook, featuring many famous furry artists. I love the art, and look at it regularly. If you're a fan of Michele Light, I recommend it.

This book started my physical collection of furry publishings, and still remains the best singal pice I have. Not only is it perfectaly published, but contains excellent examples of anthropomorphic artwork. Its my personal bible.

Not very well known, but one of the most important artists in his style

I found this book a useful source of information about Brancusi. It captures the essence of Brancusi himself and what made his scultpures so good. I liked the fact that Brancusi's comments about his sculptures and how he made them were included in it, it somehow, made you feel more about the sculptures themselves. His life story is interwoven with his sculptures in this book, just as his life and art are interwoven. What I don't like about the book is the way it is set out. It is confusing and does not give you a clear picture, altogether. Although, the author said that he hoped the reader could get more out of it that way, it somehow does not work. It was set out, not in a chronological order but with specific titles like 'The Human World'. Overall, though I liked this book as it analyzed the sculptures very well however, it raises the issues of abstract scupture versus represational in Brancusi's art without actually stating anything about it??? I recommend this book for anyone who is interested in Brancusi or would like to find out mroe information on him.