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I recently re-read it again after reading Tracy Chevalier's, "Girl With a Pearl Earring." Both books are set during the 1600's -- although one in Delft and the other in England and early America.
I have recommended this book to several people over the years and not one has been disappointed. It is such a fabulous story (and you learn lots to boot!). Unfortunately, it is out of print -- but do not despair, it is easily found in used book stores.
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List price: $47.95 (that's 30% off!)
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As historically detailed as GREEN DARKNESS, I was amazed to find I loved this book even better. Set in the mid 14th C. Katherine de Roet is a convent-raised young woman who, with her sister, comes under the care of Queen Philippa (wife of Edward III), and despite being without dowry marries the rather difficult Sir Hugh Swynford. Eventually she becomes the mistress of Philippa and Edward III's son John of Gaunt, and after bearing him four children, becoming his wife. The children's births are eventually legitimized and John and Katherine eventually are the forebears of both the Tudor and Stuart dynasties.
But this story is of the relationship between Katherine and John and the many twists and turns it takes before these lovers can be together. When Katherine turns 15 the Queen summons her from the convent to Windsor and she soon gathers much attention for her beauty. When Sir Hugh Swynford attempts to ravish her, the King's third son, John of Gaunt, Duke of Lancaster comes to her rescue. Hugh gets out of the situation by saying he wishes to marry the fair young maiden. Sir Hugh is a rather disagreeable and homely man, but it is seen as a step up for young Katherine, without dowry, to marry him. She does but very reluctantly. Meanwhile she is befriended by the Duke's wife, Blanche, and returns her friendship for which young Katherine is eventually richly rewarded.
Katherine and Hugh go to live at his mismanaged estate, Kettlethorpe, near Lincoln which is not too far from the Duke and Duchess of Lancaster's favorite home of Bolingbroke Castle. Katherine is not exactly happy but accepts her life. But when she befriends Blanche again and then sits with her as she lays dying from the black death, her whole life changes.
To give more details than this is to rob the first-time reader of the discoveries they will read. It is a story to particularly savor as when the Duke tells Katherine "She is my heart's blood. My life. I want nothing but her." Talk about a Cinderella story! Those better versed in English history of the mid to late 14th C than I am will realize just what is happening in some of the dramatic historical scenes than I did.
But even after Katherine and the Duke are finally together, all does not go well. Seton details the history of this time beautifully and, sometimes, painfully.
Seton includes quotes from Chaucer (who was married to Katherine's sister Philippa). It is also surmised Chaucer may have had Katherine in mind for some of his passages, particularly in "Troilus and Criseyde."
This book made slow reading for me as every few pages I was either picking up a historical reference to read more or searching on the internet. I do have to warn readers though, keep the hankies handy. I could have used an entire box and even woke my husband up with my sobbing. Most of these tears were tears of joy though.
And I have to add a "shame on you" to the eejit who gave this book only two stars and said it reads "much like any other "romance" novel put out by the thousands on a daily basis," which not only is a disservice to this book but to the historical romances as a whole which, it is obvious this person has very little experience with. First of all this is a romantic historical and does not fit the definitiion of a romance novel at all. Secondly, to say romance novels are "put out by thousands on a daily basis" is not only inaccurate but ignorant. This book has both huge differences and many similarities to romances, but isn't a romance novel by any stretch of the imagination. That said, readers who enjoy their books both historically accurate and very romantic are sure to enjoy this beautiful story.
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When she meets him for the first time, Miranda is smitten, as Nicholas is the embodiment of all her romantic yearnings. Moreover, her stay at his luxurious, palatial home on the Hudson River, a mansion with the fanciful name of Dragonwyck, is an answer to her prayers and a chance to escape the hard work and tedium that has been her lot on her family's Connecticut farm. Dragonwyck, however, has its share of secrets and a miasma of evil that lurks in its halls and grand rooms.
The only thorn in Miranda's side is her cousin's wife, Johanna, who does not care for having a younger, more attractive woman, bustling about the house and preening before her husband. Johanna finds ways to make her feelings understood by Miranda, but Miranda, reckless in her admiration for her cousin Nicholas and relatively naive, is somewhat obtuse. Moreover, there is a pre-existing undercurrent of tension between husband and wife in the Dragonwyck household of which Miranda is seemingly oblivious.
Miranda's presence exacerbates the tension in the household that, ultimately, ends in tragedy for all concerned. It is that tragedy that will, for Miranda, mark the beginning of a life journey that will provide some painful and unsettling lessons. It is a journey that will ensure a measure of painful self-discovery and remove the rose colored glasses through which she had viewed her world.
The book is well researched and redolent with information about the Dutch influence in New York and its aristocracy. It details many of the issues and traditions that were germane to the period and is richly descriptive of a way of life in New York, both downstate and upstate, that has since gone by the wayside. It intertwines a number of historical events and personages with the lives of those characters who are at the heart of this wonderful and vastly entertaining book. It is a book that will keep the reader turning the pages until the very last.
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But if you want to know what it was, if you want to capture the flavor of this, my beloved home, be sure to read THE HEARTH AND EAGLE, which takes you from early colonial days, when Marblehead was a rowdy offshoot of serious Salem, to the 1920s. I won't advise you that this is the best novel you'll ever read, but for sure it is the best one ever written about this town. If you've read it, you'll practically be able to find your way around the winding streets that always lead down to the sea. The author did her research while living at 30 Franklin Street, which her imagination turned into an inn by the name of the title. She may not have been a local, but she certainly captured the flavor of town and depicted a long stretch of Marblehead history through the lives of her characters. If my description grabs you, get hold of this book. Then come visit the town and see how it's changed.
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Here the book revolves around a young New Englander, Amy Delatour, a teenage girl of French Acadian-English lineage, who often goes into a fugue stage where she believes she is a tormented soul named Ange-Marie, a French Acadian in exile in eighteenth century Connecticut who had been separated from her beloved husband, Paul. The shy and bookish Amy lives in a state of anguish and uncertainty, until one of her high school teachers, Martin Stone, takes an interest in this unusual, highly intelligent young woman. Together they will try to get at the bottom of her mysterious dream states and her fire phobia.
The novel starts out promisingly enough, but it never quite reaches its promise. It has a feel of needing to be further fleshed out. While parts of the book are quite interesting, the reader feels as if one where given a delicious appetizer to tempt the palate, only to find that the main course is not forthcoming. Still, there is enough in this novel to make for a pleasant read. Those who have an interest in past lives regression will surely find this book to be of interest.
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It never ceases to amaze me how well Anya Seton can take historical facts, and blend with them just enough drama to make them readable, but not innacurate.
You will not be able to put it down.