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Scott weaves a fluid story, introducing the character of Paedur the Bard. A man of learning, with a hook in the place of his left arm, he is chosen as the Champions of the Old Faith. Setting out to gain followers and stand against the rise of the New Religion and its gods, Paedur enlists the aid of an errant bandit with a claim to the thrown, a Weapon Master, a slave, a priestess, a long-dead warrior, and many others. He becomes embroiled in wars between the gods and man, making enemies among both the Pantheon of the Old Faith and the New Religion gods.
The mythology of Paedur's world is brought to life in the stories that he relates while on his mission... stories which then take on new meaning as the events they depict have fallout in the present day. The climax brings the story full circle, actually having caused me to flip back to the beginning of the first book to doublecheck something.
If there is one fault in Scott's writing, it is that the stories are woven so naturally into the tale that when the events come up again, I frequently found that I couldn't remember the details earlier presented. A timeline would have proven useful. But this is really a minor hindrance, and the series is overall extremely enjoyable.
Scott creates a world so real you can almost hear the voice of the Bard as he works his magic. Scott peoples his creation with creatures both original and incredible, a unique class of characters that have both depth and substance. He weaves a web of intrigue and action and populates it with creatures of nightmare and wonder. One of the most important characters is of course the Bard, a man or a monster. He is seen as a Demon, a DemiGod but never a mere man, except when Scott allows us to enter his mind.
Scott is a true Seanachie, and one of the best Authors I have ever had the pleasure to read. This is one investment you will never regret.
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As one reviewer said before, MSR is highly underrated. His way with words surpasses many in the field. Highly poetic and --in writing style and tecnique -- matching Tolkien every step of the way.
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As a photographer, this book will remain in my photo book collection and it is Kenna's strongest work to date.
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As it says at the beginning of #36, "We interrupt our regularly scheduled program to bring you the following Special Bulletin." The reaction of Spider-Man, Captain America, and the other Marvel superheroes to the attack on the World Trade Center is out of time and space for the Marvel Universe. The event has to be acknowledged on one level, and it is the emotional response to these events that the comic is about, but on another level it cannot be dealt with. J. Michael Straczysnki and John Romita, Jr. touch upon the issue of where were these superheroes and why did they not do something about this horrible event, but there is not much they can really do about it. Spider-Man is not going to go across the ocean and beat up terrorists the way Superman took on the Axis during World War II. This is not going to happen. For one reason Marvel has no more interest in overshadowing the troops in the field than they do the NYC firefighters and police honored for their sacrifices in this issue. Beyond that such real events expose the Achilles heel of all superheroes: every time Superman is Clark Kent, there are people dying that he could have saved. Issue #36 is thoughtful, extremely so by comic book standards, but the comic book moves on.
Even without the 9/11 tribute, "Revelations" remains a great collection because of the other three issues. At the end of issue #35, Aunt May came into Peter Parker's apartment and found him bruised, beaten, and bandaged, in a deep sleep, his tattered Spider-Man costume at his meet. Issue #37, "Interlude," finds Aunt May wandering the streets, trying to absorb the shock of the revelation, while Peter Parker becomes involved in the life of one of his students, offering a telling counterpoint to the relationship he has with his Aunt. Issue #38, "The Conversation," has Aunt May confronting Peter about his big secret, and there is little time wasted denying the truth. They actually talk about the things these characters should be talking about. This is not a deat bed declaration like it was in Volume 1, much as I liked the way Aunt May finally confronted Peter with the truth atop the Empire State Building on the day she died. This is a key part of an ongoing attempt by this writer and artist to rework the elements of the Spider-Man mythos that have become overworked commonplaces. Now, instead of worrying about hiding his secret identity from Aunt May, Peter gets to worry about her knowing the truth.
Issue #39, "Meanwhile," combines Aunt May dealing with her new perspective on Spider-Man (she cancels her subscription to the "Daily Bugle") with Peter's other major interpersonal headache, being separated from Mary Jane. This is also "The Amazing Spider-Man" entry for the 'Nuff Said sweepstakes, where all of the monthly Marvel titles can up with issues using no dialogue or caption boxes to communicate information. The result is a series of cute and poignant moments that show Straczynski and Romita rose to the challenge and avoiding descending into gimmickry. "Meanwhile" fits quite nicely as an interlude in the storyline, although the bits with Aunt May are a lot better than the unnecessary reminders that Mary Jane and Peter miss each other. This just underscores how these comics are part of the continuity of "The Amazing Spider-Man," and you have to been following the story from at least the point when Straczynski took over as writer to fully appreciate what is happening in these stories. But within that context, they are four of the more memorable issues from Volume 2.
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The deus ex machina manner of some heroes' baptisms into the Christian faith would confuse a newcomer, but bear actual roots in Irish history. As Catholicism grew to dominance, baptisms were tacked on to the ends of stories to provide spiritual aedification.
An introduction to this work is sorely needed, since the reader cannot tell how many of the stories are folk stories retold, and how many bear the embellishment of the anthologizer. The historical context from which these stories arose requires further explanation, especially for the Irish diaspora.
In short, not a masterly work, but closer to greatness than mediocrity.
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The first few chapters are very good and have helped me 'sell' zope to management because they describe why zope is such a good applications environment.
However, when it came to helping build applications, unless you want to build products, then this book contains almost nothing on scripting or using external methods (and hence the python functions outside the safety of zope). There is just a few pages on zope methods and only a 'hello' world on using external methods.
I was hoping to get a zope based application up and running fairly quickly to convince my colleagues that we can use zope effectivley, and for that I needed to access existing application (and hence external data using external methods).
I don't doubt that once you become experienced this book serves as a good reference book and a good guide for advancing to more sophisticated applications, but for an inexperienced zope applications developer it is not at all helpful.
The Book of Zope had very little I found useful.
I bought the Zope Bible after looking it over in them bookstore for about a half-hour. It is not for Zope newbies, for sure (though a particularly hardy newbie could probably grok it OK). But if you've done some Zope work and you find yourself hemmed in by the fences of the ZMI and hampered by a lack of ability to understand how the Zope objects interact with one another and with the outside world, this book is exactly right. It has answered more than a dozen questions I had that I had asked on the Zope mailing list to no avail.
The book is clear, well-written, cleanly organized and quite complete.
I agree it's probably not worthy of the monikder "Bible" but it is easily the most comprehensive book on Python devleopment in and for Zope that you'll find. And, believe me, you need to learn Python to make most effective use of Zope for anything beyond toy apps. Zope's ZClasses are a fragile gossamer. The real power is in the Python programmability of the thing.
After initially trying with "The Zope Book" and "Zope Web Application Development and Content Management," I could create simple applications with dtml and pythonscripts, but I still felt like I wasn't really grokking Zope: I felt that the things which I created were not terribly scalable or portable. There is an extensive section on ZPatterns in the end of "Web Application Dev," but I gave that a pass when I found that ZPatterns are not supported in the current Zope releases.
This book was exactly what I needed to get past that wall: The section on application development in Python allowed me to leverage my existing knowledge to create some products that have now gone into full production use. I now feel much more confident building, extending, and integrating Zope apps.
This book is well written; It answered the questions that I came up with almost as soon as I came up with them, making it an easy read. The code listings were helpful without being prohibitively long. The book doesn't coddle the reader with excessive detail on simple topics, but gives just enough to understand. I loaned this book to a friend who only knows Perl and C, and he found the included Python intro enough to bring him up to speed on Python as well as Zope.
All that said, there is no substitute for actually sitting down with Zope and playing with it. This book will not make you an expert on the complete system, but it will make Zope transparent enough that you can continue your education on your own.