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Duginske's systematic approach picks up where owner's manuals leave off, and it applies to all brands and makes of machinery. You'll also learn how to prepare stock effectively and how to produce the joints and cabinet parts you need without any expensive add-on jigs. Whatever you want to make in your shop, you'll work more efficiently with Duginske at your elbow. (As quoted form the FWW site).
I read the whole book, and used the information on tuning the table saw in great depth. I was able to take an old Taiwanese table saw that had serviceable tolerances, and tune it to maximum performance. Initially, I concentrated on measuring the run-out of the arbor to decide whether the machine was worth keeping at all. It was. A year later, after moving, I went back to this reference and found a problem with the trunion alignment. In so doing, I also found and fixed a potentially dangerous problem with the blade raising mechanism. Once identified, it was easily fixed, but I wouldn't have had the courage to look without the confidence inspired by the author's careful treatment. He made the process seem simple, and encouraged patience and perseverance in approaching the tune-up task.
All of this was very necessary in the case of my old saw.
The best sections, in my opinion, are the table saw and band saw, but he covers a number of machines, including the router, shaper, and jointer.
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Of course, these questions aren't all answered, leaving the door open for more Aliens: Apocalypse -- titles, but it's a refreshing and thoughtful changes. The interesting rescue story is complemented by good dialogue, typically wonderful artwork (some of the Aliens comics are so badly drawn it's incredible), and yes, a few action sequences.
While I liked that they were trying to explain the aliens, I didn't agree with the explanations, and this book somewhat contradicts previously published Aliens comics, making it hard to accept as part of a whole. Still, this is quite an enjoyable comic, one that should be read by every Aliens fan.
The story deals not only with the classic "Humans hunting aliens" - theme, but goes deeper, exploring the origins and deeper purpose of this terrible race. This leads to a whole new perspective on our own place in the universe.
And this novel does all of that without once becoming less thrilling and suspenseful than the others!
The artwork is beautiful, die-hard readers will see much of H.R. Giger's original Alien design.
So, if the Alien movies got under your skin - buy this one. You won't regret it!
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Throughout the book, Craig provides small interludes detailing Japanese history, and other information, some of which is accurate, some of which is very much exaggerated, and some of which is not true. While the thought was nice, he should have researched his facts more.
The drawings accompanying his descriptions of the kata are sketchy and vague; a beginner would have difficulty following them, although someone with grounding in another Japanese sword art such as kenjitsu may have better luck. However, with knowledge of the kata, or at least of the mechanics of the motions, a reader would find this book a helpful reminder, as long as he does not try to base his study entirely on this book.
Overall, this is not a terrible book, but there are much better on the subject, with regards to technique, illustration, and history.
Worth every penny I spent for it.
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The books short stories vary greatly in terms of the quality of the stories, and several of the "Hunters" are worthy of their own books, as some of them have already enjoyed solo pieces with the focus on only one of their guild. Boba Fett has already extended well beyond a few pages in a mediocre collection, and his character enjoys a following that is almost as large as the gap between his skills and those of his fellow hunters. He is in a class by himself, and I believe that is how he should be portrayed.
There are two newer entries that were not part of the original trilogy and they both seem to have strong futures. The first is Aurra Sing who appears to be headed to a level of performance second only to her male counterpart Fett, and then Kenix Kil, who brings the whole storyline of the Imperial Guards that were seen in the first movies, but never spoke or revealed anything about their elite group. This same character has appeared in the "Crimson Empire Series" which I feel is one of the better groups of collections.
One of the three of these I read recently covered in detail the work that goes into the cover art. It also documented how careful Lucas and his people are to be sure that characters have consistent visual appearances. In this work that quality control stopped at the cover as far as Lando Calrissian was concerned. I don't know who was drawn for that episode, but this guy didn't even look like a distant relative. Very often the level of enjoyment I get out of these is determined by the quality of the art, and I think that is appropriate given the level of effort involved. And I guess that is why I continue to be mystified that you can read one book and the renderings are as faithful to the characters as film, and then pick up another volume and view images drawn with no care given to the fact that a real actor played this part, in many cases for hours at a time on screen. Who they are and what they look like are not open for interpretation. When they are badly rendered you have to wonder how they ever got approved.
All the stories collected within these pages are good despite being short, with Aurra Sing, Boba Fett: Twin Engines of Destruction, and Kenix Kil rating within the praiseable ranks. Of these three, I'm partial to the telling of the Boba Fett story because it is written well and is drawn well, plus its dealing with the most infamous of the big kids. Aurra Sing comes in a close second with Kenix Kil right behind her because these stories are done well themselves, and they are also about characters that many haven't yet tasted that much. Scoundrel's Wage, while an interesting story in some rights, doesn't do much in regard to bounty hunters at all and only explains how Lando manages to get himself into Jabba the Hutt's palace in Return of the Jedi. It paints the hunters out as ineffective and is more about Lando himself and the cunning he possesses than the minions commanding the high dollars.
If you find the forces working outside the boundaries of both good and ill, then this might be something you'd like to check out. All the stories are pretty good in this TPB form, and the Boba Fett: Twin Engines of Destruction tale needed to be harvested for quite some time now. So, sit back, barter on the outcome of who will and won't taste the talents of the figures lurking in the shadows, and read up on some rather exquisite struggles. For the Star Wars seeker, it is something that comes highly regarded.
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The Anakin story was the best of the lot. Taking place (immediately) before the Jedi land on Tatooine, it shows us Anakin's idealism, his dreams, and a glimpse of his life and friends. The art, while not spectacular, also fits his story very nicely.
Next came Queen Amidala's tale. Taking place right before the podrace, it is similar to one of the levels of the TPM game. A component of Anakin's pod is stolen, so Amidala and Jar Jar take off to retrieve it. The art wasn't very interesting, not bad, but not good, and the whole story is pointless and doesn't really fit into the whole. There are a few neat character interactions here, but not much.
Next come Qui-Gon. The art was the best of the lot, done by Robert Teranishi of "Union" fame. It portrays Watto's double crossing of Qui-Gon as he tries to collect on the parts he needs and Anakin's freedom, and it also includes the scene cut out of the movie where Anakin beats up the Rodian kid. Plus, it has interesting dialogue which sounded right.
Last came Obi-Wan, which was the most dissapointing of the bunch. The art was okay, but the story, written by the guy who did the comic adaptation of the film, was essentially Obi-Wan recapping the entire movie to Yoda, and once in a while a little commentary by Yoda on Obi's performance.
And then came the 1/2 issue. It had little segments by each of the four writer/illustrators of the main stories. The Anakin bit isn't real interesting, but the assassination plot ties into the "Emissaries to Malastare" plotline. The Qui-gon basically just is a little epilogue to the existing story, Obi-Wan is found reflecting on Ani's admirable Jedi traits, and the Queen gets to know Jar Jar a little better on the way to Coruscant.
Overall, a quick enjoyable, read. Recommended.
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carl
The story setup is as follows:
A fishing vessel located several miles from one of the archipelagoes that make up the Southern Chilean Coast find themselves in a fast-moving weather front. While riding out the gargantuan thunderstorm in its tow, they notice something unusual; first a deafening roar and then something of an electrical ghost that first hovers, tries to ascend, and then crashes into and slips below the water's surface. Enter an array of stunningly foolish humans who, after theorizing that the "bogeys" (yes, they do know about the Predators and their atypical hunts in only the most humid of regions) were attracted to these frigid waters by some seismic activities, decide to go and play tag with the Predator. This, of course, leads to deaths, plenty of them, and to some strange discoveries in an undersea cavern that show why the Predator was really here.
As I said before, this was interesting because it removed the Predator from the trappings of its blandly overplayed normality, plus it had some other elements that were, in a word, odd. If you only want fighting and nothing more, however, skip it. If not, however, you should at least give it a once over.
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This is probably the most convoluted and bizarre story yet in the Aliens vs. Predator universe. It hardly consists of any of the 3 fighting each other at all...at least not to the extent of which the cover and blurb on the back would have one assume. The story tells of John Connor and the resistance defeating Skynet, only to have Skynet reawakened years later by Terminators that have gone into deep cover, posing as scientists. To assure victory, samples of Alien DNA have been used to construct a new generation of Terminator, which the Predators see as a great threat of war.
If it sounds ridiculous...it is. The story is bizarre and goes in all different directions. And worse yet...it spins off of Alien: Resurrection. That alone makes me not like this comic, aside from the bizarre story and sub-par artwork. The story even has Ripley 'become' a Predator. So...she's human, she's Alien, and now she's Predator. The book just gets worse and worse as you go on.
I suppose if you are a fan of any or all of the characters, like I am, it should pique your interest. But the sloppy and senseless story combined with the elements that made Resurrection such a bad movie, not to mention the lack of attention paid to detail both in artwork and in story, just make this comic unreadable. This is a crossover that had so much potential, and it could have been in so many different, better ways...but it turned out to be nothing more than an attempt to throw 3 popular franchises into one book as a cash-graber. Buy this if you are a collector and want it for your collection, but don't bother reading it. Otherwise just stay away from it completely.
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