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This book made me laugh. It also, more often, made me cry, rage, and chilled me to the bone. It is fantasy-fiction, but some of the passages, and some of the plot-line, hits far too close to reality to make it a nice, casual and inoffensive read for me. You see, I am a professional singer and collector of folksongs. I was raised singing the songs of the Appalachian Mountains, discovered Mexican music, and then went nuts with the rest of the wonderful ethnic musics we have in America and Great Britain and Ireland....and this book tells all about the plot of the Devil to steal our -real- music from us; to take the one source of fun and comfort for the poor and hungry away.. ..and substitute the homogenized "corporate-pop" ("corporate-PAP!") culture...Sound familiar? Devil does it in little things...killing off the center of the folk revival, a tall, skinny, leftish banjo player that likes to lead his audiences in singing.....keeping foreign singers of folk music out of the country by pressures from the Unions (THAT is happening FOR REAL RIGHT NOW with the Dept. of Immigration!!!!).....making the Music Police get tough about royalty payments and Union membership (THAT is also happening for real right now in many places, and driving the small clubs out of the entertainment side of the business!!!!)....making the Music Police get overly tight-a**ed about copyrights....and taking away the memories of the words of the songs....destroying the collections in the Library of Congress and destroying personal collections too....many, many little things that (in the real world) are -really- happening.....scares me to death! But....see, that banjo player's banjo was made by a little old man in Appalachia who had "power," and he put that power into the banjo and all that singing for years and years put power into that banjo....and another folksinger has it now....and he, and several others, are fighting back! Fighting back against the Chairdevil, and the Bureaucrats and Buisnesspersons, and all the others that want to Take Control over something that can't really be "owned" by anybody because -everybody- owns it. So maybe all is not lost...the next book will take them to the British Isles; to the source of the music...where the devils haven't really touched....yet. There, they must re-live the old ballads, and bring them back! Supposedly, there will be a third book. I already have number two and three reserved at my local bookdealer! And if they ever come out in hardback, I intend to make them a permanent part of my library, right up there with Manly Wade Wellmann and Alan Lomax! GOOD STUFF, Maynard. And, as an absolute banjomaniac myself.... GREAT BOOK! And damn sobering in spots.
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(1) Cindy must be the dimmest heroine I've seen in a long time. First of all, what on earth does she see in Raydir? He only appreciates her when she's gone. Second, and more importantly, why must she spend chapters upon chapters upon chapters NOT realizing that Grandma Webster is supernatural? Cindy has met a real-life fairy godmother; it's not like she's never seen magic before. And here she is, traveling with a little old lady who nonetheless has boundless energy and physical fitness, whom everyone in the entire Southwest seems to know personally, and who has food that regenerates itself. After a hundred pages of this, you'd think it would have dawned on Cindy that Grandma is a little bit more than the average nursing-home escapee.
(2)...In _The Godmother_, though the characters frequently break into political rants, the speeches take a back seat to the story, but this book seems to be one long political speech about the plight of the Hopi and the Navajo. It doesn't matter how worthy the cause is; it doesn't matter whether you agree with her views or not. I agree with almost everything she says, and yet I don't appreciate being sledgehammered with a moral when I sit down in my chair looking for a good story. There are shining moments of good story--my favorite is the weaving scene, where Grandma manages to get a feuding family to see each other's worth again--but overall this reads more like a political tract. Gimme a break.
Cindy's first indication that the trip was not going to go according to plan was when she picked up an older American Indian woman whom everyone called Grandmother. Shortly thereafter, Cindy discovers that her hitchhiker had a slightly different voyage in mind and had no intention of letting Cindy get rid of her easily. Grandmother seems to be concerned about the pain and anger caused among the Hopi and Navaho by a recent land partition. By no means a political activist, Grandmother is intent on providing wisdom to her many grandchildren.
Among her extended family we will find Carl Loloma, a drug counselor, his daughter Sela, and her boyfriend Wiley Smiley. Also playing major parts are Michael Blackgoat, on a quest for a horse, Dr. Maria Chee, who has come back to the reservation to help her people, and Alice and Martha Tsosie, two sisters who are split over how to deal with land partition.
I shouldn't leave out an ill-intentioned Navaho witch, several representatives of a power company who intend to take advantage of the political situation to advance their own cause, and some other unpleasant 'bad guys.' Confronted with inter-tribal anger and misunderstanding, horse theft, witchcraft and assassination, Grandmother has her work cut out for her.
Not only does Scarborough write one of her best tales ever; she shows a grasp of Hopi and Navaho culture that is truly astounding. She weaves legend, myth, culture and politics into the story without missing a step and never lets the story get bogged down by all the details. I learnt as much about these to American Indian cultures in a book intended for entertainment as I have reading books on the same subject. Because of this excellent mix of story and cross-cultural information I would recommend "The Godmother's Web" for everyone, young and old, short and tall.
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Scarborough's novel blends history, folklore, and fantasy with touches of Frankenstein thrown in for good measure. The brogue can make reading slow going in places, especially when the dialect of the gypsies is represented. (It is easier to take in all of the phrases at once than to stop and guess at the meaning of each of the words.) The identity of the madman becomes evident fairly early in the book. But the author has drawn such vivid characters that concern and interest in them drive the reader rapidly to the conclusion. Also, the historically factual information about Edinburgh is fascinating. As Midge Margret's people are forced to take shelter in the city from the bitterly cold winter, she is appalled at the stench emanating from the town. Slops were tossed into the streets every night at 10:00 p.m.; overcrowding and lack of proper drainage meant that Edinburgh could be smelled by visitors eight miles away, prompting Midge Margret to exclaim at one point: "And they ca' us dirty."
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I'll read anything Anne McCaffrey writes, and this book was certainly up to her usual excellent standards.