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The prior standard way of seeing these types of primitive manifestation was to see them trough the amount of dread the primitive men have against the manifestation of some praeternatural agency, to use a term used by Mr.Thorstein Veblen, a contemporary of Freud, in his magnificent book on the leisure class (The Theory of the Leisure Class). It is worthy to note that nobody can be sure on the origins of this type of tradition and that adds substance to Mr.Freud's arguments.
Sigmund Freud goes a step further to the classical view and says that totemism and taboo as animism are the manifestation of something not outside ourselves but rather inside human minds of the primitive people, where the unconscious played a good part to the forming of this kind of culture manifestation and where there is an intricate and unconscious and almost mathematical calculation in order to attribute to the priest-king, who typifies the carrier of this tradition, both the pleasures and the burden of the function. In Freud's view, both totem and taboo are traditions that have to find their origim in the unconscious of that primitive folks and not in the concurrence of fear to the dead, following the tradition of his many other books on the latent manifestations of the unconscious. The ritual and actual killing of the father by the Horde or Band of Brothers, who are in search of vital space for their development, is the real reason behind all that happens afterwards and, following Freud's hypotheses, are the groundwork of modern and ancient religion.
The concepts here explained will be fundamental to the development of the hypotheses developed latter in Moses and Monotheism.
The fact is, his suppositions about parental relations (as they relate to "totem" cultures), about religion, and about sexuality are extremely relevant and have proven, over the years, to possess an extraordinary predictive power. Even if one disagrees with this literature, one should read it and know exactly what they disagree with.
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In the one I just completed, Savage manages to use every double-letter combination from AA to ZZ in an answer (wait'll you get to QQ). It may take you a couple puzzles to get used to some unconvential cluing (I'll make up an example: Clark in "Gone with the Wind" would be a clue for GABLE, not RHETT as most constructors would have it), but these are really fun once you get on a roll....
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