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Writing a biography of someone like Augustine is difficult -- little information is available other than Augustine's surviving writings. The successful biographer needs to ground the available information, and a critical rereading of previous biographies, in our current understanding of the state of society at that time. Garry Wills has pulled that off nicely.
Augustine lived in interesting times: Church doctrine was evolving while identifying heretical docrines (e.g., Donatists); the Roman Empire was effectively split in two, with the Western capital moved from Rome to Ravenna; and (mainly) Christianized "barbarian" groups were taking over large sections of the Western Empire (Alaric's Goths captured Rome during Augustine's lifetime, and Augustine died near the end of the Vandal conquest of Roman Africa). Wills successfully places Augustine's life in context of these important events.
Other Amazon reviewers have noted that this is not a good introductory volume. I disagree, as long as the reader has some knowledge of the historical period. Even in that case, however, the early sections of the book can drag -- e.g., with lengthy reinterpretations of specific Augustinian phrases. But how can one complain about an Augustine biography that (in the final pages, anyhow) manages to incorporate discussions of both Roth's "Portnoy's Complaint" and Chesterton's "Secrets of Father Brown"?
Augustine lived in interesting times: Church doctrine was evolving and identifying heretical docrines (e.g., Donatists); the Roman Empire was effectively split in two, with the Western capital moved from Rome to Ravenna; and (mainly) Christianized "barbarian" groups were taking over large sections of the Western Empire (Alaric's Goths captured Rome during Augustine's lifetime, and Augustine died near the end of the Vandal conquest of Roman Africa). Wills successfully places Augustine's life in context of these important events.
Other Amazon reviewers have noted that this is not a good introductory volume. I disagree, as long as the reader has some knowledge of the historical period. Even in that case, however, the early sections of the book can drag -- e.g., with lengthy reinterpretations of specific Augustinian phrases. But how can one complain about an Augustine biography that (in the final pages, anyhow) manages to incorporate discussions of both Roth's "Portnoy's Complaint" and Chesterton's "Secrets of Father Brown"?
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The articles were not historical in their approach (which does not necessarily make them bad articles), but if you are wanting a historical assessment or approach to Augustine's philosophy, then you will not find it in these pages. This is what leads me to question the title of the work, which ultimately seems to be a misnomer.
However, if you are wanting a wide variety of articles that pertain to Augustine or some aspect of modern Augustinian thought, then perhaps this is a better text.
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This slim 2000 book first categorizes the many ghostly anecdotes it relays by whether their settings are indoor or out, then by the types of uncanny activities they are, including supernatural contacts, animal spirits, spiritualist interaction, sounds, smells, unexplained fires, guardian angels, and malevolent entities. These accounts are accompanied by photos of the sites and eerie pencil sketches by Dianne Thompson Jacoby. Also included is a glossary of the terms the author uses and bibliography, which could be helpful for anyone looking for further reading on the subjects covered.
Stopping by a cemetery for a story while on a ghost walking tour, one visitor notices the woman beside her disappear as they moved onto the next point of interest. At the Benét Store, an ancestral home of Stephen Vincent Benét, two poodles frequently appear to current owner Marla Pennington on the steps leading to the second floor. When an old partitioned Victorian apartment dweller's neighbors deny making harpsichord music, she seeks out the culprit when it recurs and realizes the woman playing the instrument was not living.
Most of these stories are anecdotal and concentrate on the encounters themselves, but not all of them supply any background, analysis, or investigation for how the hauntings came about. Questions are provoked, yet unanswered. Ghost folklore that captivates gives a bit of background as well. Looking up the history of the haunted site, identifying the ghosts (even if it's just theory), and determining why their spirits remain in the physical plane is part of the fun. The tales don't need to have all of this information, but it helps. The stories that have more background research in this volume are better than the ones that don't.
While this is a volume of ghost stories, a first-hand account of one in San Diego, California, was out of place as it had little connection to St. Augustine. San Diego has enough of its own ghost folklore--particularly the Whaley House--and has the books to back it up for anyone who wants to learn about its legends. This reviewer wanted to learn more of Florida's fascinating historic city.
The spirit photos might be of interest to those looking for more tangible mementoes of St. Augustine's uncanny phenomena. Jacoby's spot illustrations also enhance the storytelling. Although Author Karen Harvey sometimes changes the names of those in the stories, many aren't. Anyone who has a genealogical interest in St. Augustine might run across a name or homestead for their research.
More background would have been appreciated, but this book serves as an atypical introduction to an intriguing city. OLDEST GHOSTS: ST. AUGUSTINE HAUNTS is enjoyable reading for anyone fascinated by this aspect of the paranormal, especially when it is combined with how this little city forged its frontier.
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If you have to read the Confessions in English, by all means stick with Henry Chadwick.
In addition, key facts that most biographers would introduce for the reader are skipped. For example, he refers to the Maximus the Usurper in his pages as if you should know who he is. Who Maximus is or why he is important is never explained. Other references to key players are left similarly unexplained.
Other parts that are suspicious. After a long explanation of the origins of the word 'confession' and its use in Augustine's time, Wills decides to call Augustine's most famous work not by its universal title "The Confessions" but "The Testimony." What is the point of renaming a book that is known by everyone under one name? Everytime he refers to the Testimony, you mentally correct it to the Confessions. This is a pointless distraction and it makes you suspicious of what other titles have been intenetionally retranslated to something no one would recognize.
Likewise, he gives the name Una to Augustine's mistress, even though there is no record this was her name.
Personally, I don't like this kind of self-created biography. I was expecting a book that would lay out Augustine's life, and at various points dip deeply into the theological debates and explain Augustine's views in the context of his times and also detail how they affected Catholic/Christian thinking after him. This is not that book. This is a treatise arguing for a different translation of Augustine; it's not a biography.