thomas mails' honesty and humility in recognition of the potent and vibrant personality of fool's crow allows him to become a nearly transparent medium for this account of a shaman's personal methods and rituals.

at their most effecftive, shamanistic rituals use p[hysical symbols to trigger and continue cycles of effect and reaction between the individual practitioner and the world-system as a whole. this book doesn't go into great depth in presenting the fundamental metaphysic of the native american heritage that fool's crow continued, but provides a rich and meticulously detailed account of demonstrations of its practice by a healer, teacher and leader.

this book may tempt immitators and pretenders; they might find themselves playing with fire. this volume should not be taken as a single source outside of the greater context of the heritage it celebrates and partially describes, but it can be a valuable supplementary resource for a careful student, or the agile and humble explorer.

The legacy of Fools Crow is his wisdom & power as a Lakota medecine man. The path he walked, as a man called to serve his people & the Great Spirit, is recalled in this book. His simple message is that all of us can be "hollow bones" for the Great Spirit to work through. The reader learns that the power & wisdom of Frank Fools Crow's life was in his detachment from ego and submission to a higher force. Some readers may only be interested in the ceremonies & rituals described in the book. However, the message is the spirit of the man & his committment to his God & to his people. I can not imagine that any reader can walk away from this book untouched.

This is one of the most remarkable books I have ever read! If you want a book that will draw you closer to God, regardless of your religion or beliefs, this is the book. Frank Fools Crow will teach you by his example what a holy life truly is and the power that will naturally flow from living this type of life.

The beauty of the traditional way of the Sioux is also captured in this book. Yet Fools Crow reaches to the heart of all people with the love he freely gives. Fools Crow's many gifts are laid out here - his healing ability, his compassion. It is made clear these are gift's that come from God, not man, and as are to be shared with all.

When I ordered the Encyclopedia, I resigned myself to slugging through mountains of information and end up "What did that say again?"

Well, I am pleased to say that there was the mountain of information and more often than not I knew what it was saying. The definitions in were to the point, crisp and relevant to the times. Rev. P. Stravinskas had the insight to include information an ordinary Catholic needed at 7PM Sunday in a mad rush to complete an assignment.

Where the encyclopedia lost me were in some definitions that were necessarily lengthy. Obviously, some white space could have saved me time in re-reading the whole passage. But, with the value of the information included, I believe the Encyclopedia is an excellent resource for those of us who are not scholars in the catechism of the Catholic Church.

Those who know Fr. Stravinskas know that he likes to keep things short and to the point, so that the average person can understand what he's teaching without getting lost in detail. On another note, Our Sunday Visitor has a reputation for printing only the best quality of Catholic books. This collaboration brings out the best traits of both.

It is faithful to the Church's basic teaching since the Second Vatican Council, it fits into one large volume using a print size that will not strain your eyes, it is wonderfully organized to cover a wide variety of topics relevant to the Catholic faith, and its entries are informative while being written at a level the average Catholic can understand.

For these reasons, this is simply one of the best modern Catholic Encyclopedias on the market. Every Catholic family and college student who is interested in their faith should own one.

If you want to know what the Catholic Church teaches this is a great reference book. Father Stravinskas teaches what the Church teaches, and not just his own personal opinion. I'd recommend anything he wrote. It's wonderful to know you won't be misled. Nice book for dipping into, too!

This book was fabulous. It is considered the first novel ever published by an African American; the author was born into slavery but eventually escaped (his account of this, "Narrative of the Life and Escape of William Wells Brown," is included in the book). Clotel is the main character of the story, a mulatto fathered by Thomas Jefferson.

The novel begins with Currer (Clotel's mother and Jefferson's slave), Clotel, and her sister Althea. After Jefferson goes to Washington, Currer is left with another master, who eventually dies, leaving Currer, Clotel, and Althea to be sold on the auction block. The book then continues to tell the story of what happens to each one.

I've never been very into books about African-American issues or slavery. This wasn't for racial reasons; the whole genre just never sparked my interest, I guess. I decided to give this one a try; sort of dipping my toe into the water to see how it is. The book was great -- very easy to read, intriguing, no parts that dragged on and on. I highly recommend it. The only "down" side is that the chapters tend to skip from person to person, and by the time I came to the next chapter about one of them, I had already sort of forgotten how this person came to be in the situation they were currently in. That's probably just me, though; my memory is awful sometimes. All I had to do was flip back a few chapters and refresh my memory. No big deal.

The book focuses a lot on how religion was used as a justification for slavery. Funny how, one hundred and fifty years later, people are still using religion to justify all sorts of discrimination and violence. Learn a lesson much?

It also brings attention to the fact that there were a lot of slaves who were mulattos and could actually pass for white. For some reason, this never occurred to me. I mean, obviously I knew about the practice of slaveholders having children with their slaves, but the picture of a white slave toiling away in a field just never entered my mind. That's not something I ever heard about in my history classes; it was always "white" owners, "black" slaves.

I can't say enough good things about this book.

The genre of African-American fiction began in 1853 with the publication of this historical novel in England. Even though William Wells Brown, a fugitive slave from America, wrote four versions of this story, the first version was not published in the United States until 1969. The reason this novel was not introduced into American society until this time was because of its reference to the relationship Thomas Jefferson had with his slave, Sally Hemmings. The idea that Sally bore him children, which he sold as slaves, was enough to keep this novel out of the American public's eye forever! Still, this novel found its way here and in later versions, Jefferson's connection to Sally vanished all together. This novel centers on three main characters: Currer, a slave who was once Thomas Jefferson's housekeeper and mistress, and their two daughters, Clotel and Althesa.

The separation of Currer and her two daughters in the beginning of the story provides the actual framework of this novel. Through this separation, Brown is able to create three separate story lines united by the institution of slavery.

The first story line involves Currer's life as a concubine of Thomas Jefferson and later a slave to a Reverend John Peck. Through her life, Brown presents the hypocrisy of the slave owner owning another human being as well as some Christians' biblical approval of it. Brown uses the second story line of Clotel and her relationship with Horatio Green, to depict how vulnerable and hopeless life was for black women under slavery. Horatio adores Clotel so much that he provides her with a home of her own to raise their daughter, Mary. But Horatio desperately wants to further his political career and does so by marrying a white woman by the name of Gertrude. Feeling jealous and threatened by Clotel's presence, Gertrude sells Mary into slavery. The final story line involves the fate of Althesa. Like her sister, Althesa is a concubine to her master Henry Morton. But Morton later marries her and is a loving father to their two children. Even though Althesa experiences true love through marriage and was able to raise her children, the actual tragedy of her situation lies in what happens to her children. Through Althesa's story, Brown proves how her free rank in marriage did not grant freedom for her daughters, which continually shows slavery's disruption of the black family unit.

CLOTEL, though considered melodramatic by some, is an exquisite piece of literature. Its importance is not only tied to the fact that it is the first published work of its kind in this genre, but gives readers a glimpse into the English language used by black people at that time. I think this novel was an excellent start for the genre of African American literature.

This story is very interesting as we are descendants of Sally Hemings and Thomas Jefferson, whose relationship, the historians attempted to erase from history. The only problem with that is they left 1800+ descendants.

It is a good story that should not be discounted because it was not written about by the so call established historians.

As the Dred Scott papers appeared today on line. Many many stories are stillout there that could intrugue us about our county's past

The canon of novels, short stories, plays and television appearances left to the world by the late, great Gwyn Thomas are unique in that they perfectly define a country and its people. If you thought that the only literary genius to come out of Wales was Dylan Thomas, then you have an absolute treat in store for you.

Gwyn Thomas is the ultimate literary craftsman. Words came easily to him and with just a few well chosen sentences he can evoke a mood, a time and a location. His books are like roller coasters. He takes you to the places he writes about. His characters become real people and, through him, you share their passions. I have absolutely no hesitation at all in recommending this book to people who love books. It is an absolute classic and when you read it you will understand why Sir Anthony Hopkins was willing to take a massive pay cut to appear as Gwyn Thomas in the BBC film of the book.

The man was a genius. Buy this book. Read it and tell your friends about it.

Follow the life of this little-known Welsh playwrite from his roots in the coalfields of the Rhonda Valley through a brilliant scholastic career in England.

Also, make a special effort to see the excellent television program from the BBC based on this book. Anthony Hopkins is at his best as Thomas.

This book, and the television production noted above, is a must for lovers of literature and humor. These works should have a much wider audience.

Gwyn Thomas' autobiography "A Few Selected Exits" is unlike any other autobiography you have read. A bold statement, but one which is easy proved. A reader need only delve into the first few pages, and they will be hooked on the genius of a man unappreciated in his own time. Thomas' autobiography is the only one I have read which is not self serving. He recounts escapades from his life yes, but in such a non-linear way, one gets the impression of sharing a drink with him in a pub. I have never read a book before which will make the reader laugh out loud in a room alone. Thomas skewers pretension at his alma mater Oxford, and takes a honest but affectionate view of the youth he spent in poverty in Wales with equal enthusiasm. .

This early work captures much of the mood, but not exactly the style that will be prevalent in Bernhard's later work. Written as what can best be described as one long prose poem, the storyline is drawn in fragments of conversation, emotion, images, etc. and can be hard to follow at times. However, what's distilled here is an atmosphere of clausterphobia and approaching madness that is definitely Bernhard's forte. I found it to be incredibly lyrical and poignant, and this piece has remained my favorite even after reading several of his more mature works. Maybe because of the dog (read the book!).

His earliest but already matured prose/A thin(143 pages)book made up of one towering sentence/Dis- turbing plot,problematic hero but gripping tale/ challenging but satisfying masterpiece...

We purchased this book from an art museum while on a driving trip. We used it all during out trip to make our stops a learning pleasure. It is amazing what wonderful art is out there in small museums. This book will be used whenever we plan a trip. If would be perfect for someone traveling in a motor home.

This guide is a beautifully put together resourse for all art lovers, students and museum professionals. It is extremely clear and easy to use. I found wonderful places to visit in my own backyard that I wasn't even aware of previously. I also can't wait to take my next trip to another part of the country and visit these wonderful museums! The guide is a real inspiration to get up and out to all of these great institutions.

Detective Zack is part of a series. If you like to read the bible, and if you like adventure then this is the book for you! In the book somebody steals the manger for the Christmas play that was really worth alot of money. When the lady who let's them borrow it finds out, boy is she angry! Alot of strange things happen in the story like a fire starting all of a sudden during the rehearsel. I'm not going to tell you the rest read the book to learn to use God's name in the time of trouble. E-mail to me if you like the book.

Upon reading the aforementioned work by the great and amiable Englishman Russel Kirk, I have been forced to come to conclusion that the work is, in general, well-written and, in particular, quite enlightening. His explanations of Eliot's important poetical works are biographically sound, and are given support by cross-references to other prose pieces by Eliot himself (whether from Eliot's own _Criterion_ or some other publication). The fact that Kirk was a friend of Eliot's gives the book great strength and objectivity. I recommend this book to any who are at all serious in their study of Eliot. It is a work no true fan of Eliot can do without, humbuggery notwithstanding.

Yours truly,

Andy Younan, Esq.

I would not want to be Thomas Steinbeck. Imagine: you spend half of your time explaining who you are, the other half explaining who you aren't, and wait for the inevitable question, "Do you write, too?" Steinbeck has blazed his own path, acquiring large if quiet success as a photojournalist, cinematographer, and screenwriter. And, yes, he does write, too. And quite well.

The conundrum one encounters when approaching DOWN TO A SOUNDLESS SEA is approaching it on its own terms without using John Steinbeck as a reference and comparison point. Steinbeck could have avoided at least a portion of the dilemma by writing in a specialized genre, such as science fiction or horror and thus rendered intergenerational comparisons moot. He instead meets the problem head on; the short fiction collected in DOWN TO A SOUNDLESS SEA are Steinbeck's literary transcriptions of tales he grew up hearing from his father and from others who dropped by his household. Steinbeck wisely avoids disclosing to his readers who some of these "others" were, but anyone with even a rudimentary knowledge of John Steinbeck's friends and contemporaries can easily guess. The settings for these stories --- Big Sur and the California coast --- were also frequently used by Steinbeck the Father. Thomas Steinbeck, however, has found his own voice, and his own words. He passes, and surpasses the "John Smith" test: if DOWN TO A SOUNDLESS SEA was written by John Smith, it would be worth picking up, and reading.

DOWN TO A SOUNDLESS SEA consists of seven stories; if there is a common thread it is one of men following dreams and remaining true to their internal vision, though not always wisely, not always successfully. Thus, in "The Wool Gatherer," a young John Steinbeck, retained by a rancher as a wrangler for summer work, finds his attention from the job distracted by his sighting of a giant bear, supposedly extinct. His efforts to find the bear, again, result in his wages being docked and his summer effectively wasted. Yet, there is a nobility found in the story that rings true for its time. The ending to this little tale resounds quietly but is writ large, so that it is not so much an entertainment but more a tacit lesson, not sugarcoated but nonetheless easy to swallow.

"Blind Luck," one of the two longer stories in the book, encapsulates the life of Chapel Lodge, whose childhood was so devoid of love and caring that he at one point believed his name to be "Hey you! Boy!" Possessing an innate, canny intelligence, Lodge comes to believe that his luck --- if it is to be had and utilized --- is to be found not on land, but on the sea.

"The Night Guide" is, perhaps, a tale of the supernatural, but more so it is the story of a quiet, but indestructible bond between mother and child, a fable and a history. It does not seem like much, at first, but it echoes with the reader even as the other stories herein are read and digested. The same is true of "An Unbecoming Grace," a deceptively simple little tale involving a traveling physician who plays inadvertently a most important role in the lives of three people, and in the happiness of two of them.

In "The Dark Watcher," meanwhile, an unassuming, untenured college professor sets out to make his academic mark and succeeds in a way that he did not anticipate. "The Blighted Cargo," one of the shortest tales in the book, is also the weakness, though, it is a fine enough entertainment, being a story of an ill-fated venture in the slave trade where the individual involved is, as is said in some parts, caught in his own juices.

The undisputed gem of DOWN TO A SOUNDLESS SEA is, however, "Sing Fat and the Imperial Duchess of Woo," the final story in the book. Almost one hundred pages long, this tale of romance and traditional Chinese engagement between a young widow and a student apothecary is practically worth the price of admission in and of itself. A quick reading of Steinbeck might leave the reader with the feeling that he takes two long to get the point of his stories and then dispenses with it far too quickly. Such an impression misses the point; every building, no matter how beautiful or utilitarian, is no stronger than the foundation upon which it rests. So too, with Steinbeck's short stories, and particularly with this last one, in which we come to know young Sing Fat, and to a lesser extent his erstwhile bride and the Imperial Duchess. It is unfortunate that stories like this or so rarely written in these politically correct, supposedly liberated days; it makes the beauty of this one resonate all the more strongly.

Steinbeck is reportedly working on his first novel. It will be interesting to see what he is able to do when given the room, and the inclination, to stretch his stories out to cover a larger canvas. He will certainly, on the basis of DOWN TO A SOUNDLESS SEA, have an audience ready, and waiting, to greet him on his own terms. Highly recommended.

--- Reviewed by Joe Hartlaub

After all that is why we read. It doesn't get any better than this. I just purchased the book the day before yesterday and only read 4 of the 7 stories. "Blind Luck" was great and "An Unbecoming Grace" had me laughing out loud at the end of the story.

I wish T. Steinbeck had several voulmes like this, looking forward to his 1st novel-

Don

When I put the book down I thought, Thomas Steinbeck uses words like Monet's brush.