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Walter's recurring nightmares and flashbacks seem superflorous at first, but weave together into a climax that could only be created by a master craftsman such as Rosenberg.
I'd better shut up before I give away the story, but I think most readers will associate with 'The Big Car' and, like me, find themselves re-reading the showdown and reliving their own memories every time they hear Walter smiling to his enemy with the words, "You lose."
Terrific books. Best in the series, and that's a lot to say.
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However, on the positive side, very few people are privy to the fact that Forinel died. Cullinane loyalists to the crown come up with a rather simple solution. They use magic to transform warrior Kethol into looking like Forinel so he can serve in that post. However, malevolent Miron will not allow the return of his half brother from thwarting his goals and he has an ally at the emperor's court, the Dowager Empress Beralyn.
Fantasy readers know that when Joel B. Rosenberg releases a new tale it is an automatic winner. His latest "Not" tale is the usual intelligent, exciting Dumas like action fantasy story that makes magic seem real through strong characters whether they are the "good guys" or the thugs. NOT REALLY THE PRISONER OF ZENDA is a superb story set in a vivid realm. The return of the "Not Exactly the Three Musketeers" is a welcome treat even if they are frustrated because they see their hope of opening their dream establishment diminishing. This novel and its predecessors are books not to be missed.
Harriet Klausner
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Thanks.
Dale Rosenberg
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As a Midwestie I found the "East Dakota" bits compelling enough, and I was actually quite interested in those parts of the book. Other than that the character development and main plot (particularly the ending) were embarrassingly contrived. The book reads like a movie written, directed and *narrated* by Stephen Segal.
It seems this book is going to be the first in a series -- I'll probably buy the subsequent novels out of a sense of duty, but I don't expect to enjoy them unless Rosenberg stops mailing in his work. And please, Joel, for the love of God, put the Guardians series to rest.
Not only does it have a great opening line that hooks the reader immediately, the protagonist is highly likable (in a crotchety kind of way). Those familiar with Mr. Rosenberg's "Keepers of the Hidden Ways" series will recognize many of the colorful residents of Hardwood, ND. I enjoyed seeing Doc Sherve and Jeff Bjerke again.
One of the things I enjoyed most was the dichotomy between the ways of Hardwood and the attitudes of Minneapolis.
The story ended a little abruptly, for my taste, but left me wanting to hear more about this great cast of characters.
And then there's the characters. Small towns are filled with characters, and Ernest "Sparky" Hemingway is as fun a curmudgeon as you'll ever find.
My only criticism of this book is that the sequel isn't out yet. There will be a sequel, I hope? Many of them, if Rosenberg can maintain this level of quality.
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Rosenberg keeps surprising me with the Guardians of the Flame series. The first books were well-done swashbuckling [sp?] fantasy series, with well-above-average characters, the best damn fight scenes in modern fantasy, and a quirky bloodymindedness that kept me wondering if Karl Cullinane could still be alive.
Then the second series, the two Walter Slovotsky books, turned things inside out and made it all close and personal.
Now, with the (eighth?) latest book in the series, Rosenberg seems to be reinventing heroic fantasy with almost casual ease.
No, they're not exactly the three musketeers. If you want a Dumas pastiche, read Steve Brust's Parfi (sp?) books.
This one is something else, as though Rosenberg is trying to reinvent what Dumas and ERBurroughs and Sabatini were getting at in their time.
My only question for "Jayar" (I caught the cameo appearance by Rosenberg in his own book -- very sneaky, Mr. R!) is:
When's the next one?
The return is in that the authors incredible flair for heroic fantasy is back. His descriptions of battle and the warriors that fight in it are exemplary. He shows the motivations behind all these "heroes", and that is what truly makes this, and all the Guardians books, wonderfull.
I was a bit disappointed not seeing Ahira, Ricetti or Andrea at all. Walters role, while prevalent was smaller than we have come to expect. None of the lingering questions from previous books were addressed in this novel.
I for one look forward to the next addition to this series. Anyone that wants to chat, comment or speculate with me on the series, please mail to jerric@mediaone.net
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This book has laggardly pacing; major activities happen off-scene and are simply alluded to, or brushed over towards the end.
I'd rather have had more action and less meandering over the scenery, and less introspection on the parts of newer characters. In the first book, it was clear that this was a "buddy flick" -- Thorian Thorsen was the primary character, Ian was a strong secondary character. The second book brought Ian into the spotlight, and sort of shoved Torrie into the "Dumb Blonde Swede" role, which may be fitting for Ian's perspective. Torrie still comes off as being slow witted, if likeable.
This book spends more time with the local cop for Hardwood ND than it does with either of the characters we established earlier in the series, and at the expense of the action in Tir Na Nog. The closure on the book feels terribly contrived, like it was done to either trim the novel down by a few thousand words, or because he ran out of time to write it before his deadline came up.
The fencing scenes in it have the details more or less right, and if there are fewer in there than I'd like, well, it may change later. The overall plot is good, if a bit overpadded. The scenes from Torrie's dad's perspective are lovely. The homily on tolerance for homosexuality, while germane, and important to the author, came off as being heavy handed.
All in all, I'd recommend it if you've read the first two...and I can hope that Mr. Rosenberg has more time on the next one.
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The stronghold called Home was prospering and Karl's dream of bringing freedom to everyone in this land peopled by wizards and warriors, lords and slaves, dwarfs and elves and dragons was at last coming true. But by attacking slaver caravans, by offering Home as a haven to any eager to throw off their chains, Karl, Andrea, Ahira and their comrades had made many powerful enemies.
Led by the evil Ahrmin, the Slaver Guild was stirring the kingdoms into a bloody war in which Karl and his friends might soon have to choose sides. And the elfin kingdom of Therranj claimed Karl's valley sanctuary as part of its own territory and was demanding both tribute and loyalty from the people of Home.
Caught between slaver forces armed with a magical new weapon and elves attempting to steal the treasured secret of gunpowder, could Karl's human, dwarf , elf, and dragon warriors keep the walls of Home standing for long?
To be fair, there is a suggestion that the true plot of the series is a long-term effort by erstwhile professor Deighton to control the fantasy world. Deighton even makes an appearance in The Silver Crown. It could be that an incredibly complex storyline is about to emerge, in which case my opinion of books two and three may have to be revisited. For now, however, I remain of the view that The Silver Crown is a harmless read that should be enjoyed by most fantasy readers who don't mind a bit of violence in their stories.
Once again, Mr. Rosenberg has outdone the preceeding edition, and I am sure that he will continue to do so.
And as usual with Rosenberg, the story is excellent. Thorian the Younger and Ian Silverstein are both worthy young heroes, and happily enough carry some baggage with them that actually affects them both positively and negatively throughout the story.
The Keepers series, in my estimation, doesn't quite measure up to _D'Shai_ and _Hour of the Octopus_, but it's definitely in the same ballpark. Solid, entertaining writing, definitely recommended for fans of Rosenberg or fantasy in general.