Each chapter is written by a different author and is from a single character's vantage point. The chapters are tied together by a series of "Dark Room" chapters where a librarian tells the story to a youth. The book is, for the most part, very well written. However, each author has a different style so it lacks some consistency in a few parts. It becomes frustrating when all you can read is one character's account of what happened. This effect is magnified when you realize the book spans the Weatherlight, Tempest, Stronghold, and Exodus expansions. Many times I found myself wondering what the other characters felt during any given situation. Authors also seem to have left out many minor details which can add up quickly.
I am very critical of this book because it is such an important chapter to a much larger book in the Magic Universe. My one major gripe is that each chapter focuses on only one character, instead of attempting to portray what everyone else sees and feels during each situation. Overall, I give this book 3 1/2 stars (7.0 on a scale from 1-10). It really is a good read, but to me it just wasn't in-depth enough. It's more of a general overview of the events that transpired in each of the 4 expansions mentioned earlier.
However, I strongly recommend reading this as it will make nearly all of the other books easier to understand. It also helps to add to your overall understanding of the Magic Universe
1) The climax was very lacking. It just seems like the authors assumed that you would piece everything together. There was no big battle or anything. And what is up with leaving Eirtay behind? And Crovax turning into a vampire? Starke's story never resolved, and many characters were never touched on at the end.
2) Errors! I was astonished at the number of grammer errors, typos, and printing mistakes that the editors should have caught. I felt that I was reading a rough draft.
Besides this though, the book was well written and I liked learning about each character from their viewpoint. A must read for any Magic fan!
Worth the listening, but not worth getting excited over.
The plot is readable, but I think it is far from riveting. As stated above, it's about a Predator in a small Oregon town that hunts the most violent persons within the community. I suppose there is a small amount of potential here, but the "boogie monster" in the small backwoods town is an overused cliché among the horror genre. There are only so many ways to present this sort of story before running out of material to make it fresh. So it is with Kindred. The Predator does not make much of an appearance before the fourth chapter, so that leaves you with the character development of the townsfolk. But these people are just as uninteresting as the plot; they too are all cliché. You have the wife in an abusive relationship, you have the man whose father tried to bully him into becoming a "man's man", and you've got the uninformed general populace who rally behind a leader so that they can blame an innocent scapegoat. It all seems very rehashed.
Then there is the art, one of the most important aspects in a graphical medium such as this. To put it simply, it too left MUCH to be desired. The first thing one notices is a severe lack of detail in the pictures -- the people seem to be nothing more than outlines and many times there is not even a background drawn in a given panel. One would think they would put extra detail into the Predator, but he was just slightly more interesting than the townsfolk (and what's with the bird-like heel claw? I don't remember THAT in the movies...) His ship (which also only makes its appearance in the fourth chapter) seemed more like a white football with ridges than something deserving of a Predator. Aside from the lack of detail, the sloppy lines, and the pupils of the character's not quiet in line with the other (giving them a bizarre and unintended insane quality), the color was not well done. There is no shading given to ANY of the characters, just flat, pastel coloring. It is my opinion that if a comic just contains the "base colors", the pallet should at least be interesting. However, most of the coloring was very "soft," giving the story more the look of a Sunday "funny" than a horror story.
All in all, I have to say Predator: Kindred was not very entertaining (there is obviously a reason it is out-of-print as of 6/25/03.) The two things I can say for it is that the covers (shown in a gallery at the back) by Igor Kordey are amazing, and the design of the book (not including the actual comic) is very well done. I think those who are interested in Kindred will be happier looking at the cover art than actually reading it.
At first, I thought this would be another book which simply gave pointers on good negotiation. The writers go a step further and discuss what to do when faced with a party which uses unfair negotiation tactics (like threats or good guy/bad guy). Invaluable.
This is all written in an easy-to-read format and well worth the time to read.
Then somewhere along the line, the book loses what little bit of charm it has and suddenly you're finding yourself not liking Phoebe that much. As each man revolves his way through her life, you begin to dislike her and her choices more and more. Some of the boyfriends listed aren't even boyfriends but rather fantasy characters, penpals and in the case of Arnold Allen (the only Black guy who stereotypically appears on her list) a criminal. By the end of the novel you're thinking that she deserves everything that has happened to her. Some guys aren't good enough, others are too good and why doesn't she have any friends? One word for you Phoebe: THERAPY!!
At first I thought this was going to be a Sheila Levine for the new millenium. Whereas Sheila's self-depreciating humor and poor choices in men endeared you to her, Phoebe's self depreciating humor had you hoping she would grab a bottle of sleeping pills and end it all. I guess Mrs. Rosenfeld is a fairly talented writer as she was able to evoke such dislike for her protagonist from me, but overall this novel went absolutely nowhere and was a complete waste of my time. I liked Bridget Jones better and that's a stretch. I wouldn't really recommend this to book anyone. If you can find a copy, check out Gail Parent's 'Sheila Levine is Dead and Living in New York'. Although it's well over trhity years old now, it still maintains a crisp, hip, cutting edge feel to it unsurpassed by any other writer writing in the same vein as What She Saw.
each chapter takes a look at a different boy/man the main character dated/went with/screwed. a fun idea, but there's such a distance on the page... it's difficult to understand her convictions. i wanted to laugh, and groan in aggreeance, but was left slightly unsympathetic and befuddled. the book begs to be written in the first person, but for some bizarre-o reason lucinda rosenfeld gave us a third person story.
after reading the first chapter i thought it was clunky, and decided to shut it for good, but i was at work, with nothing elese to read, so i kept going, and somehow fell in. i still didn't really like it, but felt hooked nonetheless. weird.
i gave it four stars due to the 'it hooked me factor;' what does it all mean? i suppose it's just as confusing as what she really did see in all of those guys.