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First class locations and story.
If Jack Higgins and Clive Cussler's high praise doesn't sell you this book, read the intro and attempt to deny buying.
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Arnold Morgan, the National Security Advisor, is indesputably the main personnage in "USS Seawolf". This fact doesn't explain though why it's him who makes all difficult decisions. Though I don't know every paragraph of the American Constitution by heart, I am quite sure that it is the President who ultimately decides whether to start a war or not. Actually, I think even the President mustn't do it on himself; there is a Congress after all. This was one example of an obvious logical mistake in the novel. I assure you, there are many, many more.
At the end a few words concerning story and style. The plot of "USS Seawolf" offered nothing new; it was mainly the same stuff as in "Kilo Class". The only difference was the emprisoning of the crew of the US submarine. But then there were once more the SEALs who liberated the "brave Americans", in the same fashion as in "KIlo Class". Robinson's writing style isn't the most ideal either. His storytelling is very monoton; it has remained the same since "Nimitz Class" (with the only exception in "HMS Unseen"). He describes his characters in a very one-dimensional way. We miss important parts of them, like how they spend their freetime or something like this, and that's the reason why we never quite understand them.
So, I repeat it, I was quite disappointed by this book. I can only hope the next one will be comparable to "HMS Unseen", Robinson's finest yet.
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This is a bad novel, with all the authenticity of hair in a can, and as flat as the troublesome slider thrown by the nominal hero of the story. The baseball action is described in aimless, excessive, and error-prone detail, almost every plot line is preposterous and full of holes, and the dialogue reads like something out of a Chip Hilton story. Examples beyond what has been offered in other reviews:
- Hard luck mother of catcher despairs of his ever getting started with a law career if he wastes a couple of precious years trying to play baseball. Yep, those law firms hate to hire former athletes...
- A pitcher from a college baseball powerhouse goes from summer league MVP to being essentially cut from his team, AND NOBODY KNOWS ABOUT IT. Did Einstein predict the presence of media black holes, too?
- A pitcher (from Stanford, no less) continues to pitch through pain; apparently the lure of the Ted Kennedy Trophy (I'm not making this up) is far greater than the $2 MM+ signing bonus he'll get for being a first round draft pick.
Ugh. Even the "local color" of the summer league scene, which was the reason I picked up the book in the first place, is trotted out with a sort of Truman Show kind of gloss, and goes nowhere. No runs, no hits, and too many errors.
Focusing on the baseball content of this book and then criticizing it for it's lack of accuracy, would be about as stupid as watching Get Smart to do research on the CIA.
Instead, I would suggest that readers focus on some of the relationships between the characters in this book. The interplay between star pitcher Jack Farber with his father and catcher make for great reading. The same is true for the descriptions of the Northeast and some of the some small cities the Cape League plays their games.
Where the book does tend to fall apart is at the end. The writer attempts to make a negative statement about the attitudes of professional athletes by concocting an unrealistic ending that is far too predictable.
Still, I enjoyed reading the book and would recommend it to most people. In fact, I would even it recommend it to most baseball fans with the exception of those geeks that spend way too much time with box scores rather than with real life.
Finally, another recommendation for a fun baseball book would be Summerland by Michael Chabon.
i have never read anything better than this book and i 100% reccommend it
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This was a horrible book ' much more fun to write about than actually read. Besides the laughably bad dialog (are we yanks so alien to the British? There's an African-American character who sounds like he walked off an episode of the 'Little Rascals'.) and the license the author grants to the American military to take whatever overt action it wants on the most scant pretext, it's just an incoherent yarn. The author seems more in love with the intricacies of military hardware than actually fastening them into a plot anybody can follow. The author devotes so much time telling us about the workings of a Nimitz Class carrier, that you half expect him to use another one in the story once the first one is destroyed. Instead, once the author has shown us how much he knows about aircraft carriers, any other use (like advancing the story) is unimportant and can be discarded. The story throws twists and turns in your direction (the rogue submariner is Israeli ' then he's not; the attack was orchestrated by Iran, then Iraq) but never bothers to flesh any of them out before changing track. None of the characters are remotely convincing ' Robinson eagerly makes them sound brilliant without making them all that smart, and lets them talk tough without being very responsible. The plot is full of implausible ideas. The story could survive these leaps of logic if Robinson gave us any reason to, but he seems to take for granted that we'll believe the vaunted Israeli military would being tricked into accepting a hardcore Iranian (or Iraqi) agent into its ranks. Robinson doesn't appreciate that technothrillers are all about that ' taking a technically implausible idea and showing how impossible it's not. Unlike most mediocre technothrillers which lamely avoid this challenge, 'Nimitz' tries to elude it twice. Robinson not only ducks the Israeli-Iran (or Iraqi) dilemma, but doesn't begin to explain the rogue Kilo managed to sneak past defenses of a USN carrier battle group geared by design and training to find it. (failure to address that is not just a plot lapse, but one of many technical errors which abound in this book which hails itself as 'frighteningly realistic'. 'Nimitz' puts technical correctness over plot, but doesn't even get that right.) The moral of this story is simple ' avoid sneak attacks by poorly written books.
The primes and the technology are not new but it is accurate. And the scenario is not a surprise ether as this has been accounted for in numerous History Channel programs. Basically a diesel submarine lays in wait for the aircraft carrier to pass and nukes it. The mystery is who and why. The speculation is mostly based on real facts and history.
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This was my first introduction to this author. It will be my last. There are too many good authors to take a chance with another mediocre book.
Enough of the Chinese and the Iranians already, please. Even Tom Clancy has different enemies from time to time. The characters are unbelievably cliched, the Australian Intel officer, give me a break, no one in Australia really speaks like that. From an Australians point of view it was embarassing. It doesn't end there, the Chinese leaders are portrayed as insane, but inept meglomaniacs, while the US leaders and military characters are seemingly invincible.
The way he portrays the SEALs is almost embarassing, boy does he love these guys. I think the author is masquerading as a SEAL recruiter! If I read one more description of their zero body fat physiques or their superior intelligence I was going to put the book down for good.
Through his characters the author portrays unbridled racism through the use of offensive and derogatory remarks about the Chinese and the Iranians. Does he really think that the senior military and poltical leaders of the United States speak like this?
The plot generally is confused and like most of his previous works, reminds me of an old episode of Batman, the old villain comes back, hatches a dastardly plan but the good guys come to the rescue and all the villain can say at the end is "Rats, foiled again!" If you don't believe me, read all of his other books as well. The ending is incredibly rushed and distorted when compared to the rest of the book. He wraps up several plot developments in a couple of paragraphs at the end of the book which took well over half the book to evolve.
Overall, he has managed to hide a good idea for a story behind poor plot decisions, poor characterisation and an inability to see beyond his own right wing views.
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