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The biggest negative about Wayne is that he didn't serve in the military during World War II. The authors go into the reasons and don't spare him criticism. Wayne was undoubtedly more important to the war effort as a maker of patriotic movies than he would have been carrying a rifle - but that doesn't excuse him. He was the original chicken-hawk - a species that is proliferating these days.
I also found the material interesting about the ideological struggle in Hollywood between right and left in the late 1940s and 1950s. We hear a lot a criticism about "black lists" and Hollywood types boycotted because they were leftists; this book points out that the leftists also had their fangs out to bring down the rightists like Wayne. That he came out on top, despite his unpopular political stances, is a tribute to his honesty and stubborn inflexibility - similar to the characters he played.
I doubt that any other movie star is so distinctive in walk and talk - or more deserving of a good biography. I enjoyed the book - and I look forward to reading more about John Wayne someday in a book which will probe even deeper into his life, career, and psyche. Wayne was an American original.
John Wayne: American, is not only about Marion Micheal Morrison, the gangly Iowa kid who grew up to become an Icon, but also about the American myth machine. Olson and Roberts include intriguing insights into the Hollywood dream factories, politics and the craft of acting.
Wayne comes off here as a suprisingly complex man who not only proved to be a fine actor but an astute business man who willingly allowed himself to be co-opted as a profitable commodity by not only the Hollywood system but by the political arena as well as the American cult of personality. Whether for well or ill, Wayne came to rdefine not only entire generations of men but also a national identity as well.
The book does honestly deal with the fact that Wayne cocooned himself within the sanctity of the manufactured image and took great pains to maintain that carefully constructed product. But what a product it was.
Olson and Roberts are reverant to their subject while managing to lend the critical eye a terrible aspect. This book is refreshing in its honesty. Admirable for its respectful treatment. And thoroughly entertaining and enlightening in its detail. Watch Wayne's films and enjoy this book.
The second half of the book focusses on the history of the shrine since the battle. It covers preservation attempts and the lionization of the battle by such 20th Century luminaries as Walt Disney and John Wayne. The Alamo has become a powerful political symbol, a fact that was emphasized particularly during the Vietnam war.
All of this adds up to a fascinating and very well written book. The only flaw is that covers the first part too quickly, giving more of an overview than an in-depth history. Nevertheless it is still an informative and enjoyable read.
This book is very informative on everything Alamo. Ranging from Clara Driscoll to the de la Pena diary, John Wayne to Fess Parker, this book has it all. It also gives background on the Texas War of Independence from the Mexican Army's perspective as they march north to crush the rebellion. Very interesting and a good read for history fans and especially Alamo buffs. Visit the Alamo! It is well worth the trip.
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