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B.B. King's life is presented here in a breezy, happy go lucky style. Ostensibly an autobiography, (although if you heard any of B.B.'s interviews about the book and his amazement at some of the details that were revealed, you know David Ritz did much more than help out.) this book deals with B.B.'s childhood of amazing poverty and his eventual rise to be the "King of the Blues." Conversational in style, but revealing in detail, BLUES ALL AROUND ME works as both a personal reminiscence and as a look at the life of a black man living in America during the 20th century. Tales of racism (in the military and elsewhere), the difficulties of dealing with a less than honest music industry, and the struggle for success against these odds are all expressed in a manner that shows no true anger, rather an acceptance that these were challenges to overcome. B.B.'s personal relationships with the many women in his life is not avoided, nor his opinions of many of his contemporaries. While the selected discography is extremely disappointing, this book should be required reading for any fan of the blues, and while any autobiography has to be taken with a grain of salt, this one definitely rings true.
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An excellent First Biography in short sentences for school children. Also a good study in Victorian upbringing (where children were not always Seen, much less Heard!) Beatrix was raised in a home considered strict even by Victorian standards. Thus the book could stimulate discussion about when it was best/worst to be a child, as well as Women's Roles in Victorian Society. Children might even ask about Queen Victoria.
Most important is the care which Beatrix put into her books--not just the stories and the illustrations, but her insistence that the format be sized for children's smaller hands. The book includes a complete listing of her tales plus a bibliography. This book just might lead some elementary children to reread their childhood favorites! Or inspire them to read these tales aloud to Kindergarten classes. They would be amazed to learn that serious adults actually belong to a Peter Rabbit Society too!
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Born in poverty to an alcohol-addicted prostitute, Guillaume certainly didn't have a charmed start. Love and encouragement from a grandmother who showered him with love gave him a chance, and natural intelligence got him to Hollywood.
Guillaume is clearly a haunted soul, and I hope this book assisted him in expunging some rather obvious demons, which he deals with along the way. Repeating the family cycle, he fathers, and then abandons a series of wives, women, and children, though he never seems sure why he repeats the pattern. A chance audition landed him the role of his lifetime, as Benson, first of the dearly missed "Soap", and then the rather limp spinoff "Benson". Success in Hollywood gives him the stability to at last enter a strong relationship, rebuild past bridges, and overcome a near debilitating stroke while performing on "Sports Night", another classic show. The chapters dealing with the stroke, and his recovery (it's great to read how "Sports Night" was reconfigured to work his disability into the script) are particularly touching, and give Guillaume the opportunity to deal not only with his illness, but with his perceived failings as an individual. It makes for some very strong, and very inspiring reading.
Guillaume isn't likely, by his own admission, to win any "Father Of the Year" awards, and doesn't (fully) apologize for a somewhat soiled past. He does revel in his successes as an individual by the later years of his life, and makes up for many of his self-created messes by the end of the story. It's overall a very insightful look at both a performer and a man, and well worth reading
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I don't know how old I was when I first learned of the Nazi death camps; the Holocaust was an unknown word. As an adult, young children come to me asking for books about the Holocaust. I am confronted with the question, how much information to give and what form should it take? In this picture book Hiding from the Nazis, David Adler, in slightly stilted, but in unambiguous words lays out the pivotal moments of Hitler's systematic persecution and murder of the Jews in the Netherlands. This true story centers on Lore Gottschall and highlights the danger, isolation, and deep break of trust suffered by those who hid from the Nazis. This story cannot be told with out bringing to light the courage of Dutch families who bravely hid Jews from Nazi invaders. Lore is separated from her family and hidden on a farm in Holland at great peril to her protectors and shows the sacrifice her family made to survive in a personal way. Mr. Adler also shows how rocky the reunion of the Gottschall family was and shares what happened to the Danish family and the Gottschall's after World War II ended. The illustrations of Karen Ritz clearly show the story with color, facial expressions and movement.
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I guess Divas will always have their share of catty-tudes with other performers, but Aretha takes the cake. It's real cute near the end of the book when she names specific divas in her book. As if now, that she has christened these women divas, they have now entered Diva-Dom. Yeah right!
This book leaves you with a sour taste and does not give off the perception of Aretha being a nice person. I am so disappointed. I think this book alone will destroy any chances for future comebacks. I really did not enjoy this book.
But everything that readers have written here about the author's evasiveness when it comes to the most interesting parts of her story are true. (As Bart Simpson critiqued Krusty the Klown's autobiography, "it was self-serving with many glaring omissions!") To cite only one example, her idealized portraits of her early family life simply ring false. The bald facts are that her parents separated (which could not have been a casual matter for a minister and his wife in the 1950s), she lived apart from her mother for many years (Aretha huffily denies that she was "abandoned", as many have said, but this was a very peculiar arrangement for the time), she was flogged with a belt for transgressions (not peculiar, sad to say, but can no longer be passed off as simply firm parenting), and while still a teenager she became pregnant not just once but twice (which convinces me that her feelings about the strongly patriarchal rule of the Reverend Franklin - which extended well into her young adulthood - are a lot more complicated than her worshipful descriptions of him would suggest).
So you might try this book if you're willing to settle for simply hearing Aretha's "voice" speak in the first person. (The audio version is read by an actress who does a good job of delivering those queenly cadences but it just ain't the same.) But anyone interested in the inner life of a great American artist will have to look elsewhere.
Aretha wants us to believe that her father was a paragon of virtue and a dedicated pastor though he lived with a woman to whom he was not married (Lola). He seemed to be no fine example of Christian morality perhaps that is why he was so cool with her two pregnancies. I personally did not need to know the names of her children's fathers but something, even a little something of what is was like to be a teen mother not once but twice before she was 17. I am well aqauinted with black church culture and I KNOW there was a lot of drama there especially in the era she became pregnant.
Aretha left out many relevant points of her life (and her father's) that would have made a more honest and readable tome. We really learn nothing about the lady's true feelings about nothing; other than her father.
Miss Franklin reveals herself as a petty, ego-rich diva; talented but vey shallow. If this is not the case then she should've written a more detailed and honest book.
The best parts of the book are her remembrances of all the food she ate throughout her life and career. These are vivid and full of lucious detail. In one part of the book, in a mere 4 paragraphs there were no less than four food references; they seem to be memory starters for her. She can recall with great verve and relish the food experiences she's had; from the Apollo Theater in New York to Roscoe's Chicken and Waffles in Los Angeles. I wish she'd been more forthcoming with her life experiences.
This book was a true waste of my hard earned money. I enjoyed Patti Labelle's memoirs much more. They were honest, balanced and did not always paint the author in the most flattering light. In other words she was real. C'mon Auntie Ree what's the real deal. Give me something I can feel.
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Unfortunately, it sounded too much like Sinbad reading rather that Sinbad talking. And that took away some of his charm. I have heard some of the chapters in the book from his concert performances, and he definitely delivered this stuff better when he was doing his live show. He just didn't seem to have the same energy as when he's in front of a live audience.
Now, don't get me wrong...the book is still clever and funny, and I did enjoy the anecdotes that he delivered, but Sinbad is a comic that is best experienced in front of an audience.