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This is MacDonald's last published novel. He died soon and suddenly before paperback publication of this swiftly and briskly told entertainment, full of the utterly believable characterizations for which MacDonald has always been particularly esteemed.
MacDonald has always been a writer's writer. From Stephen King to Dean Koontz and just about every kind of popular novelist from this half of the century (and from more than a few highly-admired literary novelists), you can read unstinting praise for MacDonald. His work influenced and inspired over a generation of popular novelists, and in his particular specialty, the procedural crime thriller, he may well be peerless.
In Barrier Island, the plot may keep you turning the pages (another MacDonald specialty: by the time he reached his artistic maturity his tales unfolded with the spooky, organic precision of an amoeba digesting a bit of flotsam; not a seam or dumb loose end to be found); but it's the mastery of language (and through it the mastery of character) that makes the page-turning worth doing: in this, his last novel, MacDonald had honed his prose down to an almost austere simplicity that camoflages his enormous craft. MacDonald advanced as a writer through the evolution of his language. Even in some of his early novels there are moments of Art, with a capital "A," but here, in this last work, there is Art everywhere. The irony of this clean prose revealing the utter messiness of human affairs (about which MacDonald knew more than most), is part of what makes this novel Art, not just another light entertainment.
And it is this very quality of language that will have the last page resonating in your head and heart long after you've closed the back cover.
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While I absolutely LOVE multi-cultural books and am raising my daughter with cultural and racial awareness and sensitivity, I cannot recommend this book AT ALL. I picked it up, as I liked the title and thought my daughter would like to hear/read a children's story from France.
Unfortunately, this is one of the worst books I have ever seen. I feel compelled to warn others about it. While it does indeed delve into cultural diversity, it goes WAY TOO FAR! It talks about World War I and II, using adult words, such as "renaissance", "nazi", "infantry", and "exterminated". And, do you really think the subject of jews being exterminated is an appropriate topic for children, ages 4 - 9? Or illustrations of soldiers holding jews at gunpoint? NOT!
And, an editorial side note (I'm an editor), the story hops around from city to city (Paris, Vienna, Champagne, Harlem, Germany, etc.) and it's hard for young children to understand the difference of these places, unless they have been there themselves. There were WAY too many details for children of those ages to follow and understand.
It's just an absolutely APPALLING book. What a shame; the writer had a good idea but went on to create a literary disaster with it.
This book is unique in that it weaves serious content into a children's book in a most appropriate way. Important issues are presented for children to consider, question and explore with the guidance of parents and teachers. How refreshing it is to find a book that is not afraid to include "real life" content. Today's students are multi-racial, multi -lingual and certainly multi-cultural. It's high time that our children can enjoy and be challenged by a book like Bonjour Lonnie.
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