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It is thick in its simplicity; intricate, dreamlike whisperings; his honesty burrows the raw truth, the raw emotions into you inescapably. His words come from an undeniable primal state interwoven within the metal intellect.
Stan's poetry is to be read and reread, to the rind. For his work, this one particularly, goes directly to the core of the soul.
You will find it an otherworldly conversation; a secret world you marvel nervously as you dare to enter!
Thanks.
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The characters are all extremely likable. John Carter is the perfect southern gentleman. Honorable, loyal, incredibly brave, respectful to women, extremely handsome; a perfect hero who is never boorish or conceited. Then there's Sola, one of the few green Martians to show compassion and kindness, and Tars Tarkas(aren't these names so cool?)a ferocious green martian warrior with a tragic past who is also able to feel compassion and love. And I dare anybody to tell me that they wouldn't want a Woola of their very own! Dejah Thoris though is mainly for the guys. Carter's love and devotion for her was really sweet. I didn't even know that this was part of a book series until I read it on amazon and now I am really eager to read the other books of the series. And wasn't the end cool? I don't think I've ever read an ending quite like that before. What Carter found in the cave at the end was very creepy and intriguing. (I won't give out a spoiler)
Although this is pulp fiction and sort of like a comic book in a way,(I can see mothers in 1912 scolding their kids, "That Edgar Rice Burroughs is going to rot your mind if you keep reading it!") it's still light science fiction at it's best! (I'll warn you right off though, please don't expect something deep and complex like Dune or Darkover and post a review whining about it. Princess is purely for fun.) And am I the only one that thinks Princess would make a really awesome movie?
Is this intellectual literature?..of course not. Is it non-stop fun and enjoyment, the original page-turner novel?...You bet it is! Pick this book up, start reading, and I guarantee: you won't put it down until you're finished!..and then you'll run out the door and be hunting for the 2nd book in the series, The Gods of Mars, and then # 3, The Warlord of Mars, and on through the series. Be warned: make sure you have access to #'s 2 and 3 before you start The Princess...you'll be sorry if you don't!
I first read the Burroughs Martian novels(there were 10 known to me then) as a graduate student studying Physics, some 40 years ago. They provided the perfect escape from the rigors of courses like Quantum Mechanics and E & M. Now I reread them,and I continue to enjoy. You will too.
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After Jane and their son Jack are kidnapped, Tarzan has to return to the jungle. Once more he has to rely on his wits and his above-human strength and physique to survive in the jungle. Making several new friend (not all of them human) he has to track down Jane, his son and the men who captured them.
"The Beasts of Tarzan" is an excellent adventure story and well worth the read.
So why the 3-star rating? Well, there are numerous problems with the book that prevent me from giving it top grades, despite the fun I had reading it. For one, there are countless inconsistencies and implausibilities. For example, it is difficult for the reader to accept that Carter's enemies cannot recognize him, just because he has smeared some red tint over his skin. Difficult to believe that Carter is able to scale the side of a tower in the pitch black of night. Difficult to believe that Carter (or any man) could live in a pit for nine days without food and especially water. Verrry hard to believe that Thurid, Carter's archenemy, could carry the struggling captive princess over a foot-wide ledge without toppling into the abyss beneath. Impossible to believe that Dejah Thoris couldn't recognize Carter by his voice alone, despite his yellow-man disguise. All these are hard to swallow in the extreme. As for the inconsistencies: It is stated that Carter saved Thuvia from the Warhoons in book 2, when in actuality it was Carthoris, Carter's son. The city of Kaol is said to be rendered invisible by the forest that surrounds and tops it, but later it is stated that this forest is cut back from the city. Huh? Worst of all is the aforementioned tower-scaling scene, in which dusk becomes early afternoon in a matter of minutes. Here's something that Ed Wood would have appreciated! This day/night confusion is straight out of "Plan 9," but for me is the hallmark of incredibly sloppy writing and even poorer copyediting. Further, Burroughs' descriptions of the Valley of the Therns, and its geographic proximity to the land of the First Born, are simply impossible to visualize. Throw in a bunch of misplaced modifiers and some awkward turns of phrase and you've got a real mess of a manuscript. So why did I have a tear in my eye by the book's end, when Carter gets his rewards and the entire city of Helium turns out to greet him? I guess that the power of storytelling can outweigh petty matters of consistency and grammar. And Burroughs WAS a great teller of tales, and this book IS as thrilling as they come.
Burroughs concludes his trilogy with a chase across Mars. The story picks up 6 months after The Gods of Mars. John Carter follows the kidnappers of his wife across river, desert, jungle, fortress and ice. The story itself is, as with all the Martian Trilogy, quite entertaining. However, this book cuts almost all the human interaction out that made the first two books the classics they are.
I have read this book some ten times, and I still enjoy it. As I've grown older I have discovered many Sci Fi authors and stories, but none that enrapture my imagination like the original Martian Trilogy by Edgar Rice Burroughs. This is a must read for anyone who enjoyed the first two books, as it actually has a final conclusion.
I would like to take (small) issue with the remarks of "_Vegas_" though. The first three books were indeed intended as a trilogy, and were marketed as such in the early part of the 20th cenury, in "THE ALL-STORY" magazine. The fact that the first three books cover a continuous story, with a definite conclusion in this third book, also points to it being written a true trilogy. Please do not allow yourself to be confused by the fact that 7 (or 8) more "John Carter" novels succeeded this one.
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Burroughs' strong point as a writer was to place his hero in a series of exotic locales, then watch him interact with the natives. In TARZAN OF THE APES, this exotic locale was Africa. In THE RETURN OF TARZAN it was first Paris, then the Sahara, then a lifeboat, finally culminating in a personal favorite of Burroughs, a lost city. By the start of this sequel, Tarzan knows his lineage as an English lord, but is determined to hide that since he truly believes that his cousin, William Cecil Clayton, would make a better lord and husband for his beloved Jane. Tarzan immediately gets involved with a married Russian countess and her issues with her criminal brother and her older husband. Partly as a consequence of his interaction with the villainous brother, Nicholas Rokoff, Tarzan is lured into a room where he is attacked by a dozen Paris muggers. The scene that details this mugging is one of the great chapters in literature that focus on this topic. Tarzan is described as a jungle Hercules that fights like some impossible combination of a raging gorilla with the speed of a panther. The muggers are quickly dispatched in a manner that has since become a trademark of his. The rest of the book shows Burroughs both at his best and worst. Burroughs simply has no ear for dialogue. His characters, with Tarzan being the worst offender, speak in the courtly pseudo-dialect that Burroughs thought all lower classes believed that all upper class folk used. Tarzan fondly recalls his childhood and his foster ape mother with a friend, D'Arnot: "To you my friend, she (his foster mother) would have appeared a hideous and ugly creature, but to me she was beautiful--so gloriously does love transfigure its object." Further, readers are often annoyed at Burroughs' oversuse of coincindence to keep the plot moving. Then there is the racist element. His villains are invariably dark, swarthy, or black.
In the lost city of Opar, the women priestesses are lovely, erudite, and white. The men are deformed, apelike, and black. The high priestess, La, tells Tarzan that only the most eugenically perfect men are selected to be mates for her priestesses. In this book, as in many others, Burroughs often has some high priestess tell Tarzan that he would make a suitable choice. Clearly, Burroughs' Tarzan series was meant to be entertaining, and any potentially disturbing polemics that do not ring as politically correct today can be dismissed as the style of a man whose books have had more of an impact on nearly every culture on this planet than any other author.