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Chris, you're much loved - and Dana, thank you for sharing these letters with us. We haven't forgotten either of you, and we're still praying for that moment that all the fighting and struggling pays off.
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both touching and thought-provoking . . . so is his latest book, NOTHING IS IMPOSSIBLE.
This is a collection of stories from his own life, interweaved
with excerpts from speeches and interviews he has given . . . there are also moving pictures, taken by his son Matthew.
Reeve contends that we are all capable of overcoming
seemingly insurmountable hardships . . . also, he teaches us
that life is not to be taken for granted--but to be lived fully
with zeal, curiosity and gratitude.
Reading this had me laughing at times . . . yet it also
had me teary . . . I do recommend it . . . strongly.
There were many memorable passages; among them:
* Occasionally I hear from people with spinal
cord injuries who have been sitting in a wheel-
chair for as much as twenty-one years. Some
tell me that there is no point in searching for a
cure; others even say they are happy with life
the way it is and don't want to be cured. It's
difficult for me to understand their point of
view, but I completely respect those individuals
as long as they don't try to interfere with
progress. Less than a generation ago it would
have been almost irrelevant to ask a patient
with Parkinson's, Alzheimer's, diabetes, muscular
dystrophy, ALS, or a spinal cord injury not to
stand in the way of progress, simply because
there wasn't much. Today all that has changed.
Since the time of my injury, scientists all over
the world have been steadily moving forward,
although they are not progressing as rapidly
as many patients would like. At least they have
been saying publicly, and most of us believe
privately, that it is no longer appropriate or
necessary to use the word "impossible."
* I remember thoroughly embarrassing another
nurse her first day on the job. I had been treated
for a skin breakdown in the sacral area, which had
plagued me for months but finally healed. Lying on
my left side I asked her, "How's my butt?" She replied,
"It looks great to me." I said, "I know that. But what
about my skin?" She turned crimson. For a moment
I thought I'd lost her, but thankfully she came back
for her next shift, and after all these years she's still
here checking out my butt on a daily basis.
* We spent most of the time talking. I quickly realized
that we'd never really done that before. When Matthew
and Al flew over from England to be with Dana and
me for at least a part of every vacation, I usually picked
them up at the airport in Boston. Then it was a three
hour drive across Massachusetts to our home in the
Berkshires. I remember listening to the radio together
on one of those trips when they were about nine and
five. We tuned in to a variety of stations that played
classical music, rock 'n' roll, contemporary top forty
and oldies. I asked them to identify the meter: Was the
piece in 1 / 2, 3 / 4, 4 / 4, 6 / 8, or something else?
How would they describe the tempo of the classical
pieces: adagio, andante, allegro, or something else?
In the rock 'n' roll and contemporary pop selections
could they distinguish between the main melody and
the bridge, also known as the middle eight? Somewhere
along the mass Pike, Al piped up in her chirpy English
accent. "Do you know, Daddy," she said, "this is the first
time in such a long time that we've had a real conversation
about something?" I realized that she was right. Not that
we didn't talk, but usually it was while doing something
else. Now I gave them my full attention, and I soon learned
to listen more than talk. That began a process of discovering
that, in bringing up children and relating to others, some-
times being is more important the doing. I was also to
learn that even if you can't move, you can have a powerful
effect with what you say.
One special day in Will's life is a good example. When he
was six, he was still afraid to ride by himself without the
training wheels on his bike. Dana spent hours killing her
back as she bent over to hold his seat as he pedaled
around timidly in front of our garage. I decided to see if
I could help. I told him to start with his left foot on the
ground and to set the right pedal in the fully raised
position. I told him to grab the handlebars, push hard
on the right pedal, and then put his left foot on the other
pedal and keep going, being careful not to over-steer. I
said if he kept his hand steady the bike wouldn't wobble
so much. He listened carefully and got into the ready
position. Then he froze, afraid to make that first push.
I told him to take his time, but added that I was prepared
to sit in the driveway all afternoon until he did it. I
reminded him that I would never ask him to do anything
too scary of too difficult. He didn't complain; he just sat
there for quite a long time assessing the situation. Then
I announced that on the count of three he should start.
I made it a long count, but after three I said, "Go," and
he did it. He pushed down, the bike moved forward,
he got his other foot on the pedal, and off he went. On
his first run he made a complete circle around the
driveway. As he came past my chair the first time, his
face was a study in fierce concentration. The second
time he came by, he was smiling. For the next fifteen
minutes he kept riding around our circular drive, gradually
picking up speed. After that he wanted to go down the
steep hill toward our mailbox, but we saved that for
another day.
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While the characters in the novel remain ultimately unknowable at their indefinite cores, Fitzgerald does a great job tying his characters to their historical setting. The protagonist of the novel, to my mind, is Nick Carraway, the narrator. The hero of his story, which frames the novel, is the legendary Jay Gatsby - a legend in his own mind. Although Carraway's narration is often heavily biased and unreliable, what emerges are the stories of a set of aimless individuals, thrown together in the summer of 1922. Daisy Buchanan is the pin that holds the novel together - by various means, she ties Nick to Jordan Baker, Tom Buchanan to Jay Gatsby, and Gatsby to the Wilsons.
The novel itself deals with the shallow hypocrisies of fashionable New York society life in the early 1920's. It is almost as though Fitzgerald took the plot of Edith Wharton's 'The Age of Innocence' and updated it - in the process making the characters infinitely more detestable and depriving it of all hope. Extramarital affairs rage on with only the thinnest of veils to disguise them, the nouveau-riche rise on the back of scandal and corruption, and interpersonal relationships rarely signify anything permanent that doesn't reek of conspiracy. The novel's casual allusions to beginnings and histories often cause us to reflect on the novel's historical moment - when the American Dream and Benjamin Franklin's vision of the self-made man seem to coalesce in Jay Gatsby, a Franklinian who read too much Nietzsche.
No matter how you read it, 'The Great Gatsby' is worth re-reading. M.J. Bruccoli's short, but informative preface, and C. Scribner III's afterword are included in this edition, and both set excellent contexts, literary, personal, and historical, for this classic of American literature.
This edition of the book features critical commentary and notes from Prof. Matthew Bruccoli, the world's foremost Fitzgerald scholar.
This is as close to a Salinger novel as one can get. Moral lessons spoken thru New York City in the early 1900's.
In this case we have the author and his 2nd cousin, a worldly woman who steals hearts and refuses to let go.
Gatsby accomplishes everything he can create in his mind, but he cannot compare to what Daisy demands. She is noy human it seems, and Gatsby cannot keep up, no matter how hard he tries.
This novel was required reading in high school, and thank God for that. Even after my 12th grade english teacher pounding into my head the symbolism of the eye-glasses on the billboard in the city of ashes. And also why Gatsby was a "heroic figure".
Basically, this novel ends the only way it can. Death is necessary and we all will perish. But sometimes we die a bit too soon.
No matter where I am in my life, this book always sets me straight. What will be...will be.
Gatsby could not have lived any other way. It's all good.
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OK, as you can tell from that list, the comics seem somewhat jumbled or randomized. And, as several of the stories were multi-issue, it is rather sad that you can't keep reading to find out how the Man of Steel overcomes the bad guy. But, in spite of all that, this book is really great! The stories included are all very interesting, and it is great to look back to the Superman of a different era.
An added little bonus to this book is the introduction, which was written by Christopher Reeve, Hollywood's Superman, and a bit of a hero in his own right. This is a really good book, and I highly recommend it.
Some shortcomings of this collection: It would probably have been more fun to read some of the stories in the entire run (like Marvel Essentials) than on a single-issue basis as they are presented in this TPB. E.g. "Superman breaks free" is actually the first book of O'Neil's Sandman saga; the Jimmy Olsen story is the first of around 20 (?) issues which Kirby wrote. It is a shame that DC has decided not to reprint these classic runs anywhere, since it will cost a bomb for anyone to try to collect the original copies of these comics. Another omission that everyone complains is the story arc in Superman #296-299 "Who took the Super out of Superman?"
In spite of all the shortcomings, I feel that this collection will give the reader a good sampling of pre-crisis superman stories. There are many classic moments in this TPB: Superman eating Kryptonite (!); Superman playing billards with planets; plus time-travel, aliens, inter-galactic travel all thrown in for good measure. In my opinoin, the biggest attraction of this TPB is the great artwork by Curt Swan, viewed by many fans as the greatest Superman artist of all time. Conclusion: Even though this TPB is not really the most ideal 70s collection possible, it will be a welcome addition to your collection, unless you are fortunate enough to own many original Superman comics from the 70s. Enjoy!!
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RECOMMENDED.
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Other than his rise to stardom at an early age with Superman, and his tragic accident, there is nothing much to say. This becomes evident when the author runs out of words and starts using the same phrases over and over again. By the middle of the book I was annoyed and tired of listening to it. It left me feeling that Christopher Reeve was a well to do, preppy actor who made it big, then squandered his stardom and made excuses for his otherwise mediocre acting career.
Sadly enough, it takes his paralyzing riding accident to pick up the pace of the book and make it interesting enough to finish. His life after the fall is certainly more notable and the book depicts a couple of really moving moments.
Perhaps in another 20 years his life will have expanded enough to make a really worthwhile book. My opinion is they should have waited until then to write this one.
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