The words spade arrows.
They fork fondue
and hammer horseshoes.
Words won't be domestic,
will not be worlds. The words
climb over each other
and sit on top of words
in the overstuffed trunk.
The words won't shovel,
the words want more words.
Words so small they fit
in the palm of the hand,
the words that blow
at the first hard lie.
32 Pages
These poems make you sit up in your chair. They do not come straight on, but from unexpected angles, catching the reader off guard, luring the imagination into surprising, sometimes surreal, ways of looking at the world. Hard Characters is fine-edged, sophisticated work, Elizabeth Rees a poet to be watched.
-Joanna Catherine Scott
Elizabeth Rees crystallizes her written and spoken language into "hard characters," words that assume their right to bushwack or comfort the reader. The dynamics of her poems shift and shape-change, wielding fresh perspectives as the lines push to the finish. Rees gives her poems multiple personalities, grounding them with the clarity of her linguistic vision.
-Kathleene West Poetry Editor, Puerto del Sol
Several of the poems in Hard Characters are haunting. A reader will discover many things cracked or broken. Rees is skillful at releasing the darkness often trapped in images. Her words know how to climb over each other creating tension and a multitude of moods. There is not much time to turn around after reading these poems. Now is the time to surrender to a gifted poet's gift.
-E. Ethelbert Miller
Elizabeth Rees was born and raised in Minneapolis, with extended periods in Israel, and now lives in Silver Spring, Maryland. She works as a Poet-in-the-Schools for the Maryland State Arts Council, teaches poetry workshops at The Writer's Center and through the John F. Kennedy Center's professional development program. She taught on the college level for fifteen years, including at the U. S. Naval Academy, Howard University, Johns Hopkins University's graduate MFA program, and Boston University, among other schools. Her literary awards include fellowships from the Washington, D. C. Commission on the Arts, and the Montgomery County (Maryland) Arts Council. Her work has or will appear in Partisan Review, The Kenyon Review, Agni, North American Review, Mid-American Review, and Seneca Review. Returning from Egypt, her first full-length collection, has been a finalist in several national competitions.