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'1001 Things Everyone Should Know about the South' is a book anyone can open at random and start reading anywhere. But if you read it straight through, systematically, I'm willing to guarantee almost anyone they'll discover things about the South they never knew before.
This book is not a fancied-up version of 'You Know You're a Redneck When ...'.
The Reeds are serious researchers and writers, and they look at the South through the lenses of history, geography, ethnology, linguistics, religion, art, music, literature, architecture, cooking, politics, economics, and more. There are the obligatory sections on the Confederacy and the War, of course, but the Reeds understand, as other historians and writers have also noted, that the CSA was a period of barely five years out of more than 400 years of Southern history. (One of the things everyone should know about the South is that there were European settlers in Virginia, Texas, and Florida before anyone save Native Americans had set foot on Plymouth Rock.) This is one of the things that made '1001 Things ...' a far more satisfying book for me than was Michael Andrew Grissom's 'Southern by the Grace of God,' which had a tendency to view everything through the prism of the War.
There is an enormous amount of interesting material in this book, ranging from the difference between 'Cajun' and 'Creole,' to the differences in habits between Southerners and folks in other parts of the nation (northerners subscribe to more dog magazines but Southerners own more dogs), to regional differences in linguistics and cuisine (finally I've found someplace that explains regional varieties of barbecue, though as a loyal son of Texas I have to agree that brisket, not pork, is the proper barbecuing meat [#647]).
Among the other interesting things I learned: 80 percent of Southern parents teach their children to say 'sir' and 'ma'am' to adults (mine sure did), whereas only 46 percent of non-Southern parents do [#148]; 80 percent of Southerners also admit to using 'you-all' or 'y'all' occasionally as the second person plural, whereas most non-Southerners almost never do [#147]; one of the characteristics of Southern writers is that many of them only discovered their 'Southernness' when they lived outside the South [#472 -- hey! Like me!], and that Southern artists, or at least artists from the South, include Jasper Johns, Charles Willson Peale and Rembrandt Peale, John James Audubon, and Robert Rauschenberg, among many others.
My favorite living writer, Florence King (author of 'Confessions of a Failed Southern Lady,' among much else), said of this book, 'Every page is a treat!' As usual, I agree with her absolutely.
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It was some consolation to find that the articles and essays here assembled were definitely worth the wait. Reed is a very funny writer, but he's not a "humorist" or humor writer in the sense of, say, Dave Barry or even (to move outside the region) P.J. O'Rourke. You'll definitely get a laugh out of many of these pieces, but you'll also find them deeply informative. Reed is, after all, a serious researcher and thinker, and the two indisputable facts that define his writing -- that he loves the South, and he *knows* the South -- feed off one another.
Granted, many of the essays here are more than a little dated (some date back to the Carter Administration), and I'd love to know how things have changed in the thirteen, fifteen, or almost twenty-five years since some of them were written. But that's no doubt just one more reason to track down Reed's more recent collections.
Southerners, including expatriates, will nod knowingly at much of what Reed says, and will get a kick out of seeing themselves depicted so accurately in print. I hope they'll also take to heart his commitment to preserving many of the things -- from culture to accent -- that make the South truly distinctive. Folks from other parts of the country will find that Reed has not only made that sometimes-puzzling region a little easier to understand, but has made the trip a remarkably pleasant one.
This is the third of John Shelton Reed's books that I have read and its style sits somewhere between that of "1001 Things Everyone Should Know About the South" and "My Tears Spoiled My Aim". The book comprises a collection of dispatches culled from Reed's contributions to newspapers, journals and magazines between 1979-1990. Most of these are 1,000-1,500 words long. The book begins with observations on two of his favorite themes, Southern identity and the New South, before moving on to Southern culture, food, politics and religion. Reed is a favorably prejudiced but acute observer of Southern manners, quirks, oddities and behaviour.
The dispatches are written to entertain and don't disappoint. I found plenty at which to laugh out loud. However, this is not to say that Reed is not surreptitiously engaged in a secret mission to raise his readers' awareness of the character and virtues of things Southern. There's plenty enough here even to make a Yankee laugh - especially some of his more elliptical humor. I particularly liked his comment on Ted Kennedy: "For my part, I rather like the fellow. He's certainly the closest thing to a good old boy that Massachussetts will ever produce - which isn't to say that he ought to be president, merely that I think he'd make a pretty good drinking buddy as long as somebody else did the driving."
Reed is exceptionally good at capturing the spirit or the essence of something and making it seem familiar to you. I have never visited Bob Jones University but, in just over three pages, Reed made me feel I knew what kind of place it was. He does the same for a number of Southern characters and institutions.
Reed is a gifted cultural interpreter who appraches his topics with respect, affection and good humor. It's tempting to say that Reed is a popularizer but that belies his considerable writing talents. Whilst everything is written in an engaging style, Reed makes few concessions to his readership - he delights in his use of language and deploys an extensive vocabularly that would make some of my students reach for their dictionaries.
All in all this book is an unqualified delight. Go buy it now - you won't be disappointed.
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The book is a wonderful collection of short esssays that illuminate and explain "Southern-ness". Pinning down Southern characteristics - or indeed even where "The South" begins and ends - is like trying to nail Jell-O to a wall. However, that does not prevent Reed making the attempt with humor and considerable scholarship.
Most of the chapters have previously appeared in journals or are based on such papers. Reed's tone is light and entertaining even though the underlying purpose is serious. Perhaps the most overtly scholarly is the opening chapter that deals with the geographical extent of "The South". It is well adorned with plates taken from a very wide range of academic journals showing the incidence in the contiguous states of various factors suspected of reflecting Southern-ness. All the usual suspects are here: self-perception, cotton cultivation, incidence of lynchings, members of Baptist chruches, and 'Southern Living' readers. However, Reed has other less familiar indicators of Southern-ness such as where kudzu grows, ratio of active dentists to population, states mentioned in country-music lyrics, ratio of homicides to suicides, or chapters of the Kappa Alpha order.
It makes for fascinating reading and a shifting pattern of where the South is. Other chapters deal with such disparate issues as the depiction of Southern women in Playboy magazine, violence in country music, the Southern diaspora, and life and leisure in the New South. Reed's real achievement is to disguise his scholarship as an entertaining and informative read.
This is a very different kind of book from Reed's 1001 Things Everyone Should Know About the South. That was more an eclectic collection of facts, both familiar and unfamiliar, grouped loosely around broad themes. It was more for dipping into than reading straight through. The present book is more limited in its aims and obliquely explores a few specific questions in greater depth.
All in all, this is an immesely enjoyable book that is full of surprising revelations about the nature of Southern-ness. Some of the material on which it is based is getting a little dated (the bulk of sources are from the 1970s and early 1980s) and we can only hope that Reed is moved to bring out a new edition.
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Reed knows his types: the Good Ole Boy, the Aristocrat, etc. These people the southern landscape and provide entertainment for each other. These are people who are apt to equate loving the Lord and SEC football, and favor Coke to Pepsi.
I suppose one could quibble about some types that he omitted, but this is a short and enjoyable book and well-worth the reading. Hell fire, podners: Professor John Shelton Reed is a wonderous writer who will bring you to a smile like good barbecue.
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