I'm flyfisher in Korea. I think there is no necessity for talking about this book. Because this is so famous book to fishermans, as you know. Specially, this paperback edition is good for your wallet, with no omission. In a word, Full content, Good price!

If you don't know about this famous book by the inimitable Walton, you have a lot to look forward to. Purporting to be an account of a 5-day gentlemen's fishing idyll (when gentlemen were gentlemen, and the English countryside was at once bountiful and near to hand), it is in fact a deeply engaging nostalgia trip into a never-never land of pastoral bliss which has no exact parallel in world literature.

To say "evocative of simpler, happier times" is to barely hint at the near-mystical fragrance of this enchanting volume. Three high-spirited protagonists ("Piscator", "Venator", and "Auceps"), devoted to three rival outdoor avocations (fishing, hunting, and falconing, respectively), meet on a "fine, fresh May morning"; ramble across the countryside in search of fine fishing and hearty times; sing, banter, and versify; recount ancient wisdom (of often dubious validity) regarding the habits and temper of over a dozen local fish species; and encounter a sampling of innkeepers, milkmaids, gypsies, and various other idealized rural types. This is a refuge book for quiet evenings, one of those unaccountably transporting narratives which no charmed reader has ever wanted to reach the end.

Some history: stolen in parts from precedents written as far back as 1450, Walton's work is nearly as early as it could be and still be readable without a line-by-line explanatory gloss ("compleat" is about as arcane as it gets). First published in 1653, there have been well over 100 editions in print. Some of the earlier ones contain Lang's 28-page introduction to the author's life, the structure of the work, and its publishing history, all of which is superbly sensitive and informative. Noteworthy are the 80+ illustrations produced by Sullivan (again, available in some of the older editions and their reprints), which are unselfconsciously exquisite -- naively rendered country scenes and character sketches; finely wrought studies of dry flies and of the various species of fish mentioned in the book; and ornately framed images of famous fishermen "taken" from the evidently superb engraved portraits of Major's 1824 edition.

The author was a minor legend in his own time. Held in the highest regard by all who knew him, this "excellent old man" suffered many tragedies throughout his long life (from the public murder of his beloved king to various family deaths and personal debilities), but he never lost his rare sweetness of temper. He wrote numerous other treatises, but "The Compleat Angler" early on rendered him a literary immortal.

I have had this book beside me for more than 20 years, not for its guidance about fishing (though this is pleasant), but for the simple, unaffected but eloquent beauty of its 17th century prose. A lovely, idealized, Arcadian sort of England comes to life, and it is a very nice place in which to dip your mind a while.

Nice collection of hard-to-find Rackham images, but not the best color reproduction. Still a good book for the Rackham enthusiast.

Rackham's skill at personifying nature is shown once more. Although not a book for children due to its graphic nature, the flowing lines and colors tell more than a thousand words. If a Rackham fan, a must have.

These are fantastic illustrations.

C.S. Lewis stumbled upon these Arthur Rackham paintings for Richard Wagner's, "Der Ring Des Nibelungen". Lewis writes in "Suprised By Joy" how the pictures inspired a Mythical sensation of 'Northerness' in his young mind.

As a child, 16-years ago, I discovered the same books and Arthur Rackham illustrations at the local library. I was enchanted! They led me explore the worlds of Wagnerian Opera.

I'm really glad the pictures are now reproduced in this paperback book. Pure Magic!

If you're new to Arthur Rackham's illustrations, these are PERFECT to start with.

"Yo-Jo-To-Ho!!!" -Die Walkurie

The Legend of Sleepy Hollow is a scary tall tale told in the quiet town of Sleepy Hollow. It all starts out when Ichabod Crane(an intelligent school teacher) goes to a party at the Van Tassel's house. At the party a mean guy named Brom Bones tells a scary tale, about a headless horseman from the Revolutionary War. It was told that he roamed the night looking for his head, which he lost in battle. That night Ichabod had to ride home, he was very frightened. Lets just say Ichabod was never seen again, the only thing found the next day was his hat.
The legend of Sleepy Hollow is a great thriller. You can tell the tale at night, when you have a sleepover, or around a campfire. The book has a good story line and can be easily followed. I hope you don't get too scared when you read about the Headless Horseman...

Will Moses' illustrated retelling of Washington Irving's The Legend of Sleepy Hollow rivals Arthur Rackham's near century-old version as the best edition of the book ever published. The Rackham version, with its moody, archetypal illustrations, has the slight edge, as it contains Irving's full original text in addition to Rackham's spectacular artwork.

However, Moses's simplification of the narrative is masterfully executed, and the colorful, playful, and numerous paintings which adorn the book have a warm period charm of genuine Americana. Moses portrays the Hudson River Valley as a lush expansive valley not unlike the Garden of Eden on the first day of creation. Happy farmers, their wives and children, cows, geese, ducks and pigs frolic together amid fields of wheat and corn; galleons approach dramatically from the river; and the Catskill Mountains, sun, and sky suggested an infinite panorama and endless horizon full of promise.

The story tells us that the Dutch colonists were a superstitious lot, and that the Sleepy Hollow region itself was or seemed to be under a spell of some kind. The farmers and their wives suspected witchcraft; strange music was heard in the air; visions were seen; and the inhabitants themselves lived their lives in a kind of continuous dreamy revery. These tales and superstitions give rise to the legend of the headless horseman, said to be the ghost of a Hessian soldier who lost his head to a canon ball in the war, and now nightly prowling the region in search of it. Moses' nocturnal landscapes of the swamps, hills and the Old Dutch Cemetery under a bright harvest moon are particularly effective. Significantly, these stark, haunted landscapes do not violate the spirit of the book, but enrich its sense of wonder.

Moses' Ichabod is a cheerful but somewhat hapless fellow, confident and foolish in equal parts. His Katrina is a strong but innocent blond beauty, and a friend to children. Brom Bones is an appropriately square-shouldered, square-jawed hooligan, rowdy and full of mischief, if not absolute spite.

Anyone familiar with the tale knows that it is not a horror story but a folktale, a fireside spook story, and a 'legend' as Irving, writing here as Diedrich Knickerbocker, himself called it. This edition of the book is appropriate for children but is equally suitable for adults. Highly recommended.

Have you ever heard of the Headless Horseman? Have you ever heard the stories about him and how he attacks people in the woods? Have you ever wondered whether or not the story is real?

Find out for yourself by reading Washington Irving's The Legend of Sleepy Hollow. I enjoyed reading this book and i think anyone who has a liking for mysterious legends and superstitions should read this book beacause of the interesting legend the town believes in. There are few characters to keep track of and the story is not hard to follow. The book is long but the reading goes quickly.

The story is set in the late 18th century in a town in New York called Sleepy Hollow. The town believes in a legend of a headless horseman who rides through the woods at night anf attacks people. The main character is a man named Ichabod Crane who is a schoolteacher from Connecticut. He moves to Sleepy Hollow in search of work and ends up going from home to home working as a tutor. One of his students is 18 year old Katrina Van Tassel who comes from a wealthy family. Ichabod gets the idea that he will try to marry Katrina in order to obtain the family's wealth. However, Katrina's boyrfriend Abraham "Brom Bones" Brut has other plans for Ichabod. As the tension rises, Ichabod continues trying to win Katrina until a breathtaking surprise appearance by the town's legend creates as mysterious an ending as they come.

The book has many strengths and few weaknesses. The author manages to create a mood in the book that keeps you always on th edge of your seat waiting for the legend of the Headless Horseman to come into play. The story is simple and easy to follow but is still very interesting. The characters are developed well and have personalities that you can understand and relate to. One such character is Brom Bones who is easily seen as an arrogant egotist. The only weakness of the book was one based on my personal opinion. The end of the story leaves too much to be concluded for my liking.

All in all, this book was a great story. The author wrote the characters in such a way that you had definite feelings towards each one of them. Also, the story line was definitely not without surprise. But if you want to discover what surprises I am talking about then I suggest you read The Legend of Sleepy Hollow.

I decided to revisit my childhood recently, and ordered a stack of coloring books. The Rackham is by far the prettiest of the lot. You can attempt to emulate Rackham's earthy palette, or you can go wild and use every bright color in the box. Either way, you'll have a wonderful time coloring these complex, sinuous, lovely illustrations. And the fairytales are a bonus. Something for when you're sick in bed, or just feeling down and looking for a bit of comfort.

One of the most respected artists of the last century, Arthur Rackham brought some of the best loved children's stories to life with his beautiful illustrations. Here, some of Rackham's illustrations for 17 of the Grimm's stories are presented in a colouring book format, and while it would make a wonderful gift for a child, it also makes for a great collector's item for the art connoisseur and fan of Rackham's work. I bought two copies - one to colour, and one to keep as a collector's item! Ed Sibbett, Jr. rendered the 30 colourable illustrations based on Rackham's originals, and each one compliments James Spero's adapted text of 17 of the Grimm's tales. Included in the 64 pages are the classics "Hansel and Gretel", "Little Red Riding Hood", "Snow White", "Sleeping Beauty", "Rapunzel", and more. At Amazon's price, there's definitely value for money in this book.

What a great idea - fairy tales with really detailed, gorgeous illustrations to be colored in. This is sure to give hours and hours of fun quiet time!

Jonathan Swift's 18th century satire, Gulliver's Travels, is an extraordinary tale of the adventures of an English ship surgeon. The ship surgeon, Gulliver, by a series of unfortunate events on each of his four voyages at sea, receives the chance to explore the cultures of the countries of Lilliput, Brobdingnag, Laputa, Balnibarbi, Glubbdubdrib, Luggnagg and the land of the Houyhnhnms. Each land is considerably different from the others, and creates quite an entertaining read.

While the story itself is particularly unusual, the satirical element which Swift applied to it adds another level of comprehension. If understood, one could have a nice chuckle at the way Swift mockingly portrays ideas and people through the various cultures which Gulliver encounters. Some similes, however, are intended to get a more serious meaning across. For example, in his first journey of the book, Gulliver finds himself in the country of Lilliput where the people are only six inches tall, save the king who is seven. In this land there are two groups which were distinguished by which side a person breaks their eggs on. One king published an edict commanding all his subjects to break their eggs on the small side, but many would've picked death over breaking their eggs on the 'wrong' side, so many did. By this, Swift meant to throw contempt on the exaggerated importance that people place on their differences, as on which side one breaks an egg is a very trivial thing. The two groups mentioned represent the Catholic and Protestant religions, between which were many wars and massacres during the 1500's when the Protestants first appeared.

Gulliver's Travels takes the reader to many lands, all different and unique ' each adding another perspective on traditional beliefs and ways of thinking. Gulliver changes as much as the scenery around him, and after each voyage he has changed dramatically. At the end he has transformed so much that I feel really sorry for his family ' although it's only love that could allow them to put up with his strange behaviors.

I would recommend this book to anyone with an appetite for literature, as Gulliver's Travels is an excellent satire of the ways of the thinking in the early 1700's. Also, the author does a good job in describing the lands which Gulliver visits in great detail. Although Swift may not have written this book with intense action scenes and steamy romance, it is definitely a work worthy of the people of today.

Lemuel Gulliver is a surgeon/ship¨ˆs captain who embarks on several intriguing adventures. His first endeavor takes him to Lilliput, where all inhabitants are six inches tall, but resemble normal humans in every other respect. His next voyage lands him on Brobdingnag, where a grown man is sixty feet tall, and even the shortest dwarf stands thirty feet tall. On his third trip, he travels to several locations, including a floating island. During Gulliver¨ˆs final voyage, he is abandoned by his mutinous crew on the island of the Houyhnhnms, which are extremely intelligent horses. No evil or concept of lying exists among these creatures. The island is also inhabited by Yahoos, savage, irrational human-like creatures who are kept as pets by the Houyhnhnms. Gulliver wishes to spend the rest of his life on this peaceful island, but he is banished and forced to return to England.
I really enjoyed this book, and I would recommend it to people 14 or older. Since the novel was written in the 1700¡¯s, the words, grammar and usage are a little confusing. The reader also must have prior knowledge of 18th-century politics to get a full image of what Swift is trying to convey. At some points, the author goes into detail about nautical terms and happenings, and that tends to drag. Overall, the book is well-written, slightly humorous, if not a little confusing.

I have trouble reading classic literature. I am an avid reader and I want to enjoy the classics, but just find it difficult to understand the meaning in some of the writing.

This, however, was a pleasant surprise. Although written in the early 1700s, the story itself was fairly easy to follow. Even towards the end, I began to see the underlying theme of the satire that Swift has been praised for in this work.

Being someone who reads primarily science fiction and fantasy novels, I thought this might be an opportunity to culture myself while also enjoying a good story. I was correct in my thinking. Even if you can't pick up on the satire, there is still a good classic fantasy story.

Essentially, the book details the travels of Lemuel Gulliver, who by several misfortunes, visits remote and unheard of lands. In each, Gulliver spends enough time to understand the language and culture of each of these land's inhabitants. He also details the difference in culture of his native England to the highest rulers of the visted nations. In his writing of these differences, he is able to show his dislike with the system of government of England. He does this by simply stating how things are in England and then uses the reaction of the strangers as outsiders looking in, showing their lack of respect for what Gulliver describes.

I found it very interesting to see that even as early as the 1700s there was a general dislike of government as well as lawyers.

I would recommend this book to anyone who reads the fantasy genre. Obviously, it's not an epic saga like so many most fantasy readers enjoy, but it's a nice break. I would also recommend this to high school students who are asked to pick a classic piece for a book report. It reads relatively quick and isn't as difficult to read as some of the others that I've tried to read.

This is Shakespeare's 2nd last play. Yet, nothing indicates that he was running out of steam. The images are beautiful. Stephano, Caliban, and Trinculo are memorable as the bumbling conspirators. Miranda and Ferdinand are fine as the two young lovers. Ariel is striking as Prospero's loyal servant. Prospero is a magnificent creation. Not only does he offer several beautiful and memorable passages, but he is well drawn as a character who was unfairly forced into exile. He also makes his prison his paradise. In addition, he is a fine representation of Shakespeare himself: "Knowing I loved my books, he furnished me / From mine own library with volumes that / I prize above my dukedom" (1.2.166-168). His speeches in 4.1 and 5.1 also reflect how Shakespeare himself was contemplating the end of his career. The story itself is very well drawn. Shakespeare grabs our attention with a storm at sea. He offers us a reflection of himself, comical touches, beautiful images, profound passages, beautiful language, young lovers, comical villains, and deep messages. If you like this, be sure to read his final play "Henry VIII."

Comedy, in the strictest sense, is concerned with ultimate forgiveness and reconciliation. In Shakespeare's play, "The Tempest," the protagonist, Prospero, must come to terms with his brother Antonio, who conspired to have him driven from his duchy in Milan, and with the world of social interaction in general.

Magic, Power, and Conspiracy are the foundational thematic elements through which Shakespeare effects Prospero's reintegration into human society. Thrown into a boat with his infant daughter Miranda, Prospero comes to live on a nearly deserted island in the Mediterranean Sea. Prospero's concentration on developing his proficiency in Magic caused him to become alienated from his political and social responsibilities in Milan, leading to his expulsion. His brother Antonio conspired with Alonso, king of Naples, and seized the power Prospero forsook for book-learning.

Prospero hears of a sea voyage undertaken by his enemies, and, using his Magic, whips up a storm, a great tempest, which causes his enemies to be shipwrecked on his island. On the island, Prospero exercises total power - over the education of his daughter, his slave, the deformed Caliban, and now over his enemies. He engages Ariel, a sprite, to orchestrate the division of the traveling party, and to put them through various trials to exact vengeance and ultimately, submission from them.

"The Tempest" is a fine effort from Shakespeare, but the power relations in the play are problematic. Prospero's insistent dominance over the action of the play is extremely troubling. Although he is presented as a benevolent character, Prospero's relationships with Miranda, Caliban, and Ferdinand, King Alonso's son, complicate his overall worth as a man and an authority figure. The dynamic between the slave Caliban and the drunks, Trinculo and Stephano, is also very unsettling.

Overall, "The Tempest" remains a whimsical flight of imagination, while exploring intriguing themes of education, political intrigue, and romance. Certainly, it is still a well-constructed and entertaining play after nearly four hundred years.

One of the best works by Shakespeare and also his final full play (most likely), The Tempest draws on many elements that Shakespeare used in his earlier works and adds a comic twist. Shakespeare doesn't spend much time on character development in the Tempest, other than Prospero and possibly Caliban (e.g. Miranda is the ideal chaste woman, Trinculo & Stephano are lowly schemers). However, Prospero is extremely well developed and the simple aspects of the other characters do not detract from the story at all. There are many different levels of meaning at work in the play...some see it as a pro-colonialist diatribe, others see it as Shakespeare's own swan song, where Prospero himself is based on the Bard, and Prospero's surrendering of his magical powers is representative of Shakespeare giving up his craft. I read it as both, and a million other things, and that is one of the great things about the play...it can be read in so many different ways. The structure of the play seems almost chaotic at first, with so many things going on at once. However, if you read the play over again, or read some of the essays contained in the Signet Edition, it becomes much more clear, although still open-ended. The Signet Edition is excellent, and Signets in general are. Buy this over the Folger Library editions...the footnotes here are much easier to work with and make the reading much smoother overall.

If you are looking for a short, comprehensive, encyclopedic catalogue of Aesop's Fables then this book is a steal. There are 83 fables in all, including the more famous ones such as the Boy Who Cried Wolf, The Lion and the Mouse and the Goose That Laid the Golden Egg. Each fable comes with a half page or so re-telling of its story plus a one sentence synopsis of the stories' "moral" at the end.

My problem with this is that the stories are so short, there is no magic in them. They are stripped of all but the bones. I can't imagine a child being interested in the stories told this way. I would have preferred them cutting the number of stories and instead fleshing them out by a few pages. I recommend paying a few bucks more for *The Aesop for Children* (ISBN:0590479776) by M. Winter which does just that.

Culturally we are now at the point when "Slow but steady wins the race," "Look before you leap," and "Necessity is the mother of invention" are considered wise sayings passed down from generation to generation. But even if you know these proverbs you might have forgotten, or probably never knew in the first place, that they were first said by an ex-slave named Aesop two thousand years ago and each was the moral to one of his fables. This particular collection of Aesop's fables is based on the 19th-century research and translation of George Fyler Townsend, for whom the stories were moral lessons intended for an ADULT audience rather than simply children's stories about anthropomophic animals. Because he used animals with human strengths and weaknesses, Aesop's tales have been directed over the years more towards children; I heard of lot of them for the first time on a record by the Smothers Brothers. But Townsend restores the style and sophistication that are not commonly found in the juvenile editions of Aesop. In addition to the familiar fables like "The Fox and the Grapes" and "The Hare and the Tortoise" there are dozens of lesser known fables uncovered by Townsend and included in the over 300 fables included in this edition, which makes this collection one of the more comprehensive of its kind.

Culturally we are now at the point when "Slow but steady wins the race," "Look before you leap," and "Necessity is the mother of invention" are considered wise sayings passed down from generation to generation. But even if you know these proverbs you might have forgotten, or probably never knew in the first place, that they were first said by an ex-slave named Aesop two thousand years ago and each was the moral to one of his fables. This particular collection of Aesop's fables is based on the 19th-century research and translation of George Fyler Townsend, for whom the stories were moral lessons intended for an ADULT audience rather than simply children's stories about anthropomophic animals. Because he used animals with human strengths and weaknesses, Aesop's tales have been directed over the years more towards children; I heard of lot of them for the first time on a record by the Smothers Brothers. But Townsend restores the style and sophistication that are not commonly found in the juvenile editions of Aesop. In addition to the familiar fables like "The Fox and the Grapes" and "The Hare and the Tortoise" there are dozens of lesser known fables uncovered by Townsend and included in the over 300 fables included in this edition, which makes this collection one of the more comprehensive of its kind.

Alice in Wonderland is a great book that I truly enjoyed. I like how the author made something symbolize something else. For example, the rules of the game they were playing symbolized the actual rules of the land. Even though this book is intended for kids to read but I say it is a book for all ages.

Arthur Rackham has been one of my biggest influences as an illustrator, and this book has been an excellent tool. Though the biography is somewhat unorderly, the illustrations shine through. Rackham has the been the inspiration of many great illustrators today-Zwerger, Hague, Froud, to name a few. A wonderful resource for aspiring artists.

As a younger person in the nineties, I dipped into the plays of Shakespeare, and this book let me get into the classic stuff. It was interesting, put into kids' stories so as not to intimidate the younger enthusiast, and altogether, it was a good book. I suppose you have to be in to Shakespeare to enjoy it wholly though....

A gentle, relaxing dip into Shakespeare. I'll give two stars.

Charles and Mary Lamb's classic book on Shakespeare retains too much of the archaic language of the actual works to interest grade school children. While the work might appeal to upper grades and high school students anxious to find an alternative to reading the actual plays, as an introduction to Shakespeare for young children, the book is a failure. It compares unfavorably with Ian Serralier's out-of-print classic THE TEMPEST AND OTHER TALES: STORIES FROM SHAKESPEARE, which uses modern language and glowing imagery to effectively communicate the universal appeal of Shakespeare to the very young. I can testify to this since it was Serralier's book, read in the third grade, that first interested me in the Bard. I stumbled upon Lamb's book later. If I had found Lamb's book first, I would have concluded that Shakespeare was something dry and dull for grownups, and it would have been forced down my throat in the upper grades. As things turned out, I have a lifelong love of the Bard thanks to Serralier's book. A publisher with any sense would reprint it

I read this book as a child; my mother gave it to me and my brother before we went to see the plays. It was an excellent introduction to the plays and to the world of Shakespeare, and helped me understand what I was watching. I also enjoyed reading the stories themselves, and familiarized myself with Shakespeare this way. It made a huge difference, as became quite clear to me when we read Henry IV in ninth grade in school, a play for which I had no Lamb version. I didn't understand that play and took no pleasure in it, whereas I did enjoy much harder plays (e.g., Othello, A Winter's Tale, etc.) that I had the Lambs' help with. Depending on reading level, the Lambs' book would be appropriate for anyone from seven or eight to 13 or 14 years old.