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"And Then We Went to Venus" sounds more like a science fiction story than a mystery. Our author adds a twist to the story which keeps you on edge as to what happened to those astronauts who visited the planet. Compulsive gamblers will be delighted by the irony that touches "Shade Work" and driven crazy by figuring out the odds in "Liar's Dice". Do you hate practical jokers? Find out what happens to one when he goes too far in "The Dispatching of George Ferris".
The stories are entertaining, some are to easy to figure out but overall Pronzini has given readers a broad spectrum of his short stories. A collection such as this would not be complete without a "Nameless" Detective story. Pronzini obliges us with one where Nameless takes on more than he can handle.
Sit back and enjoy these stories. They are a fast read and touch on areas that causes you to think twice before making your own judgement.
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The captions are minimal, yet informative and entertaining. The book consists of 92 unnumbered pages and is published by Skyline Press.
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Out on the streets, searching for answers, he forms strange liasons with two very different women, whom he had met in the earlier chapters while out searching for a good time. There is young, beautiful Juleen's fascination with voodoo--a pastime Steve scorns until he is pulled into that part of her world against his will, and he starts receiving anonymous mementoes that are definitely linked to voudun ritual, and signify danger in his future. Then there is Mona, who meets him on one of the crowded streets while watching a parade; Mona the levelheaded redhead who falls for Steve rather quickly and tries to help him discover why he is being followed by two different men: one in a dragon mask, and another in a devil mask.
At a crucial point in the novel, Steve wakes up after a night with one of the women, in a strange house, alone and with blood on his hands, and the scent of death emanating from down in the cellar. He faces two challenges from then on: try and produce a photograph in time to beat a midnight deadline ("or we'll cut your head off"), and try and find out if he's a killer, or just the victim of some elaborate set-up. He receives help from one of the new women in his life, but discovers he may not be able to trust her.
The finale is anticlimactic, and Steve is a bit aimless and ineffective when it comes to solving his own problems, relying on a woman who basically offers to take charge of clearing things up, with the gun in her purse, if necessary. But the Mardi Gras detail, out on the streets where Steve frequently wanders while searching for answers, is lively and energetic. I just wish there had been more interesting meaning to the madness that sees Steve threatened, kidnapped, beaten up, and chased through the swamp. It's the ending that falls a trifle flat.
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I never saw the end plot twist coming at all, I was SHOCKED when I read it! Let me just say this, no one is who they appear to be. My advice is, if you read this book, is stick with it through the middle part which is some what boring, the pay off is worth it in the end! Now that I've read all of Mr Savage's brilliant novels, I just hope he puts another one out soon!
If you have not read any of Tom Savage's novels you are in for a treat. Things are not what they seem. This book has its requisite twist and turns with a surprise ending. Unfortunately most of his novels carry the same formula. If you have never read his novels you will enjoy this one, if you read him before the surprise will be lost on you.
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Marcia Muller and Bill Pronzini team up for a novel that takes place in two times focusing on the same mystery. Elena Oliverez, in the present day, accidentally stumbles upon a piece of the report of one Detective Quincannon, hired to find the stolen treasures of a Mexican ranchero in the 1890s. As Oliverez gets absorbed in Quincannon's story, she finds herself looking to solve the mystery Quincannon wasn't able to uncover eighty years previously.
The two stories interlock without a hitch, and both Oliverez and Quincannon are engaging protagonists. This is quick, easy beach fare; fast-paced, homey, digestible, and well worth the time for mystery fans. Those who haven't yet discovered either Muller or Pronzini, this is one of many good starting points...
As far as I can determine, Muller and Pronzini have collaborated on three novels: LIGHTHOUSE, a stand-alone thriller; DOUBLE, a Nameless/McCone mystery; and BEYOND THE GRAVE, featuring two of the authors' lesser-known series characters, Muller's art museum director Elena Oliverez and Pronzini's late-19th-century San Francisco detective John Quincannon. As in DOUBLE, the authors alternate -- first, we get a few chapters told from Oliverez's point of view, and then we switch to Quincannon. What makes this collaboration noteworthy is that the Quincannon chapters take place in 1894, Oliverez's in the 1980s.
Oliverez has bought a Mexican wedding chest at auction for her art museum, and when she's examining it, she finds an old report written by Quincannon inside a hidden compartment. He had been on the trail of some lost religious artifacts, but apparently was never able to find them. By using Quincannon's report, Oliverez hopes to recover the valuable pieces. In the process of searching, both characters encounter murder and face danger.
The story flows seamlessly between past and present. While these may be the authors' second-string characters, this book is definitely never second rate.
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The story is rather bleak as the nameless detective, despite his proficiency in solving the three cases, faces license revocation and the loss of his love. The novel is also rather fascinating for the way in which Pronzini interweaves the three apparently unconnected mysteries. As with Pronzini's other work, "Scattershot" is well written. And the three "impossible" crimes are clever and fun. But the problems facing the nameless detective make this book a bleak, if well done, read.
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