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A body has been found, mutilated beyond recognition, and positioned elaborately in a corn field. The local police rules this as a single murder, until Special Agent Pendergast arrives and declares this the work of a serial killer.
Within hours the small town is swarming with reporters, and the local residents are in fear for their lives.
Pendergast begins investigating the crimes with only the clues of crows(a twisted secret you need to read the book to understand) to help, but when he teams with Corrie Swanson he will come face to face with an evil he is not prepared for.
'Still Life With Crows' is a creepy thriller that starts off fast and keeps the twists coming. The surprises start as the plot develops, and as the pieces of the puzzle fall into place you are held captive. Douglas Preston and Lincoln Child pack their story with thrills and chills while maintaining a cinematic flair reminiscent to that of 80's horror films. I couldn't stop reading once the book was started, and the ending blew me away.
An entertaining summer read that will be surely land on the bestseller list's, 'Still Life With Crows' further proves Preston and Child masters of original horror tales.
Nick Gonnella
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This time, Douglas Preston and Lincoln Child take us on a horrifying subway ride, past underestimated homeless "moles," a rabbit's warren of black tunnels, and a frightening continuation of the first book's monster story. "Reliquary" is a relief in that it doesn't suffer from "sequelitis," that "deja vu all over again" feeling that most sequels seem to have. There's no rehashing of the original story, here. "Reliquary" goes where "Relic" was afraid to, and with enjoyable results.
My quibble with "Reliquary" is that it isn't quite as tight as "Relic." The plot seems to meander a bit more, and I prefer the museum setting of the prequel. The writing, however, is top-notch (as expected), and it's a sign of the writers' talents at characterization that I felt as though Margo, Smithback, Pendergast, and the rest of the returning cast were old friends of mine. The authors hint at a promise that these characters will feature in future books, and I would love that. I look forward to it.
All in all, "Reliquary" is a satisfying and worthy sequel to "Relic." Given some of the plot twists and differences between "Relic" and its unfortunate silver screen adaptation, it appears that Paramount couldn't make "Reliquary" into a movie without running into some serious continuity errors. Of course, looking at the first film, it doesn't seem like Paramount was very concerned with that to begin with, so I'll just have to hope that they don't get their grubby mitts onto "Reliquary." The world doesn't need another movie like Paramount's "The Relic." More books from Douglas Preston and Lincoln Child, however, are more than welcome. :)
The book opens with a bang as a lone scientist on a desolate island just north of Antarctica makes the discovery of a lifetime, which promptly incinerates him. Cut to the seventh richest man in the world, American businessman Palmer Lloyd, who throws his financial weight around at a Christie's auction, much to the humbled participants' disgust and admiration, then flies off to the Kalahari to buy a prominent meteorite hunter.
Lloyd is building the world's greatest natural history museum and the meteorite hunter, Sam McFarlane, is going to help him acquire his centerpiece - the world's largest meteorite - found by Sam's former partner on that Chilean Antarctic island. Lloyd also acquires an engineer to plan the expedition, a humorless perfectionist who prides himself on his flawless success record. Eli Glinn plans for every contingency, human nature included. The party sets out on a state-of-the-art tanker, disguised as a rustbucket on an ore mining job. Like Glinn and McFarlane, its dignified female captain has been made wiser by a career-blighting error.
The expedition attracts the attention of a bitter and suspicious Chilean destroyer captain, whose powerlessness is matched by his tenacity. And then Glinn, who thinks of everything, allows Sam to bury his former partner's body without inspecting it. Uh oh. But the initial digging of the meteorite goes off without a hitch. Palmer Lloyd jumps down on the surprisingly red rock and presses his cheek to it without ill effect.
Still, the thing is strange. Its rich, ruby color is mesmerizing, its weight is mind-boggling and it's so hard it burns out a big diamondhead drill without giving up a fragment of itself. Its origins and properties stir up Sam's old obsession - interstellar meteorites. All previous meteorites have come from our own solar system and the possibility of an interstellar rock is a statistical impossibility, or so the scientists say.
And soon the problems begin. Though Glinn plans for everything, the rock (the heaviest object ever moved by humans) seems to have ideas of its own.
With increasing momentum, several suplots, budding romances, raging storms and sinsiter mysteries clash, collide and hurtle towards an explosive climax among the deadly ice islands of the Ice Limit surrounding Antarctica. The characters are more fleshed out than in previous books and the settings - the high-tech tanker, the forbidding island, the stormy sea - are well done. There are a few holes in the plot (no ship would be racing full speed through 100-foot seas, for one) but who cares? Mystery and suspense are what we are looking for and Preston and Childs ("Riptide," "The Relic," "Thunderhead") deliver.
What makes the book work, however, is its characters. First and foremost is the fascinating Eli Glinn; not a villaint/not a hero, just a perfectionist whose brilliance is unmatched. It is his inability to accept failure that makes him such a tragic character; Rachel is a beautifully drawn female character, with definite hangups and frailties, but she's marvelous; Sally Britton, the indomitable captain with her own history of failure, is likewise remarkably drawn. The Chilean Villain (nice rhyme?) is despicable and you can't wait for him to meet his just desserts. His manic drive to revenge the death of his first mate, so to speak (no plot giveaways here), is frustrating and unnerving, because you can't believe how close he comes to his goal.
In reading the book, it was amazing. I wanted the team to succeed; sure we have our typical crazy wealthy man sacrificing human life for his own needs, but the characters are so committed to making it work, that I felt like I was right there with them.
It's amazing: Preston/Child give away the novel's "secret ending" early on in the book, but you don't know it until you reach the end. And, oh what an ending. I should have known----it needs a sequel! They can't just leave us hanging, can they? Let's hope not.
"The Ice Limit" is unique in its exploration of human drive, determination, and refusal to give up. Although tragedy certainly results and some memorable people are gone, the spirit of success and adventure far outweigh the greed and manipulation.
Read this for an interesting change of pace.
But two things make The Ice Limit a best-seller and sure candidate for a movie. One is the characterizations. With nearly ten major characters, it must have been a daunting task to keep them well-defined, easily identifiable, and fresh. Readers want characters, not caricatures. Child and Preston make their efforts look easy and transparent. My favorite was Eli Glinn, head of the engineering firm hired to scoop up the heaviest object ever moved by Man. He was unique, sort of a mixture of Roddenberry's Spock and Verne's Captain Nemo.
The other bonus was the science. I almost thought they had overdone it at times, but by book end I was simply left impressed. And it's not the depth of their understanding of one particular subject; it's all the subjects. They researched everything. Meteorites, Chile, Antarctica, navigation, oil tankers, periodic charts, meteorology, structural engineering, naval ordnance, electronics, and on and on. They don't necessarily beat you upside the head with it. But they do prove that they're two smart guys. Bravo! --Christopher Bonn Jonnes, author of Wake Up Dead.
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