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I don't want to give anything away, but Pratchett's visions of the mind's eye of childhood and the things that terrify you when you're young are brilliant. The assorted gods, fairies and gnomes that fall into existence when the Hogfather goes missing are wonderful and crazy characters, and of course, any book with Death as a primary character is always a great read.
All in all, I loved this book. Loved it, loved it, loved it. I admit, it had me in tears at the end. BUY THIS NOW. You won't regret it.
Okay, the great mystery is who killed two old men, and where is this mysterious clay found at the scene of the crime coming from. Vimes and the watch struggle to solve this, and suddenly, Nobby Nobbses royalty is brought to attention, Cherry Littlebottom joins the watch, and the Angua Carrot relationship is heightened a few more steps. In the midst of all this, Lord Vetinari (a FANTASTIC character) is being poisoned. All these come together in one of the most satisfying climaxes I've witnessed in a Pratchett Book yet.
There, that's out of the way.
The Guard are among the best characters Pratchett has introduced, standing next only to... Death. And even though you don't get to see the Grim Reaper, you'll have to settle for the Grim Squeaker (the death of rats). Anyways, Pratchett, as always, delights the reader with the two most vivid main characters. I'd be speaking of Sir Samuel Vimes, and Nobby Nobbs. Vimes has so much of a Dirty Harry-esque feel to him, and he... ahem... prods buttock so thoroughly that you have to cheer him on. The cigar smoking, teetotaling commander is best portrayed in the opening pages in which a VERY foolish assassin tries to end Vimes's life. Bad move.
Onto Nobbs. Nobbs is such a fantastic character, Pratchett gives him great scenes, the best in my mind being the scene in which a few Puppetmasters are trying to get Nobby to assume his royal position. Through most of this, he is saying, "Vimes would go spare! I can't do that! He'd go spare!"
Okay, here is what I disliked about the book.
Angua is a very weak POV, personally. I understand the need for a strong anchoring character to counterbalance the nuttiness of Nobbs, Vimes, and Carrot, but Angua comes off as too whiny, and her chapters take away from the irreverance that Pratchett infuses his book with. I also felt that Vetinari should have been giving a larger role in the scheme of things, particularly around the mystery involving him. He and Vimes have an excellent scene together at the end, but that is all that really stands out.
My biggest problem, would have to be with the Dragon character. I don't want to spoil any of the plot twists revolving around him, but he is too much of a cut out, with no real idiosyncracies other than his "Ah-ha" in every sentence.
There, thats the review.
On the whole, Feet of Clay really does a great job of keeping you occupied. Its 4 stars is definitely warranted.
A series of brutal, yet inexplicable crimes once again lead Sam Vimes and the Watch down the alleys and backstreets of Ankh-Morpork ... well, not Nobby, because he's been appointed a lord by the Registrar of Heraldry!
For those who relish in the early Pratchett non-stop puns, Feet of Clay has it; like the plot twists? got you covered; like a little message about free will? No problem. You want fries with that?
Anyone who enjoys humor will enjoy Terry Pratchett - people who like a very engaging plot with a surprising ending will really enjoy Feet of Clay. Since you don't really have to read the Discworld books in order, this can be a great starting point - just on the strength of the read. I highly recommend it.
These books are satires on human habits and mores, a wonderful compendium of the fatuous in human affairs. But there is so much more to them than that. They are great adventure stories, great character stories,and often, great mystery stories.
This book is, don't get me wrong, very funny. No human institution is left unscathed. And believe me, no one scaths like Pratchett. But, like Commander Vimes, Pratchett's apparent cynicism about people hides an abiding love for those who struggle through life, just trying to get along(whether they are human, trolls, dwarfs, werewolves or golems), and an abiding hatred of those who hurt them for fun and profit.
I have watched the development of Terry Pratchett for a number of years now. He just keeps getting better. There has to be a limit, somewhere, I suppose. He has not reached it yet.
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Fellow T.P veterans: not as good as 'Feet of Clay', but better than 'Jingo'. As much as I love the watch, it might be good if they were given a rest for a bit. Just how far can Vimes possibly get promoted?
Pratchett rocks. 'The Fifth Elephant' is thoroughly enjoyable, as always. Read it!
This is a great Discworld book full of details of discworld.
The watch is back. Trouble in the Uberwald sends Vimes, Cherry and Detritus to the coronation of the new Dwarf King. Meanwhile Carrot and Agnes are having some problems, which leaves Sergeant Colon next in line for promotion to head of the watch....
This is a great story, full of humor, politics and plot twists. So easy to read I picked up the book and I read it without putting it down. It has more of a political tone compared with the watches last outing (Jingo), which was more of an adventure. The fifth elephant expands the disk word by padding out the dwarfs and giving incite to the Uberwald (expect more books from the Uberwald)
It's a good book if your just coming into the disk world books and a Great book if your following the disk world series
I haven't read a lot of Pratchett, two books and a couple of short stories, but I wasn't overly impressed. Sure he's good (I particularly enjoyed his 'Troll Bridge' story) but I've always preferred Douglas Adams or Tom Holt. This book changes everything.
With 'The Fifth Elephant', Pratchett creates a comic masterpiece. He flawlessly weaves humor, both subtle and laugh-out-loud funny, into the framework of an engaging story.
City Watch overlord Sam Vimes travels into a dark and mysterious country to attend the coronation of a new Low King. He discovers that the dwarf's hallowed Stone of Scone has been stolen by unknown nefarious persons. Vimes strives, amidst interference from disingenuous vampires, bloodthirsty werewolves and loyal Igors, to find the sacred Stone.
If that's not enough, Pratchett throws in Fred Colon, Vimes temporary replacement on the Watch, panicking in his new authority. There's the traveling clerk with distinctly un-clerklike skills and the tangled love story between straight-arrow watchman Carrot and werewolf Angua.
After reading through reviews for recent Pratchett books I received the impression that they were steadily declining in quality. If so, this one is a major comeback. An excellent, excellent book. A recent magazine reviewer for F&SF calls this the best Discworld book in a long time. I'll go a step further and call this the best book I've read in months. Pratchett now holds a solid place on my must-read list.
Don't miss this one.
The basic theme is a simple, but rarely recognized, truth. Gods are created by people. The fewer the believers, the smaller and weaker the god. When belief fades or believers eliminated, the gods cease to exist. Once mighty, the god Om has been relegated to the body of a tortoise. He retains but one true believer: Brutha, a novice in the Citadel of Om. Brutha makes frequent reference to segments of the "holy book" Om supposedly authored. Mystified by attribution to himself of these writings, Om wonders who really wrote them. And why they were written. What has been perpetrated in His Name?
Brutha, who has a photographic memory, is conscripted into a religious crusade against neighbouring Ephebe. The Omnian Church wants to erase Ephebe's false belief that the world is a disc riding on the backs of four elephants standing on a turtle swimming through space. According to Vorbis, head of the Quisition, such false doctrine must be erased, erasing the Ephebians in the process, if necessary. Besides, Ephebe's on the best trade route to the Turnwise coast. Tucked away in Brutha's pocket, Om is taken along. But how does Vorbis expect to conquer mighty Ephebe, home of philosopher kings, with a token force of fifty soldiers?
Pratchett is as direct as Vorbis is devious. There's an old saying that runs "I'm not a bigot, I hate everybody". Vorbis doesn't hate anybody, just those following false doctrines. Nor does Pratchett hate anyone, but his scathing wit in this book leaves few untouched . There are some light passages, but this book is deadly serious. It's not small gods, but small minds that Pratchett targets and he hits the mark unerringly [He's nearly prescient about Christian reaction to J.K. Rowlings' Harry Potter books]. Pratchett holds the mirror before us to consider our beliefs. What do we have faith in, and what sustains that faith?. If it proves false, how do we respond? What an experience it would be to visit Pratchett when one of the evangelicals arrives at the door! If he's as verbally devastating as he is with the printed word, there'd only be a smudge on the doormat.
I tried to read this book in contracts class when it first came out and kept on getting busted for laughing out loud, no matter how much I tried to hide it. The only other author able to do this for me is PJ O'Rourke. If you read it on public transport, people will look at you and think you're kinda strange, unless they too know who Pratchett is, in which case they will envy you reading and try to catch furtive glimpses of the text over your shoulder.
This is one of my favourite books of all time -- read it and love it too. If I could award it 6 stars, I would.
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A new island (later we learn not so new) has risen to the surface, and both Klatch and Ankh-Morpork claim it, even though it in itself is hardly spectacular. It is funny to see the two groups of settlers fighting over wood and water as if it were gold. On the surface, it looks like no contest - Klatch has a real army; Ankh-Morpork has none. But Klatch doesn't have Vimes or Vetinari or Leonard de Quirm on their side to help them.
On one hand, the rich leaders of the city under Lord Rust try to raise a real army and attack Klatch. This is funny, especially Vimes' butler Willikins as a soldier (better than I would think). On the other hand, Vimes smells a rat concerning an attempt on the Klatchian ambassador's life and travels to Klatch to confront his Klatchian counterpart, 71-hour Ahmed who basically seeks the same information from him. Further, Vetinari, together with Leonard de Quirm, Colon, and Nobby, seek their own answers - they go on a submarine mission to the island to see if they can solve the problem another way.
The submarine mission is very funny, especially Nobby in disguise in Klatch - it has quite an effect on him in later books. Leonard de Quirm gets a large role here, more so than in Men at Arms. I always like reading about the discworld's answer to the Renaissance Man. (It gets even better in the later book "The Last Hero").
A good all-around book with plenty of interesting characters.
Those of us who were around when Maggie (excuse me, Baroness Thatcher) launched her little homage to the 19th century in the Falklands/Malvinas will probably enjoy "Jingo" a little more than others I suspect, but the book itself rings true on so many different levels that it transcends such a particular interpretation. This is Pratchett on the subject of nationalism, militarism and racism with Sam Vimes as usual cast in the role of ironic observer and moral center.
I actually liked seeing Vetinari out and about more, and it's clear that this novel marks the beginning of a more three-D presence in the Discworld universe for both Sergeant Colon and the ambiguously human Corporal Nobbs. Leonard of Quirm needs more work though. Once you got the initial conceit, he became tiresome quite quickly.
Captain Carrot, Sergeant Angua and Corporal Detritus do their usual sterling service. I had hoped for more from Constable Visit-the-Infidel-With-Explanatory-Pamphlets given that the conflict between Klatch and Ankh-Morpork was partly a religious one, but you can't have everything.
Perhaps my favorite things in the novel were the face-off between the city nobles and Vimes, the Demon Pocket Organizer, and Vimes' precise and beautifully-articulated exposition of the differences between soldiers and policemen. Vimes, I suspect is an old-fashioned copper who believes in justice, rather than merely protecting and serving the law. Too bad the LAPD doesn't read Terry Pratchett.
This was until Carrot joined. Carrot is a human who was raised by dwarves, thus he considers himself a dwarf. He's the ultimate innocent, but yet he has a way of getting people to listen to him and follow him. By the time of Jingo, he's been raised to Captain (no comic book jokes, please). This all happened in the first City Watch book, Guards Guards. In subsequent books, the Watch has grown almost exponentially. It now has over 50 members, with more joining all the time. In fact, Jingo jokes a couple of times about how Vimes, the commander of the Watch, doesn't know that somebody's joined. It's very common for him to say "Who's that?" and be told that he signed the paperwork.
Jingo involves an island that has suddenly appeared between Ankh-Morpork and the land of Klatch. Klatch is based on the Arab countries of our world, and there are quite a few jokes about how something that was supposedly invented in Ankh-Morpork has been used in Klatch for years. The people of Ankh-Morpork have a lot of the same stereotypes of Klatchians as exist in the real world about Arabs as well. Pratchett goes to great lengths to show just how stupid this is. He portrays the actual Klatchians very well, with no actual stereotypes that I saw.
Anyway, both Ankh-Morpork and Klatch lay claim to this island, and thus talk of war begins. There's an attempt on the life of a Klatchian prince and other sorts of violence start to break out in the city. Samuel Vimes is trying to deal with all of this. He's a simple cop who just wants to solve crimes, but sometimes the crimes are too big for one man to solve. Events start to spiral out of control and Vimes and some of his troops find themselves in Klatch trying to stop things before the war gets out of hand.
There are so many wonderful characters in these City Watch books, and this one even adds some more. The main new character is 71-hour Ahmed, a Klatchian who's more than what he seems. Vimes has to deal with him a lot, and while he starts out seeming stereotypical, but he eventually develops into a well-rounded character. There's Reg Shoe, who I understand is introduced in a non-City Watch book, but becomes a member of the Watch in this book. He's a zombie. Then there are the regulars, such as Carrot, Detritus (a troll), Constable Visit, Colon, Nobs, the Patrician (who, uncharacteristically, takes an active role in events after he's deposed from power), and finally Vimes himself. There are just too many of them to describe them all, but they all have their hilarious moments.
Vimes is who the books are essentially about, and he gets the most character development. He used to be a drunk who barely got by, and didn't have to do anything in his job. He wasn't required to, because nobody gave the Watch any respect anyway. Carrot gave him a sense of duty, though, and he's progressed well since then. Jingo continues this progression, as he tries to stop the madness. Vimes is always an interesting person to read about. He's not a violent man, and he's trapped in a violent circumstance. Watching him get out of it is very entertaining.
Discworld is known for it's humour, and this is a very funny book. Pratchett usually cloaks his philosophical points in the laughs. This book isn't quite as funny as the previous ones, though, and the philosophy sticks out even more in this one because of it. It basically points out the pointlessness of mindless militarism, nationalism and patriotism. The closest thing it is a parody of is the Falklands conflict, with a war over a worthless piece of land that nobody in their right mind would want anyway. Along the way, though, many jokes are cracked. The best thing about the City Watch books is that the humour seems to come from within the characters, which makes for very zany, yet almost believable, events. That's why I prefer them.
This book is definitely worth a read. You could start with it, but I would suggest that you read the first three: Guards Guards, Men at Arms, and Feet of Clay. There is a progression of character that you will miss if you start with Jingo. But don't miss this one. It's a keeper.
I admit I am biased - Rincewind is one of my favorite (if not #1) characters. This story has so much - action (and running away), battles, Rincewind, Cohen the Barbarian, the wizards, and exotic locations - this time the Agatean Empire - a lampoon of Chinese and Japanese culture.
Here Rincewind meets Cohen, now to be called "Genghis Cohen," and his Silver Horde.
This is book is very funny in making fun of things "Auriental." Yes, one could be a bit put off, but it is all light-hearted. Basically, the "Red Army" is trying to overthrow the Emperor, but they are little match for Lord Hong, a Auriental Vetinari who wants to use them as an excuse to seize power by seeiming to put down a rebellion that he encourages so that he can be a hero and crush it later. So he helps them contact a "Great Wizard" to help them, since he always likes a challenge. What they all get is Rincewind.
Rincewind meets Twoflower again, and, of course, the Luggage returns to its home. Agatea has lots of Luggages and sapient pearwood, too. How can Rincewind play hero (so his own allies don;t kill him) but also avoid getting killed by Hong and the armies around the capital? How can we ask? Rincewind is expert at running away, and when he can't, usually something turns up at the last minute. Things really heat up when Rincewind discovers the secret of the real Red Army. And of course Cohen helps, too.
Rincewind is his usual drollness. But the best character is the man who plays Cohen's "accountant," trying to teach his barbarian friends manners and civilization. The best lines in the whole book are when he tries to explain to Cohen and friends that when you go to the market you need to actually pay for what you want. It is worth it just for that.
All in all, a wonderful book and very, very funny - even for a Rincewind book.
In "Interesting Times" Rincewind, the world's worst Wizard, gets transported to a far-off continent where people expect him to be some sort of magical genius. While there he encounters Cohen the Barbarian, a geriatric marauder, who has assembled a small "Silver Horde" of wizened old warriors to conquer the Empire. People discount the old barbarians. What they don't take into account is that most barbarians don't LIVE to be the old kind...
It was a funny book the first time I read it. It was even cute. But after having read the books prior to this one, especially "The Color of Magic," "Sourcery" and "Eric," this book took on a whole new dimension. I now grasped the prior relationships between Rincewind, Cohen and Twoflower, and I no longer read each luggage passage wondering what the heck was going on. It was, simply put, a better book.
So this is a great book and a worthy addition to the Discworld series, but if you haven't read it yet, I suggest reading those other three I mentioned first.
Interesting Times follows the character of Rincewind on a journey through the Counterweight Continent, the discworld version of the Orient. Rincewind is an interesting character and Pratchett plays him well as a rather powerless wizard who just happens to get by through a sheer amount of luck, and the quickness of his fleeing legs. A pessimistic character, I liked him through the beginning of the book, though by the end his uneagerness to help anyone grew a bit tiresome (though unconciously he tends to help out a great deal.) Rincewind shares the stage, however, with a group of aging barbarians called the Silver Horde who steal the show really. The best bits of the book are the ones involving the Horde. Their lessons on how to be civilized and inability to change their habits.
While I can't rate this in comparison to other Discworld books, I found it highly entertaining, and though, probably not the best place to start the series off. Read some other Pratchett books to aquaint yourself with the world, and work your way up to Interesting Times. It's worth the time.
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_Carpe Jugulum_, like all the other Discworld novels, is not simply straight-forward fantasy, or just an amusing read. It's difficult to review a Discworld novel because they manage to be both amazingly funny and poignant at the same time. There are some truly beautiful moments in this book, and I cried with laughter more than once on reading it.
If you enjoy humorous fantasy, you'll never find anything as remotely funny as Pratchett. If you're tired of having your intelligence insulted by the usual, tired fantasy plot devices and characters and don't mind thinking, I heartily suggest this book and all the other Discworld series.
It seems that just about every passing mythological creature wants to mess with Lancre these days. They're fighting tooth and nail (and fang and talon) to take over. Following on from the elves of "Lords and Ladies" are a family of vampires who have decided that their kind should stop lurking around in the shadows and living in impractical gothic mansions and take over Lancre, with the rest of the world to follow. No longer happy with how things are, they've decided to enslave the humans of the Disc (they obviously don't believe in free-range food). Sadly, they make the mistake of starting with a certain small county starting with "L"...
Whereas in "Last Continent", Pratchett seemed to forget about character progression (aside from poor Ponder Stibbons), he's back on form here. Agnes Nitt stops being a slightly more tough version of Magrat and becomes a fully fledged character in herself, whilst Granny's put through the emotional wringer again. As well as bringing back the old familiar (in both senses of the word) characters, CJ also brings in some new people - a priest who's lacking in self-confidence and a stereotypical igor being two of the most memorable.
In fact, there are only a couple of problems with the book, starting with the aforementioned igor character - in a world where Pratchett seems desparate to supply explanation for every odd occurance (how gods are 'made' in "Small Gods" or how an aerodynamically dragon can fly in "Guards! Guards!) the idea behind a community where people are sewn together from their relatives' body parts just doesn't feel... right (it makes for some pretty good jokes though). Likewise, there's a grey area as to exactly who's been turned into a vampire by the end of the book.
But it quotes a Beautiful South song, so that's okay.
Still, it's great to see Pratchett back on form. Welcome back, sir.
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In one plotline, we have Rincewind, who I liked from the moment I first read "The Colour of Magic" and have laughed myself silly at any book he's ever been in since. (Including the unpopular "Sourcery", which had me almost DYING with laughter, and even "Eric".) How can a character who's so _cowardly_ be so _likeable_? It defies logic on the surface of it, but, there you go! Terry Pratchett is the only author I've seen so far who can make the most pathetic losery _anti_-hero you can think of--and then genuinely make you cheer for him.
Anyway, Rincewind's plotline involves him not only wandering all over "FourEcks" and running into a parody version of just about _every single famous Australian thing known to man_, but also a whole ton of just plain side-splitting jokes and scenes. I LOVED the whole "Priscilla" thing! Assuming that Rincewind was another drag-queen, with his "dress" (wizard robe), oh, gods...! I was so in stitches. And the Luggage in high heels even!
The other plotline involves the wizards from Unseen University--but this time, they are OUT of the University! Big improvement! I guess I'm in the minority here, but when it comes to favourite "groups" of characters the wizards are TOPS for me, with the witches, Guards, "Death" family, etc. below them. I dunno. Maybe I just like eccentric whackazoid characters. (And HEX rules.) Anyway, this part of the book takes the wizards out of their usual cloistered surroundings for a welcome (for us; frightening to them) breath of real fresh air and sunshine--and weirdness! Highlights of this plotline include young Ponder Stibbons becoming a very strong character suddenly (he gets a sympathetic background and a hot temper among other things) and Mrs. Whitlow also being developed further. As for the God on the island offending heavily-religious people, listen: He's the GOD of EVOLUTION. Like, since evolution is something you can "believe" in, it must have a god behind it...well, on Discworld, anyway! He was making fun of atheists or secular humanists in a tongue-and-cheek way. Notice it was Ponder, the scientific wizard, who was _horrified_ to find out that such a god could exist (at first...then he thought it was cool...for a while.) Last but not least, I _liked_ the way the two plotlines tied together at the end. I just hope this isn't the end of Rincewind's "adventures", not just yet.
In short: BOTH plotlines are funny, have character development and HILARIOUSLY funny lines and scenarios. It _does_ make sense if you pay attention to it, and you don't have to be Australian to get the jokes--just alive and alert for the later part of the 20th century is all. If you want to laugh, get this book! If you didn't like it so much the first time...wait a while, then try it again. I wasn't so impressed the first time. This review is from my _second_ read.
And if you STILL don't like it, well, no worries!
The story itself is almost simplistic, although classic Pratchett. The Auditors, who elsewhere attempted to give Death the sack, have decided that Hogswatch Night is a source of cosmic disorder. Contracting with the Assassin's Guild to have the Hogfather "brought to an end", they unleash a disturbing series of events. And cause Pratchett to introduce the first truly evil character in the Discworld series.
No-one likes the Patrician. But his job isn't designed for popularity contests. Ipslore cheats death to have revenge on his fellow wizards, but overzealous parents are no novelty. Mister Teatime [pronounced "Teh-ah-tim-eh"], however, is a real departure from Pratchett villains. He is consummately evil, cleverly choosing the most vulnerable segment of society in his attempt to control all the Discworld. This is the first truly repulsive character Pratchett's created. Reading Hogfather makes you wonder: is there a real-life model for this character, or has PTerry created him wholly? If the first, we must find and destroy him/her. If the latter, there's a terribly dark place in Pratchett's psyche and we have to wonder what else is in there.
The irony of Death substituting for the missing Hogfather is pure Pterry. Death's ongoing struggle to understand humans is vividly presented in this novel. He replaces a department store Hogfather in one of the most hilarious scenes in Discworld literature. Pratchett also responds to the rising tide of feminists by raising Susan Sto-Helit from near obscurity. She is destined to become a leading figure in the Discworld series. Her raven associate is almost as cynical as Gaspode the Communicating Canine. Pratchett uses these characters to demolish the more fervently held myths we hold dear. With a finesse other writers must envy, Pratchett uses the Discworld to mirror our own - the motto he's given us often. From a hesitant acceptance of this book as "another Discworld novel", Hogfather has become one of the leading examples of Pratchett's expressive talent. It's worthy of a second read.