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So much spoiler information has been given away already, I won't contribute further. Let's just say that this is one of the most important Batman stories anyone's EVER done. We receive more insight into his mind's inner workings, and get a hint that he's not that far removed from a guy named Frank Castle. Except for the "no killing" thing.
This story is also important because it both sets up and is influenced by Miller's The Dark Knight Returns. The reverberations continued through to JLA Divided We Fall and in other DC books in months to follow. This is an indispensible book.
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Whether you are a novice starting out or an old hand looking for a good general restoration guide this book covers many areas in detail that some of the workshop manuals don't. This book is chock full of photographs with easy to follow text and is full of brilliant advice on all things Series Land Rover. I cannot recommend this work highly enough as I have found it fills the gaps that my other manuals don't.
Contents include detailed discussion of Heritage, Buying and what to look for in various models, the pitfalls of different models and the like. Section three gets straight into the Bodywork where the detailed photographs and text begin. This takes you right through every facet of the Series 2's body. There are notes on Series 1 restoration and mechanical restorations which are detailed and lavish with some exploded parts. Finally you are taken through a nice Interior and Electrics section and the book eases you down with information on Chassis numbering, Tech specs, Workshop safety issues, Development Milestones, Production Figures and so on. A Superb work that should be on every Series Land Rover owners shelf.
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Grant Morrison's talent on the JLA is that he handles all of the characters better than anyone else. His Superman is very Superman. His Batman is extremely clever and competant. The Martian Manhunter is patient and wise, Wonder Woman is strong, and Green Lantern is a bit clueless but very capable. This is pure fun the way superhero comics are meant to be.
It's not as good as Morrison's mind-blowingly surreal work on Doom Patrol, The Invisibles and Flex Mentallo, but few things (in any medium) are.
A thouroughly enjoyable slice of superhero madness that captures the sheer buzzing energy of the best silver-age comics without ever feeling retro, this is a must for fans of OTT superhero action!
The story is fast paced but the characters have ghostly roles that lack depth & the power to attract. Superman has grown his hair in a silly style, WonderWoman is as always abscent from the actual events...Aquaman & the Martian Manhunter are denied their distinctive introvert qualities...The Flash is supporting cast & the Green Lantern is a casual bystander. Only Batman shines in a good plot & his actions are drawn to make a difference.
Morrison offered the JLA some decent stories later on but this is not the way I like to remember the start of the team... the enormously superior JLA: Year One is so breath-taking it renders Morisson's tale(& its lame artwork) rather artificial...
May be necessary if you are a completist & wants to have all the issues of the JLA...I can't find any other reason for having it...
Now, in JLA, DC has brought back the core seven: Superman, Batman, Wonder Woman, Aquaman, the Flash, Green Lantern and Martian Manhunter. Most of whom comprised the original Justice League way back in BRAVE AND THE BOLD #28 in the early Silver Age of Comics.
Avant-garde comics writer, Grant Morrison takes the helm in this new JLA series and begins his run of wild, over-the-top, blockbuster epics featuring DC's mightiest. I don't want to spoil the secrets of this first tale, but suffice it to say there are some great twists and turns in the story. Morrison draws the reader in by pitting our heroes against a menace that seemingly can't be beaten because the public at large doesn't WANT them to!
Anyone who's ever wanted to fly like Superman, worn a bath towel around his neck to play Batman or loved the DC heroes in any way shape or form will love this book. Morrison has an uncanny ability to pull the reader's strings with these characters. You find yourself rooting for them uncontrollably as they face down a menace that only THEY can see and understand even in the face of widespread disdain by the public. They're heroes because they choose to be. Not because of the fame or fortune, but because it's in their very being.
Howard Porter, while not my favorite artist by any stretch of the imagination, is good at visually telling Morrison's epic story and great at conveying the personalities of each and every JLAer. If you missed out on this series when it came out, here's a cheap way to get the back issues (they're getting more expensive by the day!) and read one heckuva terrific comic story.