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This book is a wonderful peek into the lives of American's of African descent, their lives both during slavery and after. The final chapter is a fascinating look at weddings in 1864, followed by instructions for making a Love-ly pillow. This is another wonderful book, one that shows off the talent of Connie Rose Porter (the author) and Dahl Taylor and Susan McAliley (the illustrators). My daughter and I both loved this book, and highly recommend it to you.
IMANI ALL MINE is a beautifully written story about a smart 15 year old girl that refuses to be anyone's stereotype of a young unwed mother.
All too often society is quick to disregard or deem as unimportant the suffering and yearning of poor African-American teenage mothers. People may try to paint Tasha as a victim but she trancends the lable, refusing to apply it to herself as she carves out a life for herself and her young daughter in her tough inner city neighborhood.
Tasha's life isn't one that you'll see portrayed on Dawson's Creek, she lives a seperate reality where there are no cotillions or first dates. Porter has an excellent ear for urban dialogue and infuses Imani with a compassionate spirit that speaks to the heart of the reader. IMANI ALL MINE is a touching story that I would highly recommend to anyone.
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connie got it right: the language, the speech, the atmosphere, the feeling of time and place black people lived. the book starts out with a monstrously good first chapter, introducing samuel as an orphan working in a resteraunt saving up enough money to go north, and the strory gets stronger from there. he goes north and sends for his bride, mary kate, who is idealistic, yet is aware of a black person's place in white society. they go on to have a family, their oldest son, mikey, turns out to be gifted and gets the chance to go to private school, but in an attempt to better himself, he loses site of his identity. samuel and mary kate are aware of this, but at the same time, they encourage him to better himself, looking to him as a ticket to a better life.
it was interesting the way connie portrayed the two young black males, mikey and issac: mikey becomes educated and sophicticated and eventually becomes ashamed of his blackness, while issac, the same age as mikey, is ruined by the public school system and spirals downward into ruin. some the black people in the novel try hard to adapt to " whiteness" in order to survive. issac, in one scene cuts lawns for one of the bosses,and when he offers samuel the chance to make some extra money( their steel mill is on strike ) samuel refuses, calling issac an " uncle tom " and vows never to be " a white man's n----r. " there is another scene which mary kate is getting mikey ready for his first day at prep school; she checks to see if he is totally clean, finds out he isn't and proceeeds to scrub his body with clorox. that scene was very disturbing, just to show the lengths black people will go to keep up with whites... connie also did her homework in regards to the steelworkers and the life they lead: it's like you're working with them first hand. she also touches on quite a few other issues, most notably the racism blacks have for other races. this becomes apparent when she brings spanish characters into the all bright court. spanish people can be either black or white but are often look down on by some blacks and whites. the book reminds me of " the women of brewster place, " because of the tone and the way the chapters are set up. the writing is flawless,poetic and beautiful. in the chapter " november 22, 1963 " she talks about the kennedy assaination, but doesn't address it directly, instead she speaks through metaphors. you will never look at cotton or snakes the same way again...this book has a healthy dose of black folklore and magical realism. i can see why it got the praise it deserved.
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Porter tells her story well, and makes effective use of black vernacular English in the characters' dialogue. Like the other volumes in this series, this book includes an "About the Author" page and other educational supplements. The "Peek into the Past" section is an informative look at African-American churches in 1864. This article is illustrated with historic photos, and discusses such topics as the churches' relationship to the abolitionist movement. The "American Girls Pastime" supplement includes instructions on how to make letter cookies. Overall, a solid entry in a consistently enjoyable and educational series.
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