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If Pohl was trying to write something different I think he achieved his purpose. I wouldn't want to read many books like this but it was a fairly fresh approach to sci-fi (although I can't claim to be a sci-fi expert). I did this book on tape unabridged and I would recommend it in this format. The narrator sounded a bit amateurish at first, but after one side of the first tape I realized he was perfect for the somewhat simple main character (narrator).
The story is basically one that could easily be adapted into a novel about a European colonist in the Americas - with Native Americans being substituted for the alien Leps.
Pohl writes masterfully within the voice of his intelligent but often clueless narrator. The author has a real gift for rendering characters - even fairly unsympathetic ones - as real tangible human beings. The character of Tscharka is particularly well-done - we do get a sense of his positive attributes, though they are not frequently displayed.
At its core, this is a novel about what people need in life, about religion, and about dislocation. As science fiction novels go, it is readily concrete and not at all disorienting or confusing. The storyline is consistently engaging, but not always tense.
I agree about the audio narration of this book - Johnny Heller does a fine job as the narrator.
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The characters were the most pathetic I have ever encountered - they were completely flat and one-sided, totally naive, and uttered such annoying dialogue that I wanted to smack most of them every time they opened their mouths. Except for one, who I loved, but by the time she next appeared she had given birth, and, mysteriously, was stripped of all the interesting parts of her character and became solely a mother to her child.
The plot was predictable and surprisingly uninteresting. For a book about a comet striking the Earth (almost - the best part of the premise, one of the book's few highlights, is not the damage the impacts cause, but the damage inflicted onto the ozone layer and electronic equipment, by the comet's gases and EMPs. Sadly, this gem of a premise is strangled by the poor story in which it is presented), _Land's End_ is remarkably lacking in any sort of tension, suspense, or credible emotion.
At first, I thought the story was supposed to be some sort of fable or satire - where such hollow, annoying characters and such a preachy plot (filled with extremely obvious references to our current polluting of the environment and relations with animals) would be successful. But _Land's End_ takes itself too serious to be a satire and aims for too tangled a complexity (in both plot and execution) to be a fable.
The only two redeeming features of _Land's End_ - the secondary effects of a comet strike and the underwater 18 Cities - do not redeem it enough to make this book worth reading. For a much more exciting, captivating, and realistic comet-strike book, try Niven and Pournelle's _Lucifer's Hammer_ (their _Mote In God's Eye_ is also a MUCH better novel on the topic of first contact with aliens; as is Carl Sagan's _Contact_. Actually, just about any book is better than this one, regarding aliens. Pohl and Williamson's "Eternal" alien was like something cast by a Hollywood agent with no imagination beyond a half-drunken viewing of "Independence Day" - cliche, boring, and so overwraught as to be unintentionally comical.)
If I could give a negative amount of stars to this book, I would. It is, by far, the poorest SF novel I have ever read.
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