List price: $11.95 (that's 20% off!)
Here's the page sequence if you get this edition. This series was 4, 28-page issues. This book has no page numberers.
This Volume Orig.Comic,Orig. page#
Pages 1-24 - Seige #1---->1-24
Pages 25-49 - Seige #3---->1-28
Pages 50-53 - Seige #4---->1-3
Pages 54-57 - Seige #1---->25-28
Pages 58-86 - Seige #2---->1-28
Pages 87-End- Seige #4---->4-28
The idea is that you want to read it following the sequence of the "original comic" column. I put sticky notes all over mine and found it possible to read this. Hope that helps.
List price: $12.95 (that's 20% off!)
First, it must be said that this is the darkest EQ tale yet. Given that the story deals with two would-be Stalins (take a guess, fans), this is inevitable - but fair warning, the opening scene (the first three pages) is NOT for children! That said, this is a dramatic, well-paced story, much more unified than that in the companion volume "Legacy". Too, the artwork is far more consistent, it having been entrusted to only one team of artists. (The use of several teams for "Legacy" is that book's weakness; art and story are very diffuse in that volume.)
It is a measure of the quality and "4-D-ness" of the story that grim, even frightening events share the stage with moments of lightheartedness, each appropriate to the story. Try, for instance, "Wood" (issue 2 of the series),the sequence depicting the Wolfriders and the trolls.
In short, despite the often-depressing story line (which will become even more so in "Reunion", the upcoming sequel), this book is a story well told with artwork well drawn - and a very affecting ending.
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If you want to read this book despite these glaring flaws, plop down in a bookstore and read it there (like I did) and save your money. With this, much of the very rich tradition of Elfquest is squandered.
The story in these episodes is the most sobering and poignant yet seen in the Elfquest series - and, ultimately, the most uplifting. Surprisingly, the suspense does not come from wondering whether the elves will survive their attack on the Djun's fortress. Rather, the story revolves around how the heroes react to the deaths of two of their own (just in the first three chapters!), and whether their quest is worth so much suffering. The sobering death-scenes early in the story serve only to heighten the effect of the climax, to make it much more meaningful. Many, indeed most, Elfquest stories have been as memorable, but none have been as moving as this one.
Although this book is not in color, a note on the production is in order. The artwork, which had been rendered in color originally, reverted to black-and-white beginning with the fourth chapter of this book; for budget reasons WaRP Graphics gave up color production in September 1995, the year the American comic-book market tanked. Understandably, some of the BW chapters look sketchy, since these were to have been colored-in originally. The last chapter, though, was drawn entirely by Wendy Pini, and is a visual treat, nothing new for her! (It also served as a preview for the artistic style she would show in the "Dreamtime" series, now published as Book 8a in the Reader's Collection.)
Despite the production troubles I have mentioned, this is a most memorable tale and a fitting capstone on this series. (Moreover, the Pinis are currently working on the _sequel_ to this story - stay tuned!)
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The early episodes concentrate - seemingly - on the elves' battle against a vicious sea-creature named "The Redeemer". When the series first appeared, some readers were disappointed at what they considered an unoriginal, man-versus-monster plot. Gradually, though, it became obvious that the true theme of this tale was the superstitiousness of the humans, and their continuing fear of the "point-eared demons" - and when Ember's folk finally confront the Redeemer, they must also confront the hostility and credulity of the five-fingers: a much tougher enemy, indeed, than any monster, as the conclusion makes clear.
Fine as this early part of the story is, the series hits its full stride only as the plot moves to the next turn of events: the vanquished Djun's scheme to overthrow - through his children - the elves who cost him his empire. The result of his conspiracy stretches the elves' ability to deal with humans - and, in Book 11c - their very existence - near the breaking-point; the travails of Tyleet, the elf most sympathetic to the human race, are especially heart-rending.
The first eight episodes of WH featured artwork by Steve Blevins, who also pencilled most of the episodes in "Legacy" (Book 11) and "Huntress" (Book 11a), the two preludes to this story. Of the various artists who have drawn EQ episodes, Blevins has come closest to replicating Wendy Pini's unique style; and indeed the last two episodes by his hand, though uninked and therefore on the light side, are surprisingly nuanced and detailed for the black-and-white medium. The remaining episodes in Book 11b - and all those in Book 11c - are the work of Lorraine Reyes, and represent a complete shift in style: sharp, angular, and undeniably inspired my Japanese "manga" comics. Hers is not Pini-esque drawing and is not intended to be; at the same time, it is wonderfully lucid, and some of the best pencil work yet seen in an EQ story (though many of the Reyes-drawn episodes were very indifferently printed, especially the first one in this book).
As the showcase of the Elfquest canon for the past four years, "The Wild Hunt" has added newfound depth to the two-decade-old series; most importantly, without slavishly copying Wendy Pini's early work, WH has come closest to the essential spirit of the best-known EQ stories, and deserves to be considered their rightful heir. Recommended - even though the sequel will be more moving still!
List price: $19.95 (that's 30% off!)
List price: $12.95 (that's 20% off!)
My only real complaint about this book is the fact that most of the artwork is horrible. So horrible, that it almost kept me from reading this book until I got into it. The human characters look decent and Lehrigan does actually look pretty cool. But the elves look just awful. Sometimes I would be confused at what character was what. If it wasn't for the bad artwork this probably would've gotten 5 stars instead of 3.
I am fortunate enough that I happen to have a library around my house that gets in a lot of elfquest books so I don't have to spend money on them. If you are doubtful about reading this one from the previous reviews, then I suggest that you try to find out if your local library has Elfquest books so if you don't like it you wont feel that you were gipped.
However, the art's better, and truer to the Pini style, than I have seen in almost any othe Elfquest sequel, and I could figure out what was going on in the story despite having not read many of the intervening books. If you're feeling Elfquest-deprived but don't feel like purchasing a lot of inferior art and lame plotlines in order to understand what's going on, this is the book for you.
List price: $13.95 (that's 20% off!)
That being said, the artwork is exceptional, concidering the varying artists compiled. Good form, WaRP! Pleasingly Pini-esque! And, the story does indeed flow with characteristic Pini style: quick, crisp and can't put it down! If you're unfamiliar with the Quest, recommend reading Kings of the Broken Wheel, at least, to get a better feel for the story line. And, of course, Collection books 1 - 4 (the original Quest) to get a good handle on who's who.
List price: $13.95 (that's 20% off!)
If you buy this book, read it at the end of Reunion or not at all. I'll keep my copy rather than return it just to have a complete set of books, but I wouldn't recommend it to anyone.
This? I'd like to cry.
But I read more. This is a good one, though I don't like the drawings. But this comic really made me laugh. And this had a tale in it, a good one. Some EQs don't have very much happening and story inside them, but this one has.
Go on, read this one. EQ will never be what it was in original quest (comics 1-4), but it's still alive.