For years.The fans of Abbott & Costello wanted to find out how their most famous film parody of horror movies"Abbott & Costello Meet Frankenstein!"came about.A few books have come to light in recent years:"Movie Comedy Teams"by Leonard Maltin,"The Abbott & Costello Book"By Jim Mullholland and:"Abbott & Costello In Hollywood!"by Ron Palumbo & Bob Furnemack.Now..As a companion to These three manuscripts is the paperback edition of the film's script.Film historian Phil Riley has found an early draft of the script that shows us all scenes and dialogue that never appeared in the final release print:"Oh Oh! And Up Pops The Devil","You're not going to leave me with all of this work"."You're not suppose to throw away all of that fat wasite".etc in terms of the film's dialogue.There is one scene that was never used in the film and sadly.It prohibieted Poor Lou from using his improvational skills as a true movie clown.The scene has "Dracula"(Bela Lugosi)using his hyponotic powers to lure poor"Wilber Brown"(Costello)back into the castle for the brain transplaint.Lou keeps trying to run away.But the power of the evil vampire's spell is so strong that he is constantly being pulled back into the castle via the cave entrance.He finds a rock and sits there."Dracula"(Bela) by now is getting madder than hell! And he says to "Wilber"(Lou)"I Said Come Back!"."Wilber Brown"sits on the rock and says"'No! I'm sitting right here and I'm not going back!".Until both Lou and the rock are zipped back into the cave and into the evil clutches of "Dracula"(Bele Lugosi) and "Dr.Sandra Morney"(Lenore Aubert).The book also shows some photos from the film and some wonderful behind the scenes candid pictures from the cast members,the film's director(Charlie Barton),The film's producer(Bob Arthur)and Dialogue Director(Norman Abbott..Bud's newphew)and the members of the Abbott & Costello families.There are also some thoughts about the making of the film from the team's family members and the true story of how this classic parody was conceived and filmed by the book's author:Mr.Riley.For fans of horror movies and for fans of classic comedy movies.This is one book to have in your collection.Bravo Phil! Kevin S.Butler.

This is a great treasure for Abbott and Costello fans as well as Chaney, Lugosi, or Universal fans. The pictures alone are worth the price of the book. The script is still titled "The Brain of Frankenstein" and includes deleted scenes which further add to the story. As someone who has seen the film many times the added info gives new insights as to the characters performances.

Classic horror film stars meet legendery comic duo make for great film and great book. behind the scenes info with rare photographs and insight into the relationships with all protagonist's. Also critic's reviews and posters and billboards from the orginal time of film's release.

I read this book to prepare myself for a salescourse at the company where I work. As it turns out I am no salesman, but the trainer did note that I had a very good insight into the salesprocess. So good, in fact, that he advised me to become a selling consultant for my company instead of a salesman. All that, thanks to having read this book in combination with "The New Strategic Selling" (also by Heiman). If you really want to start selling, you must read this book!

Throw the old rules of traditional sales out the window. Stephen E. Heiman and his co-authors, Diane Sanchez and Tad Tuleja, state in no uncertain terms that to remain a successful sales professional, you need to change the way you view the selling process. They advocate a customer-driven model of sales as the only approach for long-term success. The book includes “personal workshops” to allow you to apply these concepts directly to your sales situation. We ...recommend this book to anyone frustrated by the limitations of product-pitch selling. Note: This book is a revision of Conceptual Selling (by Robert Bruce Miller with Heiman and Tuleja, Warner Books, 1987), which has been updated to reflect the economy of today and tomorrow.

This was another fantastic book by the same people who brought you Strategic Selling. It provides the blocking and tackling of sales situations that fills out the strategic approach of their earlier book.

This is a professional, mature approach to selling that is sadly rare in the profession.

Please excuse my spelling, it's terrible This book is terrific. I started reading this book and couldn't put it down. It is a fine collection of stories ranging from the great soilbank days when Kansas alone had 4 million birds to the Royal hunts in Europe where an average daily bag mesaures in the thousands, It has stories more like mine where the average hunt ends with tired dogs and few birds. The book through it's many differant authors also explores the ethics associated with hunting. This book is for the bird hunter who's cleaning his gun for the third time this week when hunting season isn;t for 6 months. It's for the guy who can't stop dreaming of how his new pup will do his first time out. It's for the guy who spends more time with his dogs than with his wife. All hunters will enjoy this book, but the true bird hunter won;t be able to put it down.

Philip H. Melanson is a professor of political science and a specialist in the study of political violence. This book is an authoritative expose of brazen official manipulation of the legal process used to cover-up the conspiracy to kill RFK. The numerous glaring and unanswered questions in this case, with the simplistic official solution, caused the author to research for additional unexamined evidence. He spent many years investigating the facts, interviewed dozens of witnesses, law enforcement officials and other sources, and analyzed hundreds of LAPD and FBI files released by 1991.

Philip H. Melanson provides evidence that Sirhan did not act alone, and, the official investigation authorities (LAPD, FBI) covered up evidence that suggested conspiracy (p.4). He was the first author to have access to most of the existing LAPD files on the case. He and his team found that the LAPD had altered, suppressed, and destroyed vital evidence in the case (p.6).

The investigation assumed a "lone gunman" immediately. The trial was only concerned with Sirhan's state of mind (pp.24-25). The number of shots fired, the bullets matched to the wrong gun, were all skipped over. The LAPD's conclusions, its methods and its competence were not tested in an adversarial proceeding. The tapes of Sirhan's interrogations were never released to the defense. The profound discrepancies and conflicts in the evidence were suppressed or ignored by the LAPD and were never addressed by the judicial process.

What made this case so hot that the 1997 Congressional Investigation wouldn't touch it? Will the assassination of RFK ever be reinvestigated by a Congressional Committee? We've also learned a lot since 1991 about the LAPD and the FBI: the Trial of OJ Simpson, and the Inspector General's report on the FBI. (Read "Tainting Evidence: Inside the FBI Crime Lab Scandals" by Kelly and Wearnes.)

This collection is a travesty indeed. Great poems no doubt, but abysmally read. Furthermore they should have put all the introductions together separate and apart from the poems. It's nice to hear intros the first time around. But who wants to hear the intros everytime you listen to the poems? Sometimes I want to hear just a stream of poetry without any interuptions and this format makes that impossible. It's incredible that such a great concept could be so terribly executed.

I could not get this back to the store for a refund quickly enough. While the poem selection is great and the poem introductions are narrated well, the choice to use "modern poets" as the readers made this compilation utterly unlistenable. The only one that I found acceptable was Anthony Hect--the others were notably bad. In particular, I found Jorie Graham's "readings" to be abysmal. She reads each poem as if it were simply a string of unconnected words, giving equal stress to each, with halting pauses between them, never breaking out of a drowsy monotone. Other readers were not much better.

There are three major flaws in the readings:

1) The readers are no better than the average untrained person, and often much worse. (You've just got to hear them for yourself to appreciate how bad they are.)

2) Successive poems by the same poet are read by different "readers." It's jarring to hear 3 or 4 poems from Poet X, each in a wildly different voice.

3) No regard is given to matching the sex of the poet and reader. In general, it is really annoying to hear your favorite poet read by the wrong sex. In particular, making this mistake on "gender specific" poems (like having a woman read Poe's "Annabel Lee") is unforgivable.

Why is this all so upsetting? Because it is practically impossible to find poetry collections on CD, making this a serious waste of limited resources. If you are looking for a good collection on CD, buy "81 Famous Poems CD" by Audio Partners (ISBN 0-945353-82-0). It's a good collection on two CDs and is read by professionals: Alexander Scourby, Bramwell Fletcher, and Nancy Wickwire. In the meantime, we can only hope that the producers of this collection will eventually come to their senses and re-record the poems with the services of trained professionals.

If you are prepping for the GRE in literature or are trying to gain a basic understanding of literary periods and poets, this audio-collection is a must. It features a brief introduction about each poet's life. It also includes a brief introduction about the theme of each poem. The fact that you have to listen to these introductions before listening to the poem inculcate the poem and aids retention. If literature has turned into a cumbersome and overwhelming task, this collection will not only provide you with a sense of direction but will also make literature far more pleasurable.