The writing is good if you take it in short small segments, but I had a hard time getting the flow of the book. Also he seemed to spend time on people who weren't the "young war correspondents" and he seemed to spend time on things that happened outside the early Vietnam timeframe. [...]

"Once Upon a Distant War," is a highly readable history of the various journalists covering America's involvement in the early years (1961-63) of Vietnam. Prochnau has produced an intriguing popular history that has some flaws, but on the whole is quite a good book.

The strength of the book is the fact that the material itself is so fascinating. Saigon, circa 1963, was an extremely exciting place for a foreign journalist. America had begun a huge build-up of forces in South Vietnam, the Diem regime was at its most oppressive, and the Vietcong were making huge gains in the rural countryside. Into this mix were thrown men like David Halberstam, Neil Sheehan, Peter Arnett, and Malcolm Brown: relatively young, idealistic reporters who were determined to get the real story. But the US officials in South Vietnam were less than willing to assist the "green" correspondents, who they claimed were not "on the team." Lied to and rebuffed by the official channels, the reporters sought out contacts in the middle of the action: South Vietnamese officers and American field advisors like John Paul Vann who were willing to tell the ugly truth. The result was a constant battle between the Saigon correspondents and the Kennedy administration, other journalists, and even their own publishers. The only people who hated the journalists more were President Diem, his brother Nhu, and most vociferously, South Vietnam's First Lady, Madame Nhu. For two years the correspondents fought for every story and risked everything, including their lives, to get what they believed was the truth about Vietnam out to the American public.

Prochnau is clearly in awe of his protagonists, but I think he still manages to give a fair account. The correspondents are not perfect: Sheehan goofs big time in his early account of My Tho, inflating the body count from 15 to 200. Halberstam was hugely influential, but as Prochnau makes clear, he was also incorrigible, uncompromising, and had a mean temper. One of the most important points that Prochnau stresses is that these men were not anti-war (certainly not at this early stage). Men like Halberstam were ardently anti-communist, and were only angry because the government was lying about a cause that mattered so much. But even the reporters' ostensible adversaries, such as Ambassador Nolting, are given full and fair treatment. (General Harkins is the one exception, but I've never read anything that suggested he was other than incompetent, blind optimist.) In addition to these detailed characterizations, Prochnau adds a wealth of anecdotes that give the book both humor and authenticity. Particularly interesting were the stories of Marguerite Higgins and her Machiavellian ways ("innocent as a cobra"), Sheehan's obsessive 16 year struggle to write "A Bright Shining Lie," and Halberstam mouthing off to high government officials ("Bull..., General! Why are you standing here telling our friend Clurman this bull...?").

My complaints are few. The first is about Prochnau's style: he is eminently readable and well suited for the material, but sometimes his tone becomes so informal it borders on cheesy ("Vietnam was not simply exotic. It was erotic. And narcotic.") My second complaint is that Prochnau glosses over many aspects of the war and does not give a very complete picture of the complex military situation. But his story is about the journalists, so maybe this is an unfair criticism. Then let me leave it as a caveat: do not read this book to gain an in-depth understanding of the political-military situation in South Vietnam, read it to learn about the tribulations of the journalists. In some ways, this book is better suited for people who already understand the history of the era and will not be confused by Prochnau's overly-simplistic (albeit justifiably so) account of the war. That said, this is still quite an entertaining look at some very interesting characters at a crucial juncture in modern American history.

Not long after I finished the book, I read that Jerry Bruckheimer ("Armageddon" and all those big-bucks Hollywood action thrillers) is planning a major movie on it. Not surprising. Prochnau's "Once Upon a Distant War" reads like an adventure novel: a half dozen young war correspondents fighting everybody -- the U.S. govt, the South Vietnamese govt, their own colleagues in the media, even their bosses -- to get the early Vietnam story to the public. It's also first-rate history. You won't learn more about how we got into the mess in Vietnam -- and learn it with such page-turning narrative drama -- anywhere else. I don't know how I missed this the first time around. It's one of the best war books I've read and the best ever about reporters. Don't wait for the movie.

Shakespeare portrays King Richard III as a hunchbacked thoroughly evil man. While based upon the historical Richard III, the play is a dramatization. Although classed as a history, remember that Shakespeare's histories aren't historically accurate biographies. Richard is a power-hungry brother of a king who murders, schemes, marries, and plots to usurp the throne from rightful heirs. Richard gets his due when he meets Henry Tudor on the field of battle and the reign of the Yorkist kings comes to an end. Written under the rule of a Tudor monarch (Elizabeth I), the play paints the brutal Richard in an especially unfavorable light. After all, the rise of the Tudors depended upon the death of Richard III. The treatment of women in the play has been criticized, especially the speed under which Anne accepts Richard III -- with her dead father in law in the scene, no less. The play compresses 14 years or so of real history into 5 acts. It is hard to go wrong with Shakespeare. A good but dark read.

Let's get one thing clear from the start: when I rate Shakespeare, I rate it against other Shakespeare; otherwise, the consistently high ratings would not be very informative. If I was rating this against the general run of literature available, it would unquestionably rate 5 stars.

So what brings it down to 4, as compared to other Shakespeare? Primarily a few places where it demands a bit too much suspension of disbelief; the language is some of Shakespeare's best, and is comparatively easy for a modern reader (I found most of the footnotes to be sufficiently unnecessary to be actually more distraction than help). But for one thing, if Richard is withered, hunchbacked, and deformed, how is it that he has been able to kill so many of his victims in battle? For another thing, is it REALLY plausible that Princess Anne would be persuaded as she was by someone with nothing more going for him than Richard? To paraphrase the scene,

Anne: You killed my husband and his father! I hate you I hate you I hate you!

Richard: But I only did it 'cause I'm hot for you, babe! Wanna marry me?

Anne: Welll...maybe. Let me think about it.

(And, in fact, she marries him. Just like that.)

Also, there are virtually NO characters in this play that are sympathetic, save perhaps for the two murdered children and Richmond, and we really don't see enough of them to feel much connection; it dilutes the effectiveness of the portrayal of Richard's evil when almost all of the other characters are, if not just as bad, certainly bad enough.

Richard III is the most well crafted satanic character in all of Shakespeare's writing. What can get frightening is that you see his evil, and yet you like him. The play is dramatically frightening from one scene to the next. To this day, I never could forget the scene where Hastings is sentenced to death or when Richard is haunted by the 11 ghosts. But the virtuous Henry VII also offers captivating passages (especially his passage that announces the end of the War of the Roses.) It is also interesting to see how carefully Shakespeare had to handle Henry VII, seing his granddaughter Elizabeth was in the audience. To be sure, Richard III is blamed for several things he did not do. The dramatic irony is that whatever he was innocent of, all the circumstancial evidence says he murdered his nephews.(Rumors that he killed them continued to spread like fire. Not only did he start losing England's loyalty, but many of his own followers in a rage abandoned him and joined Henry VII. France began to humiliate Richard by broadcasting official accusations and Richard never so much as denied having done it. If he could have produced the princes, his troubles would have been over.)This one vile deed made it possible for Shakespeare to make Richard this monster from hell and convincingly pile a slew of vile deeds upon him of which he was innocent. But all that aside, women such as Richard's furious mother and the raging former Queen Margaret add to the drama and chills. The gradual unfolding of Margaret's curses adds a charming orginizational bonus to this masterpiece. If you want to enjoy this play all the more, make sure you read "3 Henry VI" first. Richard's demonic nature is heavily prepared in this preceeding play.

My English major friends kept raving about the sonnets, so I finally decided to spend a buck to get this least expensive edition. It was kind of interesting. I could tell that Shakespeare was really intense about his issues - but I was lost as to why everybody was so crazy about them. I also did not like having paper that was so thin that my highlighting and notes went right through to ruin the other side of the page :(

Finally I spent another buck to get an (almost as inexpensive) edition (used) - the Signet edition edited by Burto. That helped a lot - with definitions of terms and hints about lots of secret relationships possibly there for those who would dig further. At last I'm starting to figure out why this guy is considered so awesome. To really get an appreciation of Shake's heart and mind, beginners like me really need more than just the poems.

Now I'm borrowing an English major's copy of Dr. Vendler's edition (Art of Shakespeare's Sonnets). It's pretty heady, so I'm just trying to read her introduction. Whew! I haven't tested out all her theories, but is so much incredible care and complexity going on behind the scenes in these poems - it's no wonder people are still boggled after 400 years.

Truly amazing - but unless you're an English major I wouldn't recommend bothering with this doubtful dollar deed. Getting a copy of the Signet or Folger Library editions will make beginners much happier.

A colleague advised that I assign my college students this edition, and I am glad she did. Rather than reading the few anthologized works together with some handouts, students now own the entire set. For anyone not familiar with Shakespeare's 154 sonnets, this gives an affordable and portable version. For anyone familiar with the works, this book offers them in a beautifully light, compressed format that itself enhances rereading and re-interpretation. The book begins with a helpful one-page background on the sonnet form and on Shakespeare's collection, and ends with an also-helpful alphabetical list of first lines. The two-page glossary of terms at the end may be too little, too late, but the drawbacks of Dover's edition--its lack of notes and its use of roman numerals to number the poems--pale compared with the book's availability. As an enthusiast myself--someone who studied at the Shakespeare Institute, England, writing a 310-page thesis on the Bard--I feel grateful to be able to help others to such an inexpensive and pleasant way to own and explore Shakespeare's entire collection of sonnets. Because I could skim the poems in sequence so quickly and easily with this edition, the interrelationships among Sonnets 113, 114, 115, and the famous 116, "Let me not to the marriage of true minds," for example, struck me in a new way as I reread them in this little book. A highly- recommended edition.

The perfect pocket edition of Mr. Shakespeare's sonnets!

Of course, if you are wondering what they mean, and all that, you will have to get yourself familiar with Rowse's edition of the sonnets: A. L. Rowse: Shakespeare's Sonnets.

But once you know who the principal characters are -- Henry Wriothesley, the young Earl of Southampton, Christopher Marlowe, and Emilia Lanier -- plus young Will Shakespeare himself -- then the Dover will do fine for you and yours.

After all, this is exactly the book you could have bought on its first day of publication, four centuries ago!! :-)

ttfn

jimmy

I really got a lot out of this book. While I was not thrilled with the Microsoft-centricity of the book, I don't feel it detracted from the purpose of the book. They go at a reasonable pace, and do an excellent job at explaining complex subjects.

I do disagree with some of the other reviewers about it being a good book for learning about digital and/or network security. Digital certificates are a small albeit important component of computer security.

This is surely a book I would recommend for those who are interested in learning about digital security without having to delve into complex algorithms and technicalities. The language is simple and objective, and the content provides a comprehensive overview, without being vague. There are a lot of clear examples and cases. A great work indeed !

step-by-step get you in to the security arena, very well organized, teaches you things that you can use and work with in a very short period of time. Enjoyed especially the simple yet effective language used in explaining rather complex topic.

This book is not my style too wordy and there is really no reference to the code examples, its problematic especially when they dont work. Probably a good book if you've worked with older versions of ADO and know your way around. I'm going back to ADO.NET step by step - its boring but at least I can get the samples working.

Vaughn and Blackburn not only understand how ADO.NET works, but how to communicate their knowledge in a pithy and clear way. The practical tips all struck home, and the sample code was useful. This book has the best stuff I've seen on ADO.NET. I wouldn't call it an ageless classic, but it's worth the $$ and the time that you may spend on it.

The book is divided into two major sections - the "old" ADO and ADO.NET. Bill covers both of these in great detail. The ADO coverage has been enhanced since the first edition. The ADO.NET stuff blew my mind. I'm new to .NET. I was expecting to learn just ADO.NET. I was happily surprised to learn not only that but also the pitfalls to avoid when coding VB.NET. That was a bonus.

The IMHO sections had much to offer. Too many books just give you the techie stuff. It's nice to get an honest opinion from someone who's "been there". He goes beyond that, too. Throughout the book, there are "Best Practices" icons to point you to the stuff you really need to know.

This book has code - lots of it. Every example is right there on the CD. It doesn't stop there, however. Bill shows you the turns and twists of the Visual Studio .NET IDE, making it an essential reference for any serious coder.

The book is written with the intermediate to advanced reader in mind. Even though I'm more like an experienced newbie, I still got a lot out of it. I'm less intimidated by .NET than I was going in.

Bill Vaughn has done a great job. I'll give up this book when you pry it from my cold dead hands. :-)

Sometimes the corporate environment is not tranquil. Managers hate workers, workers hate managers and nobody seems to understand or talk to anybody else. Author William Isaacs believes that's because people don't communicate very well. Companies that succeed have made effective, positive communication part of their culture. Dialogue is a two-way street and negative, ineffective dialogue can kill a company's prospects. Isaacs, a corporate consultant with a doctorate in philosophy, uses a very un-businesslike style to convey his ideas. The book is full of parables and company stories, and the whole mood feels more like a literary narrative, instead of a to-the-point business book. ...

Dialogue; traced to its Greek roots is a flow of meaning, an ability to take many different issues and opinions to a table and create something completely new out of the process. Communication is the center of our culture as human beings, yet we rarely make time for true communication in our society today. As a person that feels as if there is something missing in the conversations I hold in my life and in my career I found this book to be very insightful. I gained an understanding of my frustrations, some skills to apply, and a look at the direction in which I want to go in the future. As it is a complex book that applies to every part of my life (and yours!) I have chosen to simply include a few of my favorite quotes.

"Respect also means honoring people's boundries to the point of protecting them. If you respect someone, you do not intrude. At the same time, if you respect someone, you do not withhold yourself or distance yourself from them. I have heard many people claim they were respecting someone by leaving them alone, when in fact they were simpley distancing themselves from something they did not want to deal with. When we respect someone, we accept that they have thinks to teach us."..."Treat the person next to you as a teacher. What is it that they have to teach you that you do not now know? Listening to them in this way, you discover things that might surprise you."..."Respect is, in this sense, looking for what is highest and best in a person and treating them as a mystery that you can never fully comprehend. They are a part of the whole, and, in a very particular sense, a part of us." - PP 114-117

"Every conversation has its own acoustics. Each one takes place in an environment that has both physical, or external, dimensions as well as internal, or mental and emotional, dimensions. There is, in other words, an invisible architecture to the container. Most such structures are made for discussion, for thinking alone. We have very few designed for thinking together, for dialogue." - P 247

This is my favorite quote in the entire book, I see it in my relationships with the world each and every day: "The Internet can be seen as the attempt of your literate and isolated culture to somehow return to community. People seem to imagine that if we are all digitally connected, then we would all be in touch, and the great malaise of the age - the isolation, pace, disconnection that many of us feel - would be allayed. But so far the digital revolution is giving us connection but not contact"..."one simple touch of a human hand could far exceed all the impact of all the digital libraries in the land." - PP 388-389

A great read to help you understand what Socrates did on a continuous basis-true communication leading to indepth understanding. I got many Aha's from the book, but two major points that stand out are (1) democracy ended with the vote, and (2) in a discussion, if your not talking you are "reloading". The take-aways are that we in most cases are not focused on coming to closure and fully understanding an issue or problem. We hold our own views without listening to the facts or assumptions surrounding another individuals view. We don't go to the deeper levels of understanding. This leads to false assumptions being made-which in most cases leads to some type of conflict. Should be mandatory reading for anyone desiring to be a true leader!

This is a great book and an easy read. Burrows makes you feel like he is sitting across from you as he discusses the merger, the HP Way, Carly and Walter Hewlett's motivations. He clearly brings recognition to the HP Way and how it made HP a great company, and the dangers involved in destroying HP's identity by merging with Compaq. Why would a company with a suffering PC division want to buy a PC giant that was suffering even more, in a market where consumers have stopped buying PC's? "Two garbage trucks colliding". And yet Burrows gives credence to Carly's abilities and talent and clearly offers both sides of the story.

The best part of this book is the general business understanding it offers of mergers gone wrong. This is a prime example and well portrayed.

Simply one of the best business books written in the last ten years. If you want to understand the true story of how an outsider invaded the HP culture and forced an ill-conceived merger that wrecked the HP that once was, read this book! If you want to read a piece of Carly p.r., read Perfect Enough.

"Backfire", Peter Burrows' remarkable chronicle of Hewlett-Packard's controversial acquisition of Compaq, marks an important milestone in the rich technology heritage of Silicon Valley. "Backfire" is far more ambitious than the pabulum typical of business writings. In order to build a cogent thesis, Burrows takes on a broad range of topics, including pertinent biographical background of the key players, the legend and lore of Hewlett Packard - the company and the founders - and the arcane mechanics of proxy votes and corporate government. But while the subject matter risks could easily yield a pompous and boring analytical tome, the author injects exactly the right amount of intrigue, drama, treachery, and humor while capturing characters that are wholly believable in their flaws, foibles, and ultimate victory or defeat. The economy of Burrows' prose, sharpened by years of reporting for "Business Week", yields a tale that is a true page-turner with much more energy, excitement, and personality than the standard business fare.

Any frequent "Business Week" reader knows that Burrows is no fan of Carly Fiorina. Consequently, the author was not granted official access to either Fiorina or HP officials (HP denies any connection, citing only "scheduling conflicts"). Notwithstanding, his portrayal of HP's embattled CEO is vivid and wholly believable. Fiorina, the marketer and master-of-spin with no prior CEO experience, is injected into the venerable but stumbling culture of Hewlett-Packard. A veteran of the politics and bureaucracy of AT&T and Lucent, she is an unusual match for the techno-nerd culture of HP, where products trump hype and integrity and loyalty are revered. But while Burrows' criticism of Fiorina is biting and unrestrained, due credit is given to her tenacity, oratory skills, and relentless dedication to completing the acquisition at all costs. Walter Hewlett, who rises from a coccon academic obscurity to fight-the-good-fight is treated much more charitably, but he only barely qualifies as the hero of the tale. While recognozed for his honor and integrity in refusing to allow the proxy fight to deteriorate into personal attacks on Fiorina, his actions and judgment as a board member in the weeks and months prior to the planned merger's announcement are rightfully questioned. If there is a villain in the story, it is HP's board of directors. It is the board that passively watched while HP failed to capitalize on the rise of the Internet in the mid-late nineties, allowing HP to degenerate to a position of significance only in its printers. It was the board that initiated a bizarre, if not amateurish, CEO search leaving Fiorina as virtually the only real candidate for this high-profile job.

Much is made of the demise of the celebrated "HP Way". But Burrows wisely resists the temptation to attribute all of the responsibility for this decline on Fiorina. While it is successfully argued that she failed to grasp the true significance of this unique culture, further alienating frustrated employees, by the time Fiorina arrived on the scene it was already in steep decline. What was once an honored tradition of mutual respect and pride in innovation had been replaced by a sense of entitlement and an excuse for sloth. It is unfortunate, Burrows notes, than in the age of Enron and WorldCom, with corporate America in desperate need of the principals and values that embodied the "HP Way", that there is little chance of resuscitation under Fiorina's reign.

In summary, "Backfire" is a masterful portrayal of the rise-and-fall of an American icon, and a revealing exposé for the behind-the-scenes machinations of history's largest technology merger and ugliest proxy fight. It is a must read for anyone interested in the history of Silicon Valley, executive leadership, corporate governance, or corporate culture. In the subsequent dissections of the HP/Compaq post-merger failures (or, less likely, successes) that are sure to come over the next several years, Peter Burrows' "Backfire" will serve as a frequently quoted and pivotal reference point.

Most of those amazing Flash films share have the very same secret: mathematics, especially geometry. Many basic and advanced techniques in this area need to be taught. A review of some basic concepts would also be helpful. It's true that a lot is done by trial and error, but those who grasp the basics are the ones who know what can be done with what is available.
This book has beautiful, colorful pages and many contributors, some with great ideas - learned from some imagination and from some trial and error.
Yet this one book fails considerably. Great opportunity, great idea. But no math is really taught, no basic technique is really given. What can be found is only a mixed bag of ad-hoc math solutions to produce some nice effects and little meat.
What is wonderful about this book is its potential. What is tragic about this book is its end result.

This is honestly one of the best books that I've picked up in a long time. There are so many books lately, that appear to be nothing more than a ploy at being the first book on the latest release of such and such software application. Flash Math Creativity avoids using interface clips from the Flash authoring environment, in order to concentrate on the content and not on something that has a much more limited shelf life. This book has so much to offer beyond getting acquainted with Flash 5 or MX or whatever. Becuase of the choice of displaying only raw code, it's probably not the best choice for a beginning Flash user. The examples, although excellent, aren't always well annotated, and often leaves you scratching your head -- but that's part of the fun.

I really appreciate the fluid examples, and the challenge of using the provided content for further investigation. These experiments should keep me busy for some time.

The graphics are quite beautiful and it would be hard to look at them and ignore the value of these creations on the basis that it doesn't have a practical application in the area of web design, as one reviewer stated. Plus, when did I start reading books and enjoying Flash only to do corporate stuff.

After having had this book a year now and well into Flash MX, I still find this one of the best resources for moving Flash MX (or Flash 5) into a level of creativity not available by mere hacking through script or twiddling with tweens. Even now I keep finding new little gems in this book. However, as some reviewers have found, this is not for those saddled with sluggish imaginations or sense of exploration.

This book is one of the few that assumes some background in or appreciation of math as a tool for developing algorithms. It's not a book for everyone, and one reader rightly pointed out that it's not a primer in math. So if you don't have math savvy, this book may not be your cup of tea. However, from what I saw, one need not be a math whiz to work through the different kinds of interesting algorithms contained in this book, and you will learning something about both Flash and math.

One of the best lessons this book can offer (besides the sheer joy of experimentation even though you're not sure what you'll create) is how to use different elements of geometry and a little algebra with Flash to do some very interesting things. After beginning by following instructions to make a snail spiral, I quickly found myself doing my own experiments by changing different vectors, values, colors and whatnot just to see what would happen. I was surprised by my own results, and then I took elements from different chapters, mixed them together for even more new discoveries.

This book is not a paint-by-the-numbers book, and unless you like to explore for the sheer joy of the exploration and learn something for no particular reason other than it's sort of cool, the book is not for you. It is not a "practical" book in the sense that if you learn how to create a Flash site for some suit, but it is very practical if you'd like an invitation to discover concepts in their own right.

Finally, I found it ironic that such a book using Flash 5 would be published almost exactly at the time Flash MX was unveiled. Well, the algorithms are even more appropriate for Flash MX because you can do so much with movie clip drawing methods with MX that were not available in Flash 5. It's probably not even going to have to be revised for Flash MX because the kinds of people who would buy this book would have little problem in taking its wisdom and doing even more with it in the new Flash.

If you are interested in how the Nixon and his staff handled the Watergate issue then this is a wonderful look into the private conversations that took place. The author does a good job of setting most of the conversations up with comments as to what the conversation covers. There are also some explanations at the beginnings of the major areas of the book. I would have preferred a little bit more editing out of some of the conversations, but they do serve a point in the overall book.

What struck me the most was just how desperate Nixon kept getting. I almost started to think that maybe he even believed the lies he was telling. It was so fascinating to see how he would formulate a "cover" story and then keep presenting it to staff to see if they would replace their understanding of the events with his. What is sad is the amount of denial that Nixon was sliding into at the end. He was justifying his actions so hard, I started to think that he was trying to change reality with his force of will.

Many of the conversations are very revealing and interesting. I wonder if at times Nixon forgot he was being taped? Why would anyone think that what he was up to would stand the test of time and be thought of as acceptable behavior. You get a good understanding of why Nixon and his family fought so hard to keep the tapes private. In my opinion, these tapes have set back all the work Nixon did after leaving office to rebuild his reputation. My only warring would be that this should not be the first or only book on Watergate that you read. It will help you if have read something else to give you some back ground on the conversations. Overall the book is interesting and a good addition to your Nixon collection.

A fine addition to any Watergate library. Kutler is a dazzling professor who often turns fine logic and thinking to the wrong conclusions. As a litigation historian he can shed copius amounts of illumination onto America's law. However, the fine paths which are followed by Kutler often lead to the wrong conclusion. He has made brilliant arguments for the separation of church and state which in the end only elegantly confirm the opposite conclusion. Our high law not only encourages religous affiliations in civic life, but that government cannot in fact prohibit this free exercise of religion by not only any individual, state, judge or other federal official but by even the federal government itself. It is always a joy to consume a Kutler premise, but even more enjoyable to find the true conclusions.

If you are interested in how Nixon and his staff handled the Watergate issue, then the book Abuse of Power: The New Nixon Tapes by, Stanley Kutler is a great one to read. Kutler does a great job of setting the private conversations up with comments as to what they cover. He also gives some explanations at the beginning of the major areas of the book. I was happy that they did not edit much of the conversations that took place because they serve a good point in the overall book.

What struck me the most about the book was just how desperate Nixon kept getting. I almost started to think that maybe he even believed the lies he was telling. It was so fascinating to see how he would come up with a "cover" story and then keep presenting it to his staff to see if they would replace their understanding of the events with his. What is sad is the amount of denial that Nixon encountered at the end. He was trying so hard to justify his actions; I started to think that he was trying to change reality with his force of will.

Many of the conversations are very revealing and interesting. It makes me wonder, if at times, Nixon forgot he was being taped? I got a good understanding of why Nixon and his family fought so hard to keep the tapes private. In my opinion, these tapes have set back all the work Nixon did after leaving office to rebuild his reputation. It will help you if have read something else to give you some background on the conversations. Hopefully, this will not be the only book on the Watergate scandal that you read. Overall, the book is interesting and well written.