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Handke writes about his mother in a way that creates a story rather than a history of a life. There is so much understantding of how the world changed from Pre-WW II through the post war emptiness of a desecrated Europe and its accompanying slow move toward healing that plagues burned countries after victories or defeats signalling the end of wars. Handke's mother remains nameless which serves to make her a more universal figure than just another individual. And using the word 'individual' is actually in contrast to the major problem of this tragic women's life. Always a women of poverty, suffering the cruelties that that station in life suggests (a fatherless child, a marriage of convenience that results in a life with an alcoholic husban, self induced abortions, begging for food, the lack of simple luxuries like Christmas gifts, etc) his mother was not a woman who considered herself an individual: she was a daughter of a postwar poverty and gloom, aligning herself with Socialism which further negated her worth as a unique person. Her gradual withdrawal in yet another group (those with 'nervous breakdowns') overtured her ultimate complete withdrawal from the world as she finds taking her own life the final solution to her grief.
Handke reserves his own response to the loss of his mother until the end of this memoir - a section of memories, flashbacks, regrets and tears that force him to place his final godbyes in the form of the written word. The writing is powerful in its simplicity, unfettered by false emotions, straight forward in forcing both the author and the reader into confronting the tragedy of suicide. Perhaps many readers will use this short tome to find healing of like experiences: others will read this book simply because it is a beautifully constructed story of the life on an Everyman/woman. Highly Recommended.
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One of the more interesting chapters deals with the battle between a brilliant researcher in Houston named Stanislaw Burzynski and the cancer industry establishment. Members of the establishment are portrayed as favoring the use of patentable chemicals or synthetic drugs over any natural methods of treatment , such as that pioneered by Burzynski.
In discussing the cancer establishment Moss explains the make-up and activities of the Memorial Sloan-Kettering Cancer Center, The American Cancer Society, The National Cancer Institute and The Food and Drug Administration.
My experience in reading this book has left me with even less trust in the people and organizations responsible for waging this country's war on cancer.
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Sure, Japan Inc isn't so scary any more. Yeah, we're proving now (January, 2002) that we can take on radical Islam and win. OK, so our military isn't quite as hollowed-out as we'd feared. And maybe we're still the tech kings of all the known universe.
That still doesn't make this book any less scary or fun to read. The reason? It's just really well written, with living, breathing characters you really will care about. That's why Ralph Peters has a shelf life ten times that of Clancy -- and I'm a Clancy fan.
Oh, plus a techno-thriller second half that will keep you up all night.
Despite some of the themes being dated (written in 1990; the USSR exists in 2020 (sort of) AND the Japan as the enemy), the book was one of the first to take a hard look at the end of the cold war and its effects on islamic fundamentalism and the chaos in Central Asia (a common thread throughout many of his novels.) It also looks at the peace dividend and how these so-called savings get deferred to the butcher's bill.
The WAR in 2020 strikes a somber tone and does not come off with a triumphant flourish where the heroes get the medals and all the bad guys get theirs. The ending leaves you wondering what the [heck] everyone died for--unfortunately, it ends like most wars. Don't get me wrong, this book is an exciting novel with its fair share of action, but it does not cop out with a comic book ending that wraps up everything in a neat package.
This is a military fiction novel for thinking adults.
A Personal Commentary:
Ralph Peters seems to me, an under appreciated author. He is not as popular as Tom Clancy (they both showed up in the mid 80s) but I find him to be a literary and philosophically superior author. I think that Ralph does not constantly the sales Clancy does because he does not go near the nationalism trap that Clancy has fallen into. I hope that he continues to write more novels.
The book is dated, ( with recent events in terrorism in the world) but still comes across as a plausible story.
I am looking forward to reading more of this author's work.
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I have had this book in my classroom collections as a K and 1st grade teacher for several years. It is a book which remains out all year because the children are driven to the subject, simplicity and illustrations. A good buy!
"Devil's Garden" tells the story of a young American kidnapped while working for a relief program in that troubled region. Because Peters' victim is the daughter of a US senator, consequences of the kidnapping go far beyond local problems and feed a growing maelstrom that threatens to destroy order already fragile with the collapse of the USSR. Among the unlucky Yankees caught up in the chaos are the Islamic fundamentalists who carry-out the kidnap, the local chieftains who can't be sure what their own role in the kidanpping is, the American intelligence officer sent to lead the rescue, his lover, her husband, the republic's leaders ready to tear their oil-rich state to shreds and an army willing to battle anybody to the death - if they can just learn how to shoot. As a good indicator of the managed chaos, our hero, the aforementioned intelligence officer, tries to determine who would kidnap the senator's daughter by trying to find who's responsible. Bit with the fate of the tiny asian republic's oil at stake, and the militant forces welling up in the population, it's soon clear that nobody is responsible for anything. Peters manages this chaos well. something I appreciate through all of Peters books is his resolute reluctance to point fingers and lay blame - his charachters do that, but are compensated with well nuanced faults that make their objectivity suspect. The guerrillas are fearsome, but not the murderous, callous warriors of god we've seen in other books (or on CNN for that matter). The region's warlords, despite sparking a war that threatens to explode beyond their own borders, are just greedy and - in a masterful anti-climax occurring when the factions meet - go at each other much as the corporate directors in a hostile buy-out. One wonders how the directors of Time-Warner and Disney would have settled their cable-disputes if they had to fight with guns and soldiers instead of lawyers, bloated stock prices and otherwise empty content. The biggest revelation is the hero himself, who, despite being an expert on the region, is actually more lost than any of his fellow Americans. It's all chaotic, but Peters keeps the novel from falling apart and the chaos only adds scale to a blighted country and those who live there and are set on destroying it.