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The book is large in format (so a bit awkward to travel with) and the design of the book is mediocre -- headline fonts are quite unattractive.
I would only recommend this book to those with a deep interest in religious architecture and architectural decoration in Mexico.
This is Richard Perry's fourth book in a series of illustrated regional guidebooks from the Espadaña Press capturing the unique quality of Mexico's colonial architecture. In 'Blue Lakes' we accompany the author on a winding journey across a broad swathe of west central Mexico that includes the states of Michoacán, Jalisco, Guanajuato, and Querétaro.
We are first introduced to some of the key historical figures of the 16th, 17th, and 18th centuries, such as Bishop Vasco de Quiroga and a small group of architects whose names become more familiar as we encounter their work through 272 pages.
Special attention is given to the major colonial centres such as Pátzcuaro, Morelia, Guadalajara, Guanajuato, Querétaro, and San Miguel de Allende, with observations that will enrich any walking tour. The surrounding landscape is also dotted with colonial gems, many of them given little distinction or ignored completely in many guides. Here, less well-known towns ("off the beaten track") are equally well accounted for, and there is a welcome chapter on the missions of the Sierra Gorda in the state of Querétaro. The scope of this large format paperback is comprehensive, and the text is accessible, engaging and peppered with fascinating and sometimes surprising details. But what makes this guide special are the author's own precise line drawings that compliment the absorbing text - more than 200 of them in all. Thus not only does Richard Perry deliver us a fine piece of travel writing but his architectural drawings make their subjects far more vivid than the photos in most conventional guidebooks - in short he is the perfect guide and the book, an excellent companion to any journey to Mexico's colonial heartland.
As well as being ideal for those intending to spend a week or two in the region on a cultural holiday, if you are more knowledgeable about the colonial treasures of central Mexico, then this also becomes an indispensable reference book. I myself was very grateful for the two-page glossary at the back.
On my visits to Mexico I'm inclined to head straight for the nearest market to get my senses bombarded with colour and exotic aromas - or perhaps I might get diverted by a craft shop. Reading this guide, I've made myself a promise: to willingly retrace my steps; where before I skipped passed a church, 'looking but not seeing' (or being able to interpret) a splendid carved facade or nipped inside but missed a mural or ornate altar, in future I will pay more attention, ponder where before I would have barely paused, and generally be more open and receptive to this important chapter in Mexico's rich history.
Thank you Richard Perry. Highly recommended.
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Perry graphically demonstrates that WW II affected everyone on a very personal level and that symbols of the war and patriotism thoroughly permeated society. Particularly poignant were the reminders of how the role of women changed during the war, how the population dealt with common experience of rationing and the personalization of instruments and the environment of war with reminders of why one was fighting (pictures and fanciful images of "the girl back home". Finally, the book reminds us of our own government's propaganda during the conflict. While brimming with nostalgia, this book plays an important role by illustrating how 60 years has changed the country's united response to military conflict.
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The story is of a woman, Scheherazade, who marries a king. The king's custom is to spend one night with a woman and execute her in the morning. To avoid this, Scheherazade tells him a tale, but leaves part of it unfinished, thus gaining the king's interest and insuring her survival for another day so she can finish the tale. Being clever, she never finishes it, but keeps it continuously going, until the king finally spares her life.
The stories presented here, though often somewhat crude, have great moral lessons to be learned. The serve as a sort of moral reminder as to how a good person should act.
When Richard Burton translated the Nights, he collected as many manuscripts as possible and pieced together the tales. Many had been created centuries earlier, and were often told during gatherings among friends. Burton, through his unparalelled knack for translation, managed to capture all the magic and mystery that are the Arabian Nights.
Besides the delightful stories and good lessons to be learned, the Nights serve another purpose--they provide an intimate look at the culture of the time. By examining their legends, one can gain a basic understanding of how Arabic culture functions. There is as much to be learned about the people who tell these stories as there is from the stories themselves.
I read this book for historical and cultural value, and found it to be abundant in both. Besides that, though, I encountered a mesmerizing set of tales which will be entertaining to any audience, even (after some revision and editing) children.
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In my opinion, though, Ronald N. Truco's book did far better here than it deserves.
The subtitle of the book is "A Profile of the Hunter and the Hunted." Add "and the Story of My Life" to that. After suffering through 37 pages, I could not stand to hear any more about why Turco became a psychiatrist, why or how he became a cop, or how close the police brotherhood is. I thought I was getting a book about criminal profiling; instead I seem to have stumbles on an autobiography of someone who happens to have been involved in some interesting cases - and it's a poorly written autobiography at that. The theme wanders all over the place, the author makes questionable claims ("The organized serial killer was originally an FBI concept, although I developed the idea in 1968 when I worked on a series of San Francisco homicides"), and frankly, I really don't care about a snowball fight Turco had with his brother Salvy. I want profiling, criminal minds, and investigation, as the book jacket promises.
Another reviewer wrote, "This is a highly recommended page-turner, a real psychological suspense-thriller." I have to disagree. The only page-turning suspense I felt was wondering when we were going to get to the good part, and the only thrill I felt was finding the book for a few bucks instead of the shelf price of $14.95.
As a reader, I expect good writing, accuracy, and for the author to keep his promises. As a writer, I understand how hard it is to write a decent book. After giving Turco my full attention for 197 pages, I present this book to you, true crime reader, as evidence that some people should be writers and others should stick to their paid professions as lawyers, physicians, or pro football players.
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