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This is not a light read. This is a long, dense novel, but I found something fascinating on nearly every page.
"Middlemarch" was Eliot's attempt to describe a pre-reform English country town. Within the novel we run across the typical characters like the wealthy land owners, clergymen, polticians, etc. The book primarily revolves around the actions of two families, the Brookes and the Vincys.
The main characters are Dorothea Brooke and Tertius Lydgate, a newcomer to Middlemarch. Dorothea has an independent mind at a time when women were supposed to be openly subservient to men. She intends to do much good in the world and is constantly drawing up 'plans'. Lydgate is a physician who wants to make improvements in the medical field. He has a solid idea of what he wants to do with his life and how to accomplish it.
Through these two characters, Eliot presents the frustrations and joys to which we can be driven because of an idealistic mind. Both Dorothea and Lydgate are idealists. Both encounter many trials because of their idealism, trials that they overcome in their own ways.
In "Middlemarch" Eliot also makes a statement about marriage. Dorothea and Lydgate's problems stem almost entirely from bad marriages. They each go into their own marriages with distinct impressions of how married life will be and both are very disappointed when the reality of the situation becomes obvious.
"Middlemarch" is one of those novels that it is difficult to explain why one likes it. The plot is predictable, the characters are unexceptional, and the time period isn't particularly interesting. However, Eliot has constructed a masterpiece with this novel that few have matched. Perhaps the genius of George Eliot is that she could do so much with so little.
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I think that what should be taken away from 'Titan' is that John D. Rockefeller was neither an angel nor a demon, but like most people, had a complex personality that included self-directed rationalizations for his actions. Granted, the scope of his accomplishments was wildly different from most peoples', but in the end he was like any other person: eager for success, concerned with the well-being of his family, and full of his own personality quirks and contradictions.
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However, there are several points that make this book somewhat unappealing from a practical perspective.
First, note that it was written by 15 different authors. This incorporates many different writing styles, making it unwieldy. The previous edition was written by 8 people. Do not attempt to use either book as a cover-to-cover tutorial.
Second, the code examples are written almost exclusively in VBScript, although the book acknowledges that Javascript (also known as JScript) would work just as effectively. From a real-world perspective, I have found that many ASP programmers prefer to use Javascript for both server-side and client-side development.
The use of 2 scripting languages in one application is simply impractical. VBScript persists mainly because it is a Microsoft invention, as is ASP itself. However, Javascript (or ECMA Script) has become the industry-standard scripting language for web-based applications.
Another issue with the code examples is that they are not line-numbered. For short examples, this is not an issue. But for larger code modules (as one would encounter in the real world), line-numbering is considered part of best practices in explaining and debugging code before it is deployed.
For readers with any ASP background, this book would be a useful desktop reference. Carrying it around in your briefcase may cause lower back strain.
a book on developing web applications using Active
Server Pages 3.0. This book goes in depth into
developing web applications with discussions and
examples on advanced topics such as, CDO/Microsoft
Exchange Server, ADO/Microsoft SQL Server, and
ADSI/Active Directory. Homer presents the reader with a
wealth of information on advanced enterprise level
topics based on Microsoft technologies. This book is
excellent for intermediate/advanced users who wish to
learn about Active Server Pages using Microsoft
technologies, however due to the fact Homer does not
goes in depth with fundamentals of programming Visual
Basic Script, this book should not be recommended to
novice developers.
Throughout the book, Homer discusses the importance of
COM/COM+ and what that technology can do for your web
application. He writes examples of a COM+ component in
Visual Basic and shows the user how to register/load
the component into memory along with utilizing the
functionality of them in an Active Server Page. Homer
further explores the features of Windows 2000 by
introducing the features of Active Directory and
explaining/demonstrating how ADSI can connect an Active
Server Page to the Active Directory. The book goes into
further detail on enterprise level topics by discussing
how CDO interfaces with Microsoft Exchange Server.
Using CDO, a developer can access all of users Exchange
account information including mail, contacts, calendar,
etc. The book ends with performance and security issues
for web applications running on a Windows 2000 Server
and how an administrator should configure a Windows
2000 Server for maximum performance and security.
The software/technologies the book uses are based on
products/technologies developed by Microsoft. Since
Active Server Pages is a Microsoft technology, it would
be reasonable to use only Microsoft
products/technologies. However, in the real world, many
businesses have heterogeneous environments with Oracle
database servers and JavaScript web developers. The
fact that this book only exposes the reader to vendor-
specific technologies could be a down fall, however
creates a centralized focus for the reader.
This book covers a wide spectrum of advanced knowledge
with Active Server Pages, however is completely based
around Microsoft technologies. Several other authors
composed this book, which helps the reader get a
dynamic flavor of knowledge from chapter to chapter as
one can see. Any intermediate/advanced web developer,
interested in enterprise web application development,
should purchase a copy of this book for reference
purposes.
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The only reporter brave, or stupid, enough to face the professor's wrath and get the story is Edward Malone, young, intrepid journalist for the Daily Gazette. At a boisterous scientific meeting, Professor Summerlee, a rival scientist, calls Challenger's bluff. Summerlee will return to South America and prove Challenger wrong. The young journalist volunteers to go along. Lord John Roxton, the famous hunter, can't miss an opportunity to return to the jungle and adds his name to expedition. Professor Challenger is happy they are taking him seriously, even if they don't all believe him. But what will they find in South America? A strange, living time capsule from the Jurassic period filled with pterodactyls and stegosaurs? Or will they only find vast tracks of endless jungles and Challenger's daydreams? Either way there will be danger and adventure for all.
Sir Arthur Conan Doyle wrote "The Lost World" in 1912 for the Strand magazine, the same magazine that published his Sherlock Holmes stories. It's a great Edwardian science-fiction adventure, although some may not like the British Imperialism and Darwinian racism. Still, in "The Lost World" Conan Doyle lets his hair down a little. Changing narrators from the earnest Doctor John Watson to the rash reporter Edward Malone makes for a big change. There is a good deal more humor. The students in the scientific meetings are forever yelling out jokes at the expense of nutty Professor Challenger. Affairs of the heart play a big role in Malone's life. He matures from a young swain out to impress his girlfriend to more of a wistful man-of-the-world by the end. It is a very different Conan Doyle than some are used to reading. Different, but just as good, maybe, dare I say it, even better.
Doyle's human characters are described much more richly than Michael Crichton's minimally interesting protagonists in Jurassic Park (1990), so the story hinges as much on Challenger's eccentricities as it does on dinosaur attacks or Ned Malone's quest for validation of his masculine bravado. A weakness is the lack of female characters worthy of more than passing note. Ned's fickle and heartless girlfriend makes only brief and displeasing appearances at the beginning and end of the tale. Crichton does no better with females.
Hopp's Dinosaur Wars, published in 2000, does a much better take on genders, giving equal weight to a young male/female pair who brave the dangers of dinosaurs loose in modern-day Montana. It seems that even dinosaur fiction has evolved over the years.
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This book's probably got a niche market in the same way that Christopher Morley's wonderful turn-of-the-century bookstore-themed mysteries did. You're going to get a lot more out of this book if you've ever trod the bibliophile's path yourself, or at least have some other kind of collecting bug in your bonnet. Otherwise, you might do well to avoid this one.
Okay, now that we've got rid of the riffraff, let's get down to brass tacks. This is a great little mystery that introduces us to Cliff Janeway, a Colorado cop who dreams of retiring from the force and opening his own rare bookstore. It doesn't matter that every other shop on the street where he wants to open his is a rare bookstore; competition doesn't apply to the types of folks who frequent rare bookstores. After all, most every copy of a rare book is different, and this gang is usually looking for that one specific typo that sets edition A apart from edition B and wants printing X; so many variables everyone's bound to hve different stock. But Janeway's bookstore dreams are a background to the novel, which is above all a mystery. There are two plotlines here. The first concerns the murder of a bookscout, onje of that class just up from the homeless who make their living buying books at Goodwill and selling them to people who know what they're worth. The second concerns a rather nasty person that Janeway's been trying to nab for years. Due to the American system of justice, the guy keeps evading capture. Everyone else in the novel wants to combine the two; they're convinced the nasty type did in the bookscout, and everyone's happy. Everyone, that is, except our fearless narrator. Things get out of hand. Complications ensue. If they didn't, it wouldn't be a mystery novel.
Where Dunning excels here is in the balance ebtween the book talk and the mystery talk. Separating the two out would make for a passable novel about the book trade (think Penelope Fitzgerald's The Bookshop as told by Mike Hammer) and a passable mystery novel (think My Gun Is Quick as told by Penelope Fitzgerald). Neither side suffers from the inclusion of the other, something which is rare indeed among novels that attempt to blend two such disparate streams of thought. Add to this Dunning's eye for detail-- the only stones that remain unturned are those necessary to set up the idea that these characters will continue on into other novels (a second Janeway novel, The Bookman's Wake, has already been published)-- and you've got a fun little read. It's not earthshaking, it doesn't break any new ground, and it's a niche. More people remember Agatha Christie than Christopher Morley, too, but that doesn't make Morley's books any less wonderful. As Morley, so Dunning. Highly recommended for those who find themselves in the first paragraph of this review. *** 1/2
The author made his characters thoroughly believable & thoroughly likeable. Mixed into this well written mystery are details about collectible books woven skillfully into the story.
A friend loaned me the paperback and I enjoyed it so thoroughly that I ordered the hardcover available on Amazon -- the book is that good! Buy it, if you love books as much as I do, you'll really enjoy and treasure this book!
But then there's the unique twist that makes what could have been merely a good series into a fascinating one : Cliff Janeway is a bookman. He collects first editions of American Literature, with a particular interest in Faulkner, and in recent years has given increasing thought to becoming a book dealer himself. Ultimately, when circumstances force him to leave the police department, he does indeed open his own store, Twice Told Books.
Without taking anything away from the book as a mystery, it really derives it's energy from the world of book collecting. The book is set in 1986, so the prices cited must be hopelessly outdated, but when he talks about first editions of Stephen King's novel Salem's Lot going from $10 to $100 in the space of just ten years, that's an attention grabber. It's especially interesting that the books of horror authors like King and popular authors, like Anne Tyler, have already increased so much in value. I recognize that normal people don't spend the amount of time that I do looking for good, cheap books, but I guarantee that as you read about the details of book collecting, you'll be glancing up at your own bookshelves to see if your's are first editions (with the dust jacket, and not Book of the Month Club editions.)
Thanks to this unique angle and the character filled bookman's subculture in which it's set, this is one of the better mysteries series of recent years.
GRADE : A
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My advice to people who haven't read it is: by all means, read it, learn something about history and the human spirit.
Now for the oddities:
1. Maybe this was symbolic and I just glossed over it, but several times in the book, drivers (including the protagonists) are squashing with their vehicles animals who have the misfortune of using or crossing the road they use. Well, that was kind of strange I thought.
2. Why Connie left Rosasharn is sort of a mystery. She was pregnant for crying out loud. Was her constant carping about her wanting a house and nice things just driving him bug-s---?
3. Noah left and was never heard from again. I suppose you could argue that this was symbolic of a family disintegrating and how they dealt with it.
4. Now the really odd thing. It ended at a weird spot. Not much closure. I had to check to make sure pages weren't torn out of this old paperback. Wonder if other reviewers thought that was kind of dissatisfying....?
This is the powerful story of the Joad family, "Okies" who are forced from their bank-foreclosed farm during the depression.
John Steinbeck's writing is sheer literary art. There is beautiful description, incredibly realistic dialogue, and a compelling story that captures the heart and seeks out the very core of one's conscious. And the beauty of it is that it's thoroughly understandable. The eloquent writing and flawless story can be savored by anyone from a junior high school student to a PhD.
The book is also innovative, intertwining short chapters that capture the plight of the dispossessed with longer chapters that follow the long road traveled by the Joad family to California. This is accomplished without at all disrupting the flow of the story.
No wonder that this book won the Pulitzer Prize and was the key work cited for Mr. Steinbeck's Nobel Prize.
It's a mighty piece of literature.
The device of alternating chapters between the tale of the Joad family and descriptive narratives of the society around them only strengthens things. This is no academic, dusty view of history; this is reality, as people lived and thought and experienced.
The human attachment to the soil, the desire for home and community, the struggle for social justice, the tyranny of property, the myth of the Promised Land, the hope and dreams of a new life - there is something here on every level, the social, the spiritual, and the emotional.
The beginning of the novel is a bit slow, but it slowly picks up momentum as it travels west. By its end, one cannot but be riveted by the Joads and the struggles they endure. And one can feel the grapes of wrath building, the knowledge that some way, somehow, the human will to survive can never be defeated.
But, despite its clear social messages, this is not a political tract. The novel's ending takes one of the most intimate of human actions into a bare, stark necessity. Eroticism, motherhood, generosity, desperation - what is it? We cannot tell for sure, but we know only that it is human. The most horrific of our trials only serve to bring out our humanity. A haunting and unforgettable message.
The main reason I liked this novel is because of the way the character Grendel relates to people in today's society. He is very life-like and because of his compassionate views, he is easy to relate to. There is a well-developed theme that is implied to show us how powerful human emotions can be and what they can cause individuals to do. Grendel is a very original novel, and I highly recommend it.
In the poem Beowulf, Grendel is a very flat character. He is, in fact, the epitome of evil, unfeeling and cruel. He comes, he kills and eats people, he leaves. Then he comes back. This book gives Grendel a personality. He knows he is a member of the fallen (Cain's) race, and accepts that fact. He is lonely, and cannot even get companionship from his mother, who has long ceased to communicate. In fact, his only real 'friends' are the Danes he kills. Still, he knows he is dependent on Hrothgar's survival. 'If I murdered the last of the Scyldings,' he muses, 'what would I live for?'
This book gives excellent insight into the character of Grendel, and will definitely change the way you look at the poem Beowulf. Gardner's Grendel is a creature who determines to kill Beowulf for the honor of Hrothgar, so that his thanes will not have been outdone by a newcomer. I highly recommend this short work for anyone interested in the great old English epic.
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