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Beautiful pictures!
I read the entire book in a day and it was time well spent!
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The above sentence comes from arguably the best of the twelve essays contained within this book, Christy Desmet's "The Canonization of Laura Palmer." She makes some extremely insightful points, but to reach them, you have to wade through pretentious written-with-thesaurus-in-hand idiocy like the preceding paragraph.
In general, those expecting to find opinions on what the Red Room really is, or whether coffee and cherry pie are a metaphor for something deeper, will have to parse through endless masturbatory babble, and for the most part will be ultimately disappointed by the lack of any revelations about the show itself (one notable exception is Angela Hague's interesting "Derationalization of Detection," which delves briefly into what actually happened to Cooper in the Black Lodge).
Some essays, such as Jonathan Rosenbaum's "Bad Ideas..." might simply be re-titled "Why I liked Twin Peaks," as it comes off more like high-brow film criticism than anything else, revealing nothing about the show other than why the writer thought it was good. Ditto Marc Dolan's essay "The Peaks and Valleys...", which contains only speculation as to why the show might have lost its audience. Henry Jenkins' is awful, doing nothing more than chronicling ultimately irrelevant discussions on alt.tv.twinpeaks while the show was airing.
A few of the feminist writers are equally terrible for different reasons. Martha Nochimson's "Desire Under the Douglas Firs..." had potential to be very interesting, but went on a "phallocentric" tangent, and from her we read insights like "The phallic nature of the thumbs up sign, and the phallic incapacity of the Old Bellhop, who cannot stand up straight, are complemented by the visionary presence of The Giant, a phallic presence, as emphasized by the visual foregrounding of The Giant's crotch. (153).
In addition, I fear, some of these writers seem to be a little out of their depth, and readers who are specialists in any of the fields contained within might be able to find numerous mistakes. For instance, in the essay about music (my own area of specialty) Kathryn Kalinak misidentifies leitmotifs, writes musical examples in the wrong key AND mode, and generally reveals herself to be musically illiterate. She also assigns import and symbolism to things that deserve none. She notes that in one scene, "a country and western selection on the jukebox mysteriously disappears for Shelley and Norma's entrance only to reappear a few moments later," citing this as proof that Lynch is trying to make us aware of the line "between illusion and artifice." Nonsense. It was an editing mistake. I could wax philosophical that the chess game between Cooper and Earle (which contained impossible positions/illegal moves) was Lynch trying to symbolically demonstrate any number of things, but it was really just Lynch being lazy, and that's fine.
The essays alone really only merit two stars, but following them "Full of Secrets" has several excellent appendices which contain writing/directorial/acting credits, a Twin Peaks calendar of events, and a complete scene breakdown from the pilot through FWWM, all very well done and useful.
For the rest of the book, well, you've been warned.
Take a mesmorising trip through the fantastic of "Twin Peaks" or go looking for clues to unlocking its strange mysteries - this book will give you all the leads. So whether you are into exploring doubling, postmodern culture, detective fiction, the fantastic, or merely the world of David Lynch, I strongly recommend getting a hold of this book. An amazing a thorough read - even better than the otherwise strong "Weirdsville USA"!!!
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While not exactly "revolutionary," as the title suggests, Power Sleep will enlighten you with the facts on a subject so many people know so little about (but *think* they know enough about). Unfortunately, the people who would benefit most from reading Power Sleep (for example, frequent business travelers, or supervisors of night-shift workers) often don't know what they don't know about the subject of sleep, and will therefore never read Professor Maas' very worthwhile book.
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However, this book is absolutely brimming with useless facts, like an excerpt from Andrew Packard's will, a ten-page section on Packard Sawmill (oh, thrills), Washington State history, first explorers, Native American tribes, flora, fauna, geology, weather, and a bizarre advertisement for Tim and Tom's Taxi-dermy (one part blind taxi driver; one part taxidermist). Even if you condensed the more important stuff, it would never reach the current 112 pages, but less than 1/4 of that, if that much.
I wouldn't consider this book necessary reading, even if you are a Twin Peaks fan; but if you love to collect Twin Peaks stuff (like I do), then you might consider buying this book. Even so, Twin Peaks fans looking for info on the series will more than likely be disappointed, because this book reads more like a boring tourist guide or junior high history textbook than a TV tie-in. I'd recommend checking out "Welcome to Twin Peaks: A Complete Guide to Who's Who and What's What" and/or "Twin Peaks: Behind the Scenes" instead.
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