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Yes it put me to sleep because reading about rock and millenia of dirt moving is tiresome.
But what I absorbed made me look at yellowstone in a new way. The book was quite clear-and I could see and easily understand how Americas greatest monument to beauty was madeof millions of years.
It's like seeing the Louvre after taking an art class. The paint on canvass comes alive with history and meaning.
So too if you read this.
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As Ansel Adams reminds us, "The National Parks, are, indeed a phenomena of an advanced society . . . ." When Yellowstone was established by President Grant in 1872, it was the first national park in the history of the world. Since then, we have been in a race between despoiling our wilderness environment and retaining some of it in national parks. The challenge is heightened by the pressures to commercialize and increase access to wilderness areas. How many people should visit Yosemite each year? These are the questions that Ansel Adams anticipated and helped us address. These questions are even more relevant and important today than when he first raised them. "Possessions, both material and spiritual, are appreciated most when we find ourselves in peril of losing them."
"There is a constant erosion of the concept and the reality of wilderness." Unfortunately, Adams was much more successful as a photographer than in achieving his environmental vision. Will his final epitaph of the future be of someone who captured images of what does not exist any more? I certainly hope not.
I recommend the preface by William A. Turnage very highly to understand Ansel Adams' vision and its effects on our society. The preface also contains a delightful section by Nancy Newhall on what it was like to be Ansel Adams' assistant for his dawn photography treks.
This book contains much more written material by Ansel Adams on conservation and the national parks than in any other book of his photographs that I have seen. I enjoyed reading about his ideas, and they helped me understand his photography better as well. He is trying to show us "the clear realities of Nature seen with the inner eye of the spirit [to] reveal the ultimate echo of God."
As I mentioned in the title to this review, the publisher put these images on pages that are too small to capture the detail of Adams' work in most cases. In fairness to the publisher, I should also point out that remarkable efforts have been made to reproduce these images well in the small format. Compared to other small reproductions of these same images, these are by far the best I have seen.
Some compositions in fact succeed in overcoming the limitations of the page size. These include:
Cliff Palace Ruin, Mesa Verde National Park, Colorado, 1941
Leaves, Mount Rainier National Park, Washington, 1942
Forest, Early Morning, Mount Rainier National Park, Washington, 1949
Leaf, Glacier Bay National Park, Alaska, 1948
Forest, Beartrack Cove, Glacier Bay National Park, Alaska, 1949
Teklanika River, Denali National Park, Alaska, 1947
Mount McKinley from Stoney Pass, Denali National Park, Alaska, 1948
Cinder Cone in Crater of Haleakala, Haleakala National Park, Hawaii, 1956
Mount Lassen from Devastated Area, Lassen Volcanic National Park, California, 1949
Mount Clarence King, Pool, Kings Canyon National Park, California, 1932
Many of the other photographs will be familiar to Ansel Adams' fans. If you have seen them reproduced in larger sizes, you can use your memory to add the missing detail. In this size though, the details being indistinct is like erasing chapters from a novel. Adams often accentuated reflections of details between different natural features in his compositions. When some details are obscured in small size, the reflections thus are not available to stimulate your mind.
In keeping with the spirit of Ansel Adams, I suggest that you consider becoming active in organizations (like the Sierra Club, which Adams belonged to for many years) that fight to save wilderness areas. If your great grandchildren are ever to experience the spiritual cleansing of the wilderness, we each must act now.
"Solitude, so vital to the individual man, is almost nowhere."
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The description of individual cabins and here settings were of particular interest to me. As a new camper, I found this book very user friendly.
I am a very avid camper and hiker, and I travel all about New England, New York, PA, and VA to camp. Before doing this howerever, I always consult Bailey's book (if he has one for that state) to find the park with the shadiest and most private campsite and the steepest trails. His detail about the individual campsites are very valuable to me. He also includes detailed descriptions about the park trails, but he does a better job about that in most of his other books. I also find his maps and the charts at the end of each region very helpful.
The only real downfalls in my opinion is that his photographs arent very good, and he dosent go into detail about every park in the NYS park system, but oh well. The information he provides I find to be very valuable. Buy this book; I guarntee you'll find a park that suits you!
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Three pieces use the music from the main theme: "Journey To The Island," "Theme From 'Jurassic Park'," and "Welcome To Jurassic Park." Incidentally, I found these three to be the most rewarding to play on the piano. "Journey To the Island" is my personal favorite and is magical to play.
I give this book four stars because I know it could have been much better. There's only 32 pages here, and of those pages only 25 of those are sheet music. The front of the book has photos from the movie which are superfluous. I have no idea why publishers put movie photos in soundtrack music books. I think people who buy such books are probably familiar enough already with the movie. The extra space could have been used for more music pieces instead. On the "Jurassic Park" soundtrack, 16 tracks are included. This book only has 6 of those in sheet music form, and generally speaking those 6 are the more mellow of the songs. I think it would have been interesting to include some action pieces like "The Raptor Attack."
The pieces are at least intermediate in the level of difficulty, but they are very rewarding to play on the piano (I will give the publisher some kudos for releasing this as a piano solo edition). I highly recommend this book for piano players who like the "Jurassic Park" theme music.
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What Mr. Honan does do, however, is construct in detail the setting for what facts we do know about Shakespeare's life. Even if we lack many of the basic facts of Shakespeare's boyhood, for instance, we know what Stratford was like, and we know what kind of lives boys in Stratford led. Mr. Honan lays out this setting, gives us the known facts about young Will, contents himself with making the occasional relatively safe guess, and leaves it at that.
Despite the fact that Mr. Honan's book is mostly setting, with a fairly scarce plot, it's a good read, flowing well and entertaining. Your study of Shakespeare should start here.