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Typee struck me most by its pictorial quality and sumptuous imagery. In Omoo, however, Melville shores up his powers of characterization, creating a fine supporting cast of individuals.
If you are only familiar with Melville's later work, you will be surprised by the wry sense of humor Melville flashes throughout. Detailed descriptions of practical jokes, drunken brawls, and cultural faux-pas will make you smile, and sometimes laugh out loud. Certain passages are actually a riot!
Also, in this novel (as compared to Typee), Melville's intrusions into the narrative are less glaring than they are in the previous novel. Yes, some of the diversions take the steam out of the narrative, as in Typee, but these diversions oftentimes give necessary exposition to illuminate characters' motivations.
The beginning of the novel effectively captures the claustrophobic atmosphere aboard a whaling ship, and the crew are indeed a motley lot.
Though you do not have to read Typee before you read Omoo (although the first page of Omoo is, literally, a continuation of the last page of Typee), I recommend you read both in conjunction. Be prepared to absorb a beautifully rendered atmosphere, describing the life of two roving beachcombers in the South Pacific in the early 19th century.
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Omoo means a rover or one who wanders from island to island. Thus the title fits the feel of the narrative, but also points out a shortcoming as the book roves too much. We are taken from situation to situation a bit too abruptly. There are many characters and events that are introduced, but usually only on a superficial level. I would have liked more in-depth analysis from Melville as many of the characters were just that--characters. Also there are many, for me, unknown nautical terms used that made the reading hard work.
However, enough of the stories give you the sense of being "omoo", especially in a time vastly different from our own, that I recommend the book, even with the many sections that make you plod.