I am not a very big reader. I read this book and fell in love with it. It has a lot of everthing:romance, comedy,and pure poetry. After reading the story, my class and I put on a play of this book, everyone enjoyed it of all ages. So if you are not a big reader like me read this book you will change your mind.

This edition was very helpful to me because I didn't always understand what the original text meant, so reading the modern version right after the old version was very helpful. The book was one of my favorites - it's such a comedy! The characters are so unique and interesting. I definitely reccomend this book to everyone - it's short and doesn't take long to read, but so lasting and classic!

It was a riveting and classical masterpiece with an enchanted twist of creative and whimsical imagination.A timeless tale!

pretty helpful book, as a basic study aid, worth the price. i liked it.

I used P&K to supplement my casebook and class notes, and it guided me to an A- in torts. It's a great tool and a great read. However, it does have certain limitations: the final edition was published in the late 80s, so it does not provide much guidance on product liability, infliction of emotional distress and other emerging areas of tort law.

P&K gives you something that year 1 of law school sorely lacks: a context for the fragments in your case book. Its treatment of Palsgraf is particularly beautiful.

And since Prosser so strongly influenced tort law, you can be confident that you are getting good information. Some of my classmates used commercial outlines and they often worried about whether they could trust the material. No such problems with P&K; it was on the money all the time. And when there was a contradiction between P&K and my textbook, I was able to go to my professor and ask her about it. Try doing that with a commercial outline.

P&K is not merely fine reference tool; it is a genuine work of literature. I love it, and I highly recommend it.

. . . and one you should probably acquire for your law library at some point; its explanations are clear and lucid, and it's probably the single most-cited work on torts apart from the Restatement (Second). However, if you're a One-L looking for a study aid, there are a couple of things you should be aware of.

First of all, the most recent edition of this text dates from 1984. That means quite a bit of it is at least slightly out of date, and some of it is massively so (particularly in the field of products liability). For a more up-to-date hornbook, consider Dobbs. (I bought and used both.)

Second, when your torts professor talks about "black-letter law," s/he's not talking about this hornbook or any other; s/he's usually talking about the Restatement (Second) of Torts (or, in products liability, the Restatement (Third)). As much as I like hornbooks (and I am emphatically not a fan of the "casebook" approach), I have to say that if you want to get _one_ text to supplement your casebook, you should pick up _A Concise Restatement of Torts_ from the American Law Institute. And, ideally, you should memorize large portions of it.

Of course, you can do what I did: buy all three. It's a great investment, and it will pay off in your studies; Prosser and Keeton provide much helpful discussion of points that Dobbs treats more briefly, and the Concise Restatement is much easier to understand once you've digested the hornbook(s).

At any rate, this _is_ a classic text and you shouldn't go without it for any longer than necessary. Just be aware of what you're buying and set your priorities accordingly.

I was pleasantly surprised when I received this book. The pictures are nice and clear and seems organized well. Even though it has information about hundreds of roses, it seemed to missing a few of what I thought were fairly popular roses. All in all it's a good reference book for the beginner.

For a book to have as much color photography as this book does for under $... is truly amazing. I have done much of my rose garden by year of introduction and have found this book extremely useful. I do searches on internet sites or rose lists, and then locate the roses in this book to see what they look like, as well as other tidbits of information such as disease-resistance, repeat-bloom, hardiness etc. The book does include year of introduction in its summary, but lists the roses alphabetically so one can easily find them. I also noticed the index in the back of the book lists many roses by their synonym names which is helpful when another source you are working with calls the rose by a different name.

Very little information in terms of how to care for a rose exists in this book. You will have to purchase other books for that. There is only so much information one can pack into a book and still keep it portable!!

A beautifully illustrated and fact-filled book on the myriad of extraordinary rose cultivars. The book is a feast for the eyes and truthfully a bargain for it's price considering that most books cost more and do not even approach the detailed information and unbelievably beautiful photos of hundreds of cultivars. This book is replete with cultivars from landscape roses, hybrid teas, floribundas, miniatures, species roses, and even vines.
They are all covered and fully illustrated!!!! A true encyclopedia for the rose afficianado that one will enjoy looking at over and over again!!! It will help you find that perfect rose for your landscaping needs. I hope you enjoy this book as much as I do. :-)

In 1938 the 2,000 page diary of William Johnson of Natchez, Mississippi was discovered along with numerous other personal and legal documents. The widow of Johnson's grandson made possible the publication of the diary in 1951 which led to publication of The Barber of Natchez in 1954.

This book is relevant to the history of the U.S. because of its detailed, up-close portrait of one city--Natchez, Mississippi--in the antebellum period. Further enhancing the books value is that the barber, William Johnson, was a free Negro. And while Johnson had enough education to create an extensive, if not acute, sixteen-year chronicle, he could not foresee the impending cataclysm of Civil War, Reconstruction, and Jim Crow. Johnson's diary, therefore, is important because of its unvarnished, unintellectualized objectivity.

Johnson was scrupulously honest, but his integrity, while known by many, could not change the color of his skin. Neither would industry or imagination, both of which he possessed. He ultimately would dwell in a sort of nether-world between white society and slavery. And his disdain for the local white trash of Natchez reaffirmed his status as a man with no true place in the world. From birth he was banished.

In antebellum Mississippi true freedom was contingent upon skin color, although a modicum of freedom would be acccorded to a mulatto who aspired to live as a white man. It was this limited acceptance that Johnson pursued relentlessly throughout his short life. And his murder in 1851 was committed with naked impunity, as if Johnson had never been free at all.

Organized thematically by chapters covering every facet of Johnson's existence, The Barber of Natchez paints a vivid picture of everyday life in the Old South. While supplemented occaisonally with other primary sources, the book relies first and foremost on the diary of William Johnson, which is recreated with its imperfect grammar, spelling errors, and archiac slang. A daguerreotype of the diariest is reproduced and there are no maps or diagrams of any kind.

This is an excellent book for young readers interested in how congress works. Written very clearly and understandbaly, though this work is nearly two decads old, it delivers enough punch and drama to keep young minds focused on its pages.

With a thorough hisotrical background of the pages in congress and their evolution through time, one learns a great deal about the intricacies and intrigues of Washington and the demands and responsibilites of the pages.

If you know a young person who is interested in becoming a congressional page, this is an excellent book for them to read before sending a letter to your representative or senator. Find this book and read through it twice.

Teachers, this is a great resource to interest young minds in civics and government.

This play can be read as anti-semitic. In fact, it's pretty hard to defend it from such charges. Shylock is a pretty rotten character and the fact that he is jewish is difficult to overlook (particularly since the other characters mention it on pretty much EVERY page). However, I think it is important to mention that the "heroes" of this play do not necessarily have to be interpreted as heroes. They are by no means perfect and there are many subtle (and some not-so-subtle) instances within the text in which their biases against ANYONE unlike them is illustrated. If one reads the play this way, then Shylock becomes more of a tragic figure rather than an absolutely heartless villain. I don't know. My feelings about this are mixed. There are a few funny parts of this play and the language is, as always, beautiful. The theme of putting a price on human beings is one which has been explored numerous times since. Overall, it is enjoyable, but perhaps not so much so as some of the other comedies. Do not read this play without having read a few others by Shakespeare first. It is an excellent play, but not his best and not his most enjoyable either.

This is a wonderful play - and unless you have seen it or read it you don't know it at all. That's because everything the popular culture tells us about this play is false (for example; how many of you think this play is about a merchant named Shylock? ;-)

The Merchant of Venice is a lively and happy morality tale. Good triumphs over bad - charity over greed - love over hate.
There is fine comedy. Portia is one of Shakespeare's greatest women (and he ennobled women more than any playwright in history). There are moments of empathy and pain with all the major characters. There is great humanity and earthiness in this play. These things are what elevate Shakespeare over any other playwright in English history.

Plays should be seen - not read. I recommend you see this play (if you can find a theater with the courage and skill to do it). But if it is not playing in your area this season - buy the book and read it.

After reading most of the other reviews here, I am fully aware that most of the reviewers didn't read carefully enough (or watch carefully enough if they saw the play.) Now, I'm not saying its not open for different interpretations, but there is one thing I would really like to get straight.

I read MoV for a Bar Mitzvah project on Anti-Semitism. Naturally, my sympathies went to Shylock. However, even if i were Christian, i still would've favored Shylock. What many people believe is that Shylock is a cold hearted ruthless person and only wanted to get back at Antonio because Antonio was a Christian.

Not true. Shylock specifically says something along the lines off, "Why should I lend money to you? You spit on me, and call me a Jewish dog!" I'm not saying that Shylock was a good guy, but I am saying that he is not the villain.

In fact, the "Merchant of Venice," in this story is actually Shylock, not Antonio, contrary to popular belief. My thoughts on the story was that Shylock requested a pound of Antonio's flesh because he did not trust Antonio. Who would trust someone that spat on him? The fact is, Antonio doesn't pay him back in the end.

Now, there's always something else we have to put into consideration. Would the judge had given the "spill one ounce of Christian blood" verdict at the end if Shylock were not a Jew?

This is the mark of a great play. A play that really gets you thinking. But I encourage you, I beg of you, that when you read it or see it, please do not hold Shylock up to being a cold hearted villain. Hold Antonio up to that image. (joking, of course, Antonio's not a bad guy, he's just not a good guy.)

The Old Curiosity Shop certainly displays the hallmarks of the unstructured, free-flowing make-it-up-as-you-go-along type of story characteristic of Dickens's early novels. Indeed, it is rather generous to call it a story, and it's difficult now to understand the sensation it caused when it was first published. However, if a page-turning plot was all there was to it, very few of Dickens's novels would be readable at all. As ever with Dickens, the pleasure in reading this book comes from the comedy, diversity and richness of the characters, as well as the sheer mastery of the English language which came so naturally to him.

The central characters are old Trent, his granddaughter Nell, the moneylender Daniel Quilp, young Kit and the wonderful Richard Swiveller. Of these, the spotlessly pure Nell and the irredeemably evil Quilp are the moral opposites around which the book revolves, old Trent is rather a pathetic figure, while Kit's sturdy progress from poverty to respectability makes for happier reading. However, it is the moral journey of Swiveller, which perhaps reflects the geographic journey undertaken by Nell and her grandfather, which is the real joy of this book. He enters the book in the guise of a rogue, involved in dubious intrigues with Nell's no-good brother and also with the repulsive Quilp. However, from the time that Quilp gets him a job as a clerk in the office of Samson Brass and his sister, the awful Miss Brass, Swiveller's basic decency and natural good humour begin to reveal themselves, and his soliloquies and dialogue provide many hilarious moments from that point on. The Dick Swiveller who subsequently meets up with the hapless young girl kept prisoner by Miss Brass is funny, considerate, charming and kind, and a long way from the doubtful type of character that he at first appears to be.

The book proceeds along two different narrative lines; one which charts the progress of Nell and her grandfather on their long journey, and the other revolving around Swiveller, Quilp and Kit, and to a lesser extent the families of these latter two, as well as "the single gentleman" and the little girl memorably christened "The Marchioness" by Swiveller. One of the big faults I found with this dual structure is that the characters of one plot line have no contact with those in the other plot line for most of the novel, and it is left to the Quilp, Swiveller and Kit to act out most of the drama. Nell and her grandfather spend most of their time journeying through various scenes of early nineteenth century life in England. Nonetheless these all make for enjoyable reading. One particular scene where Nell and her grandfather sleep beside a furnace in the company of a wretched man who watches the flames is particularly memorable.

All in all, it's not exactly a page-turner, and the ending is not a happy one. I would not recommend this book as an introduction to Dickens, and is best read by people, like myself, who have already decided that anything by Dickens is worth reading. Also it focuses less on London than many Dickens novels, and gives an interesting view of rural, village and town life outside London in those times.

The only pleasure greater than discovering a new book
is rediscovering an old friend you haven't read for a while.
Many years ago I read all of Charles Dickens novels, but I
recently had occasion to re-read The Old Curiosity Shop, and
it is just as good as I remembered it the first time.

The story, like most of his plots, depends a great deal
on coincidences, so you have to suspend your scepticism to
enjoy it. Dickens begins by introducing us to one of the
most innocent little girls in literature, Little Nell, and
to her most unhappy grand-father. Quickly we discover that
instead of the old man taking care of the child, she is the
one responsible. We then meet one of Dickens' great villains
- the evil, corrupt, mean, and nasty Quilp - a man, if that
term can be used, who has absolutely no redeeming qualities,
one who finds pleasure in inflicting pain on all he meets.

Thinking that the old man has secret riches, Quilp
advances him money to support his gambling habit.
Unfortunately Nell's grandfather never wins, and the debt
grows ever larger. Finally Quilp forecloses on the curiosity
shop that the old man owns (thus the name of the book) and
tries to keep the two captive in order to discover the money
that he still believes is hidden somewhere. While the
household is asleep, however, Nell and her grandfather
escape and begin wandering across England in a search for
sanctuary.

On that journey, Dickens introduces us to a series of
minor characters who either befriend or try to take
advantage of our heroine. He's in no hurry to continue the
main story, so just sit back and enjoy the vivid
characterizations that are typical of any good Dickens
novel.

In the meantime, we follow the adventures of young Kit,
a boy who was one of Nell's best friends until Quilp turned
her grandfather against him. Here we find one of Dickens'
favorite sub-plots, the poor but honest boy who supports his
widowed mother and younger brother. Thanks to his honesty,
Kit finds a good position, but then evil Quilp enters the
picture and has him arrested as a thief!

Of course, we have the kind and mysterious elderly
gentlemen who take an interest in Kit and Nell for reasons
that we don't fully understand until the end of the book. We
are certain, however, that they will help ensure that
justice prevails in the end.

This is not a book for those in a hurry. Dickens tells
his stories in a meandering fashion, and the stops along the
way are just as important for your enjoyment as the journey itself. That can be frustrating at time, especially as you enter the second half and are anxious to see how things turn out. I try never to cheat by reading the end of a book before I finish, but it is tempting with Dickens. At times I wanted to tell him, "I don't want to meet anyone else; tell me what happens to Nell and Kit!" But I know the side journeys will prove rewarding, so I just have to be patient. Anyway, I am in better shape than his first readers; he wrote in weekly installments, so
they had to wait!

If you have and enjoyed other Dickens' novels, you will enjoy this one as well. If this is your first time (or perhaps the first time since you were in high school), you are in for a treat.

This edition of the Old Curiosity Shop is outstanding. It contains all the original illustrations drawn for the book, very helpful footnotes, a chronology of Dickens's life, etc. The book takes the reader on a wild journey through the English countryside with Little Nell, an angelic girl, and her troublesome grandfather, and features a host of amusing characters as only Dickens can draw them. While it was being written in serial form, it was so popular that sailors returning to port in England were known to shout to people on shore to ask what was going on with Little Nell. Today, however, you can miss some of Dickens's nuance and humor if you don't have good footnotes to turn to. The notes in this book explain obscure terms, references to contemporary popular culture, places where the action occurs, etc. If you are going to read this book, this is the edition to buy.

Everyone who seems to just put their foot on the waters of WEB PAGE CREATION BEWARE! It actually can kill your reputation!
This book teaches you all the basic [to tables and frames] and how to avoid all these web page traps! Much less FLAMES!!
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If you have never written in Hypertext or you are now using Hypertext, this is the book that gives you not only basic HTML usuage but also advanced techniques to help you create cool WEB site pages. The CD accompanying the book is worth the price alone. Simple easy to understand with outstanding specific examples of how to create Web pages. We learned HTML with the cookbook in a few days.

I love my computer! My eight to twelve hour working day is spent in front of it. Much of my home time is too. But when I read a book I don"t want it to be about computers. Thats why "The Web Page Design Cookbook" really filled the bill for me.

My web page has been under construction for more months than I care to mention. Too busy to learn html, too mind boggled to read a technical book, my page was a constant reminder of my procrastination. This book and the CD that comes with it provided the incentive. Want music, animation, video on your web page - its all here. With easy to use templates and examples its a cinch. This one is a winner!

I would be unfair to say that the 883 pages were a total waste, but it wasn't worth it for me.

The title of the Book is "ASP XML", and from this title I choose this book, because I wanted a book that would help me to use XML in ASP. That wasn't the case in some of the book examples.

The book content (without the case study) is only 15 chapter that spans 366 pages covering all different aspects of XML and XML integration of ASP. The information presented is very basic and lacks basic knowledge of XML, for example XSL was covered very poorly in the book ( MSDN was more helpful to me than the book). Chapter 11 through 14 were very useful though, especially chapter 14 that covers useful XML procedure libraries.

The case studies spans around 180 pages, there are 6 case studies. They were very confusing to me and none of them helped me solving any of the business requirements I was tackling.

The rest of the book contains appendices that are useful to have them all in the same book, but you can get them over the Internet for free.

Last word to say is that I was disappointed with this book.

The chapters are laid out properly and are easy to understand. It helped us to learn a great deal about incorporating XML into ASP.We recommend this book to anyone who wants to further expand their knowledge of XML in ASP.The authors did a really good job on explaing XML for ASP developers.The depth explainations of the case studies & examples and XML are really great and relate to real world examples.The chapter explaining about the SOAP is really good which helped us a lot personally to implement an in my current project . We personally thank Dinar Dalvi for his help and support to answer our questions and immediate feedback for our emails.

Excellent! for ones who are pro to ASP and need to intergrate XML with ASP! A must buy!

The book does not have the in-depth coverage that expert SQL users would expect. If you are a beginner then it may suit you just fine. There are not enough nuts and bolts for people like me who really need the complete reference book.

A very good book on Oracle8 administration, performance tuning, backup and recovery. Full of well organized useful information.

I am primarily a Solaris system admin who wants to learn more about the inside of Oracle and what it takes to keep it up and running. The O'Reilly titles were a major disappointment since most of their stuff usually rocks, but let's hope for better 2nd editions on those along with some good tutorial material. The Oracle Press titles are totally disorganized and a major embarassment! David Austin has put together a great book with Using Oracle 8, and if you have to suffer through NT (and thank God I don't), he has plenty of material on Oracle Enterprise Mgr (all of chapter 4). Then he moves on to the nitty gritty, with a Unix-oriented or at least generic "pure Oracle" approach. I have spent two weeks browsing and reading various Oracle books and good choices are hard to find. I strongly recommend Alomari's "Oracle8 and Unix Performance Tuning" as well.