Some popular fiction manages to stand the test of time, and EAST LYNNE falls into that category. For its contemporary readers, EAST LYNNE was one of the exemplars of that emerging genre, the sensation novel: its plot incorporates, among other things, murder, mistaken identity, bigamy, and adultery. Sitting awkwardly in this wild stew of criminal activity are the narrator's pious moral observations and the novel's didactic (and sometimes ponderously satirical) pronouncements on contemporary mores. The characters are mainly cardboard, with the possible exception of the termagant Cornelia Carlyle. The story remains highly readable, largely because the plot moves at a reasonably fast pace, but no-one should approach this book looking for high literature. Mrs. Wood wrote plain--some might say "simplistic"--prose with a minimum of stylistic embellishment, but most readers should find her writing tolerable. In other words, this novel exists in the upper reaches of Danielle Steele-land. It is, nevertheless, an essential text for understanding trends in Victorian popular culture during the 1860s and after.

This new edition, probably intended to replace the poorly edited Everyman version, contains a number of "extras." These include letters from Mrs. Wood, the report from publisher's reader Geraldine Jewsbury (herself a popular novelist), data on the novel's publication and serialization, contemporary reviews, contextual material, and selections from one of the many theatrical adaptations of the novel. Like most Broadview publications, this edition is obviously designed for classroom use, although casual readers should also find the additional material helpful.

Unfortunately, this edition has something in common with the Everyman version: the editing and proofreading. The text is rife with bizarre word substitutions, as if the MS had been run through a spellchecker without a second reading; typos; and improper accidentals (e.g., semi-colons for apostrophes and commas for periods). The often scattershot footnotes did not help: they were sometimes repetitive (e.g., annotating "Turk" more than once) and often too terse to be of much use. Many notes glossed old sayings whose meanings remain obvious even to today's students. To make matters worse, my own copy was badly printed. Instructors may want to keep these problems in mind.

Mrs Henry Wood's novel itself doesn't need any recommandation: generations of readers have literally devoured it. My rating however is valid only for the novel in itself.

What I should like to comment upon is the edition -- and here my rating is just 2 -- published as a volume of "Everyman's Library"...The text is disfigured by dozens...of misprints -- from a philological point of view, this edition is just useless.

The volume is out of print at the moment. This should be welcomed by the editors as an occasion to correct those numberless misprints. If they don't do so, there is only one comment possible on their edition: forget it.

I loved the novel "East Lynne" and am now reading it for the 2nd time. I could not put the book down and kept reading and reading. I recommended it to my mother and she also read it and loved it. It is Mrs. Henry Wood's greatest triumph. The reader feels so greatly for Lady Isabel, one wishes the ending were happier for her. The deaths of little William and finally Lady Isabel bring many tears. No wonder it was such a success in the Victorian era and it should be printed again in this time, to counter so much trash and vulgarity that is written.
I certainly can believe how successful it must have been when it was first printed in 1861. I also believe anyone who reads it wishes Lady Isabel back in her ex-husband's life and Barbara Hare out! Wonderful!!

In general, I have not been impressed with the works of Wilkie Collins outside his "big 4" novels ('The Woman in White', 'No Name', 'Armadale', and 'The Moonstone'). 'Man and Wife' was written right after 'The Moonstone', the last of his really successful novels. Sadly, this novel is unjustly overlooked by Wilkie Collins fans. It's actually a fun read.

'Man and Wife' is a complicated story about a young couple, and their friends/family, caught up in the consequences of lax marriage laws during the Victorian era. At that time folks in Scotland were considered married if they simply announced it. No need for marriage licenses, blood tests, etc. Wilkie Collins's gift of building the suspense works well, and the book's ending is unexpected (and terrific).

'Man and Wife' is every bit as good as, say, 'The Moonstone'. However for Wilkie Collins neophytes I suggest first trying 'The Woman in White' or 'No Name' (..both are my favorites).

PS - I think the previous reviewer is mistaken. This book has nothing to do with intrusive mother-in-laws.

This was actually a fun read. It's an anti-mother-in-law book. It's also about divorce. Despite the Victorian horror of the subject, I can't help thinking that we modern folk could learn something from this book. Little things mostly, like avoiding temptation and not placing your spouse in temptation. Probably the biggest thing I learned was not to have your mother-in-law live with you. Good advice in any age.

As much as I love to read, I wasn't very convinced about this book when my dad picked it out. But I can now say it's one of the best books I have ever read. It's sad yet honest, beautifully written. I recommend this book highly.

The Old Curiosity Shop certainly displays the hallmarks of the unstructured, free-flowing make-it-up-as-you-go-along type of story characteristic of Dickens's early novels. Indeed, it is rather generous to call it a story, and it's difficult now to understand the sensation it caused when it was first published. However, if a page-turning plot was all there was to it, very few of Dickens's novels would be readable at all. As ever with Dickens, the pleasure in reading this book comes from the comedy, diversity and richness of the characters, as well as the sheer mastery of the English language which came so naturally to him.

The central characters are old Trent, his granddaughter Nell, the moneylender Daniel Quilp, young Kit and the wonderful Richard Swiveller. Of these, the spotlessly pure Nell and the irredeemably evil Quilp are the moral opposites around which the book revolves, old Trent is rather a pathetic figure, while Kit's sturdy progress from poverty to respectability makes for happier reading. However, it is the moral journey of Swiveller, which perhaps reflects the geographic journey undertaken by Nell and her grandfather, which is the real joy of this book. He enters the book in the guise of a rogue, involved in dubious intrigues with Nell's no-good brother and also with the repulsive Quilp. However, from the time that Quilp gets him a job as a clerk in the office of Samson Brass and his sister, the awful Miss Brass, Swiveller's basic decency and natural good humour begin to reveal themselves, and his soliloquies and dialogue provide many hilarious moments from that point on. The Dick Swiveller who subsequently meets up with the hapless young girl kept prisoner by Miss Brass is funny, considerate, charming and kind, and a long way from the doubtful type of character that he at first appears to be.

The book proceeds along two different narrative lines; one which charts the progress of Nell and her grandfather on their long journey, and the other revolving around Swiveller, Quilp and Kit, and to a lesser extent the families of these latter two, as well as "the single gentleman" and the little girl memorably christened "The Marchioness" by Swiveller. One of the big faults I found with this dual structure is that the characters of one plot line have no contact with those in the other plot line for most of the novel, and it is left to the Quilp, Swiveller and Kit to act out most of the drama. Nell and her grandfather spend most of their time journeying through various scenes of early nineteenth century life in England. Nonetheless these all make for enjoyable reading. One particular scene where Nell and her grandfather sleep beside a furnace in the company of a wretched man who watches the flames is particularly memorable.

All in all, it's not exactly a page-turner, and the ending is not a happy one. I would not recommend this book as an introduction to Dickens, and is best read by people, like myself, who have already decided that anything by Dickens is worth reading. Also it focuses less on London than many Dickens novels, and gives an interesting view of rural, village and town life outside London in those times.

The only pleasure greater than discovering a new book
is rediscovering an old friend you haven't read for a while.
Many years ago I read all of Charles Dickens novels, but I
recently had occasion to re-read The Old Curiosity Shop, and
it is just as good as I remembered it the first time.

The story, like most of his plots, depends a great deal
on coincidences, so you have to suspend your scepticism to
enjoy it. Dickens begins by introducing us to one of the
most innocent little girls in literature, Little Nell, and
to her most unhappy grand-father. Quickly we discover that
instead of the old man taking care of the child, she is the
one responsible. We then meet one of Dickens' great villains
- the evil, corrupt, mean, and nasty Quilp - a man, if that
term can be used, who has absolutely no redeeming qualities,
one who finds pleasure in inflicting pain on all he meets.

Thinking that the old man has secret riches, Quilp
advances him money to support his gambling habit.
Unfortunately Nell's grandfather never wins, and the debt
grows ever larger. Finally Quilp forecloses on the curiosity
shop that the old man owns (thus the name of the book) and
tries to keep the two captive in order to discover the money
that he still believes is hidden somewhere. While the
household is asleep, however, Nell and her grandfather
escape and begin wandering across England in a search for
sanctuary.

On that journey, Dickens introduces us to a series of
minor characters who either befriend or try to take
advantage of our heroine. He's in no hurry to continue the
main story, so just sit back and enjoy the vivid
characterizations that are typical of any good Dickens
novel.

In the meantime, we follow the adventures of young Kit,
a boy who was one of Nell's best friends until Quilp turned
her grandfather against him. Here we find one of Dickens'
favorite sub-plots, the poor but honest boy who supports his
widowed mother and younger brother. Thanks to his honesty,
Kit finds a good position, but then evil Quilp enters the
picture and has him arrested as a thief!

Of course, we have the kind and mysterious elderly
gentlemen who take an interest in Kit and Nell for reasons
that we don't fully understand until the end of the book. We
are certain, however, that they will help ensure that
justice prevails in the end.

This is not a book for those in a hurry. Dickens tells
his stories in a meandering fashion, and the stops along the
way are just as important for your enjoyment as the journey itself. That can be frustrating at time, especially as you enter the second half and are anxious to see how things turn out. I try never to cheat by reading the end of a book before I finish, but it is tempting with Dickens. At times I wanted to tell him, "I don't want to meet anyone else; tell me what happens to Nell and Kit!" But I know the side journeys will prove rewarding, so I just have to be patient. Anyway, I am in better shape than his first readers; he wrote in weekly installments, so
they had to wait!

If you have and enjoyed other Dickens' novels, you will enjoy this one as well. If this is your first time (or perhaps the first time since you were in high school), you are in for a treat.

This edition of the Old Curiosity Shop is outstanding. It contains all the original illustrations drawn for the book, very helpful footnotes, a chronology of Dickens's life, etc. The book takes the reader on a wild journey through the English countryside with Little Nell, an angelic girl, and her troublesome grandfather, and features a host of amusing characters as only Dickens can draw them. While it was being written in serial form, it was so popular that sailors returning to port in England were known to shout to people on shore to ask what was going on with Little Nell. Today, however, you can miss some of Dickens's nuance and humor if you don't have good footnotes to turn to. The notes in this book explain obscure terms, references to contemporary popular culture, places where the action occurs, etc. If you are going to read this book, this is the edition to buy.

This is a throw away book for Wilkie Collins. It's a short romance with a subplot about a murderous sea captain. Well worth a read if it falls in your lap, but no masterpiece.

I got here after getting to Collins, after going through Dickens. This is an awful book, in my humble opinion. Why has it been resurrected? (Rhetorical) If you love Dickens, maybe you found Collins, and if you love Collins, then you and I are relevantly similar, so let me tell you, don't bother with this insipid tripe, or with "Doctor's Wife" for that matter. Unless you are simply obligated, because you are a gendered wannabe English professor, in some forsaken place, poor you.

I will have to agree that this is NOT Braddon's best work. However, it is not as bad as some of the other reviewers make it out to be. The biggest fault is that the story is quite slow to get going. If the reader can hang on and make it through about a third of the story, they will be rewarded with what we normally expect in sensation fiction. I was also somewhat put off by the little synopsis on the back of the book. It is very misleading. There is a lot more to the plot than what that little blurb suggests.
If you are new to Braddon, I would suggest starting with some of her other titles such as The Trail of The Serpent or Aurora Floyd.

During the 1860s Wilkie Collins, with his terrific The Woman In White, started the period of 'sensation' novels. These novels are rather over-the-type, almost slapstick-like mystery stories. Mary Elizabeth Braddon followed with her own flavor of sensation novels. While I love many of Wilkie Collins novels I was disappointed with Braddon's most famous work, Lady Audley's Secret. But when I ran into a copy of John Marchmont's Legacy I thought I'd give Ms Braddon a try. Was I disappointed? Well...

Firstly, the story is a typical Victorian era melodrama: family members squabbling over an inheritance, with certain members stopping at nothing to become rich. Ms Braddon does do a good job on the characterizations, and the ultimate mystery does build up to a good conclusion. The book is nicely structured (..unlike Lady Audley's Secret, where we find the story basically ending 100 pages from the finish).

However Ms Braddon is simply not a very good writer. Her prose is weak, especially compared to Wilkie Collins. Every third sentence ends with an exclamation point, which must be Ms Braddon's way of indicating high drama (?).

Bottom line: a unremarkable slice of Victorian literary history. Certainly not terrible, but nonetheless a far cry from Wilkie Collins material.