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Dr. Owens' book, Language Disorders: A Functional Approach to Assessment and Intervention, addresses this issue in great depth. The book shows how a conversationally-based, client-centered approach to assessment and intervention will greatly increase the likelihood of generalization. It also shows how the traditional approach of teaching language targets separately and out of context may not be the best method to achieve generalization. The book stresses, rather, to assess and train language where it will be used: in conversation. Owens also discusses at length the assessment and intervention of culturally and linguistically diverse children.
One major point made in the book early-on regarding intervention is the idea of making a plan for generalization when picking language targets, before therapy begins. So often SLPs make the mistake of addressing generalization toward the end of intervention, resulting in the SLP choosing inappropriate targets and/or the client showing a lack of carryover to novel contexts.
Owens also includes numerous guidelines and procedures that could be especially helpful for the school-based clinician. The appendices in the book are exceptional. Most impressive is Owens' extensive index of preschool literature, complete with suggested targets for remediation for each story. Also, a detailed table of language targets accompanied by functional activities for each is provided. This book is a valuable tool for anyone who works with individuals with language disorders or language differences.
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Every book has its faults as does this one. As stated before, most of the book is research. Unfortunately, most of the research essentially says the same thing but in different forms. Reading the same thing after a while becomes monotonous. The final chapter was very difficult to read.
Please do not be put off by my negative comments. I recommend this book highly.
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David Owen definitely writes as a guy. It's conceivable that a woman could enjoy this book, in the same way that some men enjoy reading Erma Bombeck. It's also true that many a woman these days finds herself, willy-nilly, the sole proprietor of some "huge box filled with complicated things that want to break," and so will see that this book is essentially inspirational and non-gendered, and will read it anyway. It's for anyone who has a house and doesn't know how that house works. Because if you have a house and don't know something about how it works, you will regret it, maybe not today, maybe not tomorrow, but soon and for the rest of your life.
The author is a writer for, among other publications, "The New Yorker", and he has the easy, colloquial, accomplished style that we associate with that magazine. This is not a "humor" book that tries to milk laughs out of the trials of a hapless urbanite who buys a 200-year-old farmhouse and gets his comeuppance. However, he was indeed a Manhattan apartment dweller with a wife and two young children who decided to buy a 200-year-old farmhouse in Connecticut, and certain mishaps and learning experiences did follow from that action. Some are laugh-out-loud funny, but mostly you will find yourself reading along with a smile that is composed of one part sympathy and two parts relief ("at least my house isn't THAT screwed-up!").
Mainly, though, in the course of your reading you will learn a lot. David Owen is a professional writer, and he knows how to research a topic, be it wallboard or lumber or electricity. (Perhaps the finest part of the book is the section on wallboard and plaster.) But he's also just an ordinary guy and a home-owner, until fairly recently just as butt-ignorant as you about how a house works. He lives in a this-old-house sort of place, and most of us don't. (Although once-fine old houses do present an implicit challenge that some of us fantasize about taking on, when our skills are a bit more honed.) His discussions, though, are firmly rooted in what many of us brood about on an almost daily basis: ugly walls, bad wiring, roofing leaks and wet basements.
But courage! A house need not be a millstone. It can be that fort Mom never let you build. If you're a grownup you can actually go out and buy power tools and plywood and all sorts of other neat stuff, and then you can come back home and make your house better.
Or worse. One of the virtues of this volume is its cheerful attitude toward working on one's home: that it is essentially a pilgrimage. Nothing is ever final, and every failure, every flub, teaches you something. Perfection is not the object, but rather, engagement. After a number of years of living in it, and coping with it, your home will become, for better and/or worse, an extension of yourself. If you love yourself, eventually you will love your house, too, with all its endearing faults.
Somehow do-it-yourself books always make me feel less than competent. It looks so easy in the book. Owen perfectly captures the learning process involved with getting to know an old house. In the process, he passes along much of what he's learned and frequently makes me laugh out loud.
Anyone who has lived in, or, especially, tried to improve, an old house should read this book.
Also among the choicest bits in a book that is full of great moments: the description of a layer of ugly wallpaper over a layer of ugly paint over a layer of ugly wallpaper over a layer of ugly paint...
Read this book during that break from stripping paint; have a tall glass of iced tea with it. And rejoice in the fact that even though it's 100 degrees and you're working on your house, at least you are not on an aluminum ladder near electrical lines in the rain.
I give copies of this book to friends as housewarming gifts for their first house...; we had to buy two copies for ourselves, as we don't want to run the risk of losing our only copy if someone borrows it.
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The book starts with a five page description of Eastern California's geological history, then jumps into 30 sites of interest, nearly evenly distributed between Death Valley & vicinity and the Eastern Sierra & vicinity. A glossary, "Sources of Supplementary Information," and an index round out the book.
Each site receives its own chapter, replete with photographs, maps, geological diagrams, and even driving directions, as needed. I'm not a serious geologist, but landscape features fascinate me. The explanations that the authors give work well for me: I can understand them well enough to explain them to children.
If you're interested in how the land has been shaped, if you're willing to turn off the tube & make contact with the natural world, then this book is for you. One of the best "field guides" to geology I own. One of my favorites, too. (The companion volume, GEOLOGY UNDERFOOT SOUTHERN CALIFORNIA, is also an excellent book).
The book is always favourably mentioned in photo history books as an example of the 'new topography' with photographers like Lewis Baltz, Robert Adams and Stephen Shore and the critics suggest that the citizens of this suburbia lead superficial lives because they live there. But they can't get round the fact these folk, living in Livermore Amador Valley, California, or perhaps three thousand miles away in Levittown, Long Island enjoy the life-style of suburban living and Owens photos capture this feeling so well.
On the visual strength of 'Suburbia' I bought another book of Bill Owens photos, 'Working: I do it for the money', published in 1977, a super collection of photos showing Americans at work and Like 'Suburbia' it includes many observations from those in the photos. Well worth searching out for.