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When I purchased this book, I had hoped for a good floorplan of the home, instead I got a little sketch that could hardly be read with a magnifying glass.
Overall, very factual. It makes you realize just what went into the building process. Even if the paragraphs are a little too wordy.
Pictures of all of the beautiful rooms in the house are included in this publication. Also included are sketchs of the many details of the home, included are the east facade, the Gate House, the gates that set next to the house, the Biltmore Village Church, and sketchs of many of the statues from Biltmore's gardens.
Also included in this book is the histories of many of the principal players in Biltmore's creation, including Fredrick Law Olmsted the landscape designer, Richard Morris Hunt the arcitect, and of course George Vanderbilt the home's owner.
Included is many of the landscape designs of Biltmore's gardens, and beautiful pictures of many of them. Pictures of Biltmore's Conservatory are included which sits in Biltmore's Walled Garden, to the north of Biltmore House.
All in all, this book is great, and a great companion to a day long visit to Biltmore! If you loved Biltmore Estate, you'll love this book, I garentee it!
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I grew up near New York City and always considered Central Park to be a wonderful place, even in its worst times through the 60s and 70s. I am lucky enough now to live in a city with three Olmsted-designed parks (they were initiated by the old man, but designed and built by his sons). Their maintenance has been spotty, but they are still beautiful places, and I do wonder if they still have the power to civilize.
Rybczynski spends a lot of time discussing the significance of Olmsted's major projects, like Prospect Park and Mount Royal. The innovations that Olmsted brought to the field of landscape architecture in these projects are clearly laid out for the reader. However, these discussions were not the main point that I took from the book. Instead, I was enthralled with the discussions of the various jobs and travels that Olmsted undertook throughout his life, particularly in his formative years. Rybczynski does an excellent job of showing that these diverse experiences not only satiated Olmsted's curiosity, but also were essential to the development of Olmsted's views on landscape architecture. It is refreshing to find an example of the belief that a variety of experiences are necessary to bring out new talents, enhance existing skills, and create a well-rounded individual.
I highly recommend A Clearing In The Distance for many reasons. These reasons include a concise writing style and a multi-faceted subject. But, above all, the book brings attention to an individual deserving of such study. It is this quality that makes A Clearing In The Distance a "must-read" for not only admirers of Olmsted's works, but for anyone who is interested in the creative development of an innovator in their field.
You may be surprised to learn, as I was, the vast number of projects he undertook. How Central Park was really his first significant project. How he had to fight political and economic battles to keep it from being ruined. How he was able to truly "get it right" with Brooklyn's Prospect Park.
Through the fascinating descriptions of the landscapes, the author also provides great insight into Olmsted's life. What struck me the most was how Olmsted, as with many of his contemporaries (U.S. Grant, Mark Twain) worried for most of his life about his finances and his career.
This is a first rate work, told in a clear and compelling fashion.
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